������

The exhibition history prepared by Mary Lynn Kotz for Robert ������: A Retrospective (New York: Solomon R. Guggenheim Museum, 1997) has been revised and updated by Helen Hsu, with additional research by Amanda Sroka. The online version of the exhibition history is continually updated by Foundation staff and curatorial interns.

Entries include exhibition catalogues and brochures. Through 2014 select exhibitions also list related articles and reviews by date of publication. Traveling exhibitions that have not yet concluded their scheduled tours include the text "additional venues pending" and will be updated at the conclusion of the tour. 

Unless otherwise noted, exhibitions were held at institutions open to the general public. Entries marked with an asterisk (*) indicate private research-oriented exhibitions. 

1951

Betty Parsons Gallery, New York, Paintings by Bob ������, May 14–June 2.

• Seckler, Dorothy. “Reviews and Previews: Robert ������.”&�Բ�����;Artnews (New York) 50, no. 3 (May 1951), p. 59.
• Preston, Stuart. “Varied Art Shown in Galleries Here: Realism and Abstraction Mark Paintings by Five ������s—Otto Botto Works Seen.”&�Բ�����;New York Times, May 18, 1951, p. 25.
• Cole, Mary. “Fifty-seventh Street in Review: Bob ������.”&�Բ�����;Art Digest (New York) 25, no. 17 (June 1, 1951), p. 18.
• Feinstein, Roni. “The Unknown Early Robert ������: The Betty Parsons Exhibition of 1951.”&�Բ�����;Arts Magazine (New York) 59, no. 5 (Jan. 1985), pp. 126–31.

1952

Black Mountain College, N.C., Paintings by Robert ������, opened August 10, 1952.

1953

Galleria dell’Obelisco, Rome, Bob ������: Scatole e Feticci Personali, March 3–10. 

Galleria d’Arte Contemporanea, Florence, Scatole e costruzioni contemplative di Bob ������, opened March 14.

Stable Gallery, New York, ������: Paintings and Sculpture; Cy Twombly: Paintings and Drawings, Sept. 15–Oct. 3.

• Campbell, Lawrence. “Reviews and Previews: ������ and Twombly.”&�Բ�����;Artnews (New York) 52, no. 5 (Sept. 1953), p. 50.
• Ashton, Dore. “Fifty-seventh Street: Bob ������.”&�Բ�����;Art Digest (New York) 27, no. 20 (Sept. 15, 1953), pp. 21, 25.
• Crehan, Hubert. “The See Change: Raw Duck.”&�Բ�����;Art Digest (New York) 27, no. 20 (Sept. 15, 1953), p. 25.
• Burrows, Carlyle. “Art Review: New Shows Strong in Experiment.”&�Բ�����;New York Herald Tribune, Sept. 20, 1953, sec. 4, p. 10.
• Preston, Stuart. “Diverse Openings.”&�Բ�����;New York Times, Sept. 20, 1953, sec. 2, p. 11.
• Fitzsimmons, James. “Art.”&�Բ�����;Arts and Architecture (Los Angeles) 70, no. 10 (Oct. 1953), pp. 9, 32–36.
• Genauer, Emily. “Art and ������s: Musings on Miscellany.”&�Բ�����;New York Herald Tribune, Dec. 27, 1953, sec. 4, p. 6.

1954

Egan Gallery, New York, Joyeux Noël by ������, Dec. 13, 1954–Jan. 22, 1955.

• Preston, Stuart. “Divisions of Today: Novelty to New Realism in Current Shows.”&�Բ�����;New York Times, Dec. 19, 1954, sec. 2, p. 12.
• O’Hara, Frank. “Reviews and Previews: Bob ������.”&�Բ�����;Artnews (New York) 53, no. 9 (Jan. 1955), p. 47.
• Crehan, Hubert. “������.”&�Բ�����;Arts Digest (New York) 29, no. 7 (Jan. 1, 1955), p. 30.

1958

Leo Castelli, New York, Robert ������, March 4–29.

• Ashbery, John. “Five Shows Out of the Ordinary: Robert ������.”&�Բ�����;Artnews (New York) 57, no. 1 (March 1958), pp. 40, 56–57.
• Rosenblum, Robert. “In the Galleries: Robert ������.”&�Բ�����;Arts (New York) 32, no. 6 (March 1958), p. 61.
• Rice, Dustin. “Art: Enfant Terrible.”&�Բ�����;Village Voice (New York), March 12, 1958, p. 12.
• “Trend to the ‘Anti-Art.’” Newsweek (New York) 51, no. 13 (March 31, 1958), pp. 94, 96.
• Steinberg, Leo. “Letters: Footnote.”&�Բ�����;Arts (New York) 32, no. 8 (May 1958), p. 9.

1959

Galleria la Tartaruga, Rome, ������, opened May 30. Exh. brochure.

1960

Leo Castelli, New York, Robert ������, March 29–April 16.

• Ashton, Dore. “Art: Derivation of Dada.”&�Բ�����;New York Times, March 30, 1960, sec. L, p. 42.
• Sandler, Irving H. “Reviews and Previews: Robert ������ (Castelli).”&�Բ�����;Artnews (New York) 59, no. 2 (April 1960), p. 14.
• Genauer, Emily. “Dada’s the Disease, Geometry a Cure?” New York Herald Tribune, April 3, 1960, sec. D, p. 7.
• Coates, Robert M. “The Art Galleries: Robert ������.”&�Բ�����;New Yorker 36, no. 8 (April 9, 1960), pp. 158–59.
• “The Emperor’s Combine.”&�Բ�����;Time (New York) 75, no. 16 (April 18, 1960), p. 92.
• Porter, Fairfield. “Art.”&�Բ�����;Nation (New York) 190, no. 17 (April 23, 1960), pp. 371–72.
• Tillim, Sidney. “In the Galleries: Robert ������.”&�Բ�����;Arts (New York) 34, no. 8 (May 1960), pp. 58–59.

Galerie 22, Düsseldorf, ������, Twombly: Zwei amerikanische Maler, April 22–May 30.

Leo Castelli, New York, Drawings for Dante’s ‘Inferno’, Dec. 6, 1960–Jan. 7, 1961.

• Genauer, Emily. “‘Literal’ Image of ‘Inferno.’” New York Herald Tribune, Dec. 11, 1960, sec. 4, p. 23.
• Preston, Stuart. “Cards of Identity: Dante Revisited.”&�Բ�����;New York Times, Dec. 11, 1960, sec. 2, p. 17.
• Campbell, Lawrence. “Reviews and Previews: Robert ������.”&�Բ�����;Artnews (New York) 59, no. 9 (Jan. 1961), pp. 13–14.
• Sawin, Martica. “In the Galleries: Robert ������.”&�Բ�����;Arts (New York) 35, no. 4 (Jan. 1961), p. 56.
• Ashton, Dore. “Art.”&�Բ�����;Arts and Architecture (Los Angeles) 78, no. 2 (Feb. 1961), pp. 4–5.

1961

Galerie Daniel Cordier, Paris, Robert ������, April 27–June 8. Exh. brochure with text by David Myers.

Galleria dell’Ariete, Milan, ������, Oct. 24–Nov. Exh. brochure with text by Gillo Dorfles.

• Schoenenberger, Gualtiero. “Les Expositions à Milan: Robert ������.”&�Բ�����;Art International (Zurich) 5, no. 10 (Christmas 1961), p. 65.

Leo Castelli, New York, ������, Nov. 7–Dec. 5.

• Sandler, Irving. “In the Art Galleries.”&�Բ�����;New York Post, Nov. 26, 1961, Magazine, p. 12.
• Kroll, Jack. “Reviews and Previews: Robert ������.”&�Բ�����;Artnews (New York) 60, no. 8 (Dec. 1961), p. 12.
• Judd, Donald. “In the Galleries: Robert ������.”&�Բ�����;Arts Magazine (New York) 36, no. 4 (Jan. 1962), pp. 39–40.
• Sawyer, Kenneth. “Painting and Sculpture: The New York Season.”&�Բ�����;Craft Horizons (New York) 22, no. 3 (May–June 1962), p. 53.

1962

Dwan Gallery, Los Angeles, Robert ������, March 4–31.

• Seldis, Henry J. “‘Art of Assemblage’—The Power of Negative Thinking.”&�Բ�����;Los Angeles Times, March 18, 1962, Calendar, p. 26.
• Nordland, Gerald. “Neo-Dada Goes West.”&�Բ�����;Arts Magazine (New York) 36, no. 9 (May–June 1962), pp. 102–03.

1963

Galerie Ileana Sonnabend, Paris, ������: Première Exposition (Oeuvres 1954–1961), Feb. 1–16, and ������: Seconde Exposition (Oeuvres 1962–1963), Feb. 20–March 9. Exh. brochure with previously published texts by Lawrence Alloway, John Cage, Françoise Choay, Gillo Dorfles, Alain Jouffroy, and Michel Ragon, and previously published interview with ������ by André Parinaud.

• Ashbery, John. “Villon Engravings at Paris Gallery: Neo-Dada Founder.”&�Բ�����;New York Herald Tribune, Feb. 13, 1963, sec. X, p. 1.
• Schneider, Pierre. “Art News from Paris.”&�Բ�����;Artnews (New York) 62, no. 2 (April 1963), p. 48.
• Michelson, Annette. “Paris Letter.”&�Բ�����;Art International (Lugano) 7, no. 4 (April 25, 1963), p. 71.
• Frigerio, Simone. “Les Éxpositions à Paris: ������.”&�Բ�����;������dzܰ���’h�ܾ� (Paris), no. 41 (May 1963), p. 38.

Beaumont-May Gallery, Hopkins Center, Dartmouth College, Hanover, N.H., Robert ������: Visiting ������, Feb. 3–28.

Jewish Museum, New York, Robert ������, March 31–May 12. Exh. cat. with essay by Alan R. Solomon.

• Sandler, Irving. “In the Art Galleries.”&�Բ�����;New York Post, April 14, 1963, Magazine, p. 14.
• O’Doherty, Brian. “Robert ������.”&�Բ�����;New York Times, April 28, 1963, sec. 2, p. 13.
• Johnston, Jill. “Reviews and Previews: Robert ������.”&�Բ�����;Artnews (New York) 62, no. 3 (May 1963), pp. 11–12.
• Judd, Donald. “In the Galleries: Robert ������.”&�Բ�����;Arts Magazine (New York) 37, no. 9 (May–June 1963), pp. 103–04.
• Geldzahler, Henry. “Robert ������.”&�Բ�����;Art International (Lugano) 7, no. 7 (Sept. 25, 1963), pp. 62–67.

Leo Castelli, New York, ������, Oct. 26–Nov. 21.

• Campbell, Lawrence. “Reviews and Previews: Robert ������.”&�Բ�����;Artnews (New York) 62, no. 7 (Nov. 1963), p. 12.
• Sharp, Willoughby. “Robert ������: A New Aesthetic.”&�Բ�����;Columbia Daily Spectator (Columbia University, New York), Nov. 4, 1963.
• Preston, Stuart. “Scanning Art’s Horizons Near and Far.”&�Բ�����;New York Times, Nov. 10, 1963, sec. 2, p. 19.
• Judd, Donald. “In the Galleries: Robert ������.”&�Բ�����;Arts Magazine (New York) 38, no. 3 (Dec. 1963), p. 60.
• Kozloff, Max. “Art.”&�Բ�����;Nation (New York) 197, no. 19 (Dec. 7, 1963), pp. 402–03.
• Ashton, Dore. “New York Report.”&�Բ�����;Das Kunstwerk (Baden-Baden, Germany) 17, no. 7 (Jan. 1964), p. 27.
• ———. “Object versus Illusion: New York Commentary.”&�Բ�����;Studio (London) 167, no. 849 (Jan. 1964), pp. 41–43.
• Kozloff, Max. “New York Letter.”&�Բ�����;Art International (Lugano) 7, no. 10 (Jan. 16, 1964), pp. 32–33.

1964

Whitechapel Art Gallery, London, ������: Illustrations for Dante’s Inferno, Feb. 4–March 8. Organized by International Council, Museum of Modern Art, New York. Traveled to U.S. Embassy, London, March 10–April 10; Hatton Gallery, University of Newcastle upon Tyne, U.K., April 20–May 2; Ashmolean Museum, Oxford, May 17–25; Arts Council Gallery, Cambridge, U.K., May 20–30; Vienna Internationaler Künstlerklub, June 10–July 7; Neue Galerie am Landesmuseum Joanneum, Graz, Austria, July 9–Aug. 21; Kaiser Wilhelm Museum, Krefeld, Germany, Sept. 12–Oct. 5; Museum am Ostwall, Dortmund, Germany, Oct. 6–Nov. 1; Amerika Haus, Hamburg, Nov. 5–Dec. 1; Kunstverein, Stuttgart, Dec. 5, 1964–Jan. 3, 1965; Amerika Haus, Berlin, Jan. 9–Feb. 4, 1965; Kunsternes Hus, Oslo, Feb. 20–March 14, 1965; Moderna Museet, Stockholm, March 20–April 17, 1965; Galerie Horhammer, Helsinki, April 27–May 12, 1965; Stedelijk Museum, Amsterdam, May 28–June 28, 1965; Palais des Beaux-Arts, Brussels, Sept. 30–Oct. 31, 1965; Museum of Modern Art, New York, Dec. 21, 1965–March 20, 1966; Arts Club of Chicago, May 20–June 19, 1966; Fresno State College, Calif., Sept. 18–Oct. 9, 1966; Southwest Texas State College, San Marcos, Oct. 23–Nov. 13, 1966; Memphis State University, Nov. 27–Dec. 18, 1966; Baltimore Museum of Art, Jan. 3–29, 1967; Columbia Museum of Art, S.C., Feb. 10–March 5, 1967; J. B. Speed Art Museum, Louisville, March 20–April 9, 1967; Museum of Art, University of Michigan, Ann Arbor, April 24–May 15, 1967. Exh. cat. (U.K., The Dante Drawings of Robert ������) with texts by Dore Ashton. Exh. cat. (Germany, Robert ������: Dante-Illustrationen) with introduction by William S. Lieberman. Exh. cat. (Oslo, Robert ������ Illustrasjoner til Dantes Inferno) with introduction by Lieberman. Exh. cat. (Amsterdam, Robert ������ Illustraties voor Dante’s Inferno) with introduction by Lieberman.

• Lucie-Smith, Edward. “Three Illustrators of Dante.”&�Բ�����;Times (London), Feb. 11, 1964, p. 13.
• Genauer, Emily. “������’s Drawings for Dante’s Inferno.”&�Բ�����;New York Herald Tribune, Dec. 25, 1965, p. 7.
• Bochner, Mel. “In the Museums: Robert ������.”&�Բ�����;Arts Magazine (New York) 40, no. 5 (March 1966), pp. 50–51.
• Benedikt, Michael. “New York Letter.”&�Բ�����;Art International (Lugano) 10, no. 3 (March 20, 1966), pp. 58–59.
• “������ Illustrations: Museum Exhibit.”&�Բ�����;Baltimore Sun, Jan. 3, 1967, sec. B, p. 5.
• Gold, Barbara. “‘Inferno’ in Modern Vein.”&�Բ�����;Baltimore Sun, Jan. 8, 1967, sec. D, p. 8.

Whitechapel Art Gallery, London, Robert ������: Paintings, Drawings and Combines, 1949–1964, Feb. 4–March 8. Exh. cat. with previously published essays by John Cage, Henry Geldzahler, and Max Kozloff.

• Burr, James. “Round the London Galleries: Born of Stress.”&�Բ�����;Apollo (London) 79, no. 24 (Feb. 1964), p. 148.
• “The Exhilarating Art of Robert ������.”&�Բ�����;Times (London), Feb. 8, 1964, p. 5.
• Gosling, Nigel. “A Jackdaw of Genius.”&�Բ�����;Observer (London), Feb. 9, 1964, p. 23.
• Mullins, Edwin. “Not Just a Joker.”&�Բ�����;Sunday Telegraph (London), Feb. 9, 1964, p. 11.
• Russell, John. “The World of Art: Big City, Big Country.”&�Բ�����;Sunday Times (London), Feb. 9, 1964, p. 32.
• Brett, Guy. “������ in Retrospect.”&�Բ�����;Guardian (London), Feb. 11, 1964, p. 7.
• Wallis, Nevile. “Art of the Possible.”&�Բ�����;Spectator (London) 212, no. 7077 (Feb. 14, 1964), p. 214.
• Glueck, Grace. “Art Notes: Going, Going, Up.”&�Բ�����;New York Times, Feb. 16, 1964, sec. 2, p. 16.
• Forge, Andrew. “Robert ������.”&�Բ�����;New Statesman (London) 67, no. 1719 (Feb. 21, 1964), pp. 304–05.
• Burn, Guy. “Robert ������.”&�Բ�����;Arts Review (London) 16, no. 3 (Feb. 22–March 7, 1964), p. 2.
• “������: New Pace-Setter in Art.”&�Բ�����;Observer (London), Feb. 23, 1964, p. 21.
• Baro, Gene. “Some London Galleries.”&�Բ�����;Arts Magazine (New York) 38, no. 6 (March 1964), p. 15.
• Raworth, Tom. “London Report.”&�Բ�����;Das Kunstwerk (Baden-Baden, Germany) 17, no. 9 (March 1964), p. 30.
• Roberts, Keith. “Current and Forthcoming Exhibitions: London.”&�Բ�����;Burlington Magazine (London) 106, no. 732 (March 1964), pp. 137–38.
• Melville, Robert. “Miscellany: Fear of the Banal.”&�Բ�����;Architectural Review (London) 135, no. 806 (April 1964), pp. 291–93.
• Whittet, G. S. “Interesting, but It Isn’t Art: London Commentary.”&�Բ�����;Studio (London) 167, no. 852 (April 1964), pp. 158–59.
• Lynton, Norbert. “London Letter.”&�Բ�����;Art International (Lugano) 8, no. 3 (April 25, 1964), pp. 76–77.

Galerie Ileana Sonnabend, Paris, ������, May 14–30.

• Hahn, Otto. “������ à Paris.”&�Բ�����;����ֳ�������� (Paris) (May 28, 1964), pp. 26–27.
• Gassiot-Talabot, Gérald. “Les Expositions: ������.”&�Բ�����;������dzܰ���’h�ܾ� (Paris), no. 46 (July 1964), p. 85.

Museum Haus Lange, Krefeld, Germany, Robert ������, Sept. 12–Oct. 18. Exh. brochure with texts by Willoughby Sharp (in English) and Paul Wember (in German).

Galerie Ileana Sonnabend, Paris, Untitled 1953–1954 and Thirty-Four Dante Drawings, Dec. 1964–Jan. 13, 1965.

1965

Amerika Haus, Berlin, Robert ������: Bilder, Zeichnungen, Lithos, Jan. 8–Feb. 4. Exh. brochure with text by Dieter Ruckhaberle.

Contemporary Arts Museum, Houston, Robert ������, March 12–April 15.

Dwan Gallery, Los Angeles, Robert ������, April 13–May 8.

• Wilson, William. “Exhibition That Instructs.”&�Բ�����;Los Angeles Times, April 23, 1965.
• Marmer, Nancy. “Los Angeles: Robert ������.”&�Բ�����;Artforum (Los Angeles) 3, no. 9 (June 1965), pp. 10–11.

Walker Art Center, Minneapolis, Robert ������, Paintings 1953–1964, May 3–June 6. Exh. brochure with essay by Dean Swanson.

• McConagha, Al. “������ Wants to Open People’s Eyes.”&�Բ�����;Minneapolis Tribune, May 9, 1965, sec. E. p. 1.
• Sherman, John K. “������ Show Is Exciting.”&�Բ�����;Minneapolis Tribune, May 9, 1965, sec. E. p. 11.
• Morrison, Don. “������ Exhibition Is an Eye Glazer.”&�Բ�����;Minneapolis Star, May 21, 1965, sec. A, p. 16.
• Kay, Jane H. “‘Quote, 1964’: Painting by Robert ������.”&�Բ�����;Christian Science Monitor (Boston), Aug. 14, 1965, p. 8.

Leo Castelli, New York, Robert ������: Oracle, May 15–June 19.

• Bourdon, David. “������: Oracle.”&�Բ�����;Village Voice (New York), May 27, 1965, p. 7.
• “Pop: Bing-Bang Landscapes.”&�Բ�����;Time (New York) 85, no. 22 (May 28, 1965), p. 80.
• Berkson, William. “In the Galleries: Robert ������.”&�Բ�����;Arts Magazine (New York) 39, no. 10 (Sept.–Oct. 1965), p. 62.
• Levine, Neil A. “Reviews and Previews: Robert ������.”&�Բ�����;Artnews (New York), 64, no. 5 (Sept. 1965), p. 11.
• Volpi, Marisa. “Incontro a New York con ������ e Stella.”&�Բ�����;La Fiera Letteraria (Rome), Sept. 8, 1966, p. 19.
• Lippard, Lucy. “New York Letter, April–June 1965.”&�Բ�����;Art International (Lugano) 9, no. 6 (Sept. 20, 1965), p. 57.

1967

Leo Castelli, New York, Robert ������: Revolvers, May 13–June 10. Exh. brochure.

• Lichtblau, Charlotte. “Kinetic ‘Revolvers’ by R. ������.”&�Բ�����;Philadelphia Inquirer, May 21, 1967.
• Glueck, Grace. “Robert ������’s ‘Revolvers.’” New York Times, May 27, 1967, sec. 2, p. 27.
• Picard, Lil. “Ausstellungen in New York: Bei ������ nichts neues.”&�Բ�����;Das Kunstwerk (Baden-Baden, Germany) 20, nos. 9–10 (June–July 1967), p. 64.
• Tuten, Frederic. “In the Galleries: Robert ������: Revolvers and Lithographs.”&�Բ�����;Arts Magazine (New York) 41, no. 8 (Summer 1967), p. 55.
• “Robert ������.”&�Բ�����;Domus (Milan), no. 452 (July 1967), p. 53.

Gemini G.E.L., Los Angeles, Booster and 7 Studies, May 23–June 30. Exh. brochure with text by Lucy R. Lippard.

• Seidenbaum, Art. “Lithography Art Leaves Its Print.”&�Բ�����;Los Angeles Times, Dec. 14. 1967, sec. D, p. 1.

Douglas Gallery, Vancouver, Booster and 7 Studies, July 15–31.

1968

Whitney Museum of American Art, New York, Robert ������: Print, Jan. 22–Feb. 22.

• Kramer, Hilton. “Art: Over Fifty-Three Feet of Wall Decoration.”&�Բ�����;New York Times, Jan. 23, 1968, sec. L, p. 28.

Stedelijk Museum, Amsterdam, Robert ������, Feb. 23–April 7. Traveled to Kölnischer Kunstverein, Cologne, April 19–May 26; Musée d’Art Moderne de la Ville de Paris, Oct. 10–Nov. 10. Exh. brochure (Paris, Robert ������: Oeuvres de 1949 à 1968) with previously published interview with ������ by André Parinaud and previously published statements by ������. Exh. cat. (Amsterdam, Robert ������, in Dutch and English) with introduction by Andrew Forge and previously published statements by ������. Exh. cat. (Cologne, Robert ������: Werke 1949 bis 1968).

• Hellmann, Paul. “Een wand die van je houdt!” Het Parool (Amsterdam), Feb. 22, 1968.
• van ’t Veer, Paul. “������ laat licht reageren op stemgeluid.”&�Բ�����;Het Vrije Volk (Rotterdam), Feb. 23, 1968, p. 2.
• Wijers, Louwrien. “Avant-Garde New York.”&�Բ�����;Algemeen Handelsblad (Amsterdam), Feb. 24, 1968.
• Blotkamp, Carel. “Robert ������: ‘Van mijn schilderijen vind ik dat waarin mij het minst duidelijk is, het beste.’” Vrij Nederland (Amsterdam), March 2, 1968.
• Boonstra, Rom. “������: Kunst en techniek onder één hoedje.”&�Բ�����;Nieuwsblad van het Noorden (Groningen, Netherlands), March 2, 1968, p. 27.
• Russell, John. “Completed Cycle.”&�Բ�����;Sunday Times (London), March 3, 1968, Arts, p. 25.
• van Beek, Marius. “Het geval ������.”&�Բ�����;De Tijd (Amsterdam), March 9, 1968, Gun U de Tijd, p. 5.
• Metken, Günter. “Malen im optischen Zeitalter: Zur ������-Ausstellung in Amsterdam und Köln.”&�Բ�����;Das Kunstwerk (Stuttgart) 21, nos. 6–7 (April–May 1968), pp. 74, 77–78.
• “������: Lärm in Spiegel.”&�Բ�����;Der Spiegel (Hamburg), no. 19/1968 (May 6, 1968), pp. 153–54.
• Clay, Jean. “Revoir ������.”&�Բ�����;Connaissance des arts (Paris), no. 200 (Oct. 1968), pp. 23–24.
• Hahn, Otto. “L’Enfant terrible de New York.”&�Բ�����;����ֳ�������� (Paris), no. 901 (Oct. 14–20, 1968), p. 54.
• Pluchart, François. “Les Scandales de ������.”&�Բ�����;Combat (Paris), Oct. 14, 1968, pp. 8–9.
• Cutler, Carol. “Art in Paris: Documenting an Unacceptable Culture.”&�Բ�����;International Herald Tribune (Paris), Oct. 15, 1968, p. 6.
• Michel, Jacques. “Le monde illogique de ������.”&�Բ�����;Le Monde (Paris), Oct. 17, 1968.
• Duparc, Christiane. “Le grand match contre la laideur.”&�Բ�����;Le Nouvel Observateur (Paris), no. 207 (Oct. 28, 1968), pp. 48–49.
• Gállego, Julián. “Crónica de Paris: Robert ������ y otros pintores modernos.”&�Բ�����;Goya (Madrid), no. 88 (Jan.–Feb. 1969), pp. 234–38.

Peale Galleries, Pennsylvania Academy of the Fine Arts, Philadelphia, Robert ������, March 7–April 14. Exh. brochure.

Gemini G.E.L., Los Angeles, Reels (B + C), April 14–May 26.

Galerie Gérald Cramer, Geneva, ������: XXXIV Drawings for Dante’s Inferno, June 5–Oct. 19. Exh. cat. (New York: Harry N. Abrams, 1968) with introduction by Dore Ashton.

Galerie Ileana Sonnabend, Paris, ������: 25 Dessins 1968, Oct. 3–mid-Nov.

Leo Castelli, New York, White Paintings 1951, Oct. 12–26.

• Glueck, Grace. “Ben Shahn Shines On.”&�Բ�����;New York Times, Oct. 13, 1968, sec. D, p. 39.
• Pincus-Witten, Robert. “New York: Robert ������, Castelli Gallery.”&�Բ�����;Artforum (New York) 7, no. 4 (Dec. 1968), pp. 54–55.

Museum of Modern Art, New York, ������: Soundings, Oct. 22, 1968–Jan. 26, 1969.

• Glueck, Grace. “Art: ������’s Latest Bit of Technological Tinkery Bows at the Modern.”&�Բ�����;New York Times, Oct. 24, 1968, p. 94.
• ———. “Art: ������ ‘Soundings’ Involves Viewers at the Modern.”&�Բ�����;New York Times, Oct. 25, 1968, sec. C, p. 42.
• Perreault, John. “Faith and Fire.”&�Բ�����;Village Voice (New York), Oct. 31, 1968, p. 16.
• Gablik, Suzi. “Light Conversation.”&�Բ�����;Artnews (New York) 67, no. 7 (Nov. 1968), pp. 58–60.
• Andreae, Christopher. “������’s ‘Soundings’: A Good Listener.”&�Բ�����;Christian Science Monitor (Boston), Nov. 4, 1968, p. 10.
• Gruen, John. “Art in New York: Spectator Participation.”&�Բ�����;New York 1, no. 32 (Nov. 11, 1968), p. 19.

1969

Fort Worth Art Center, Robert ������: Selections, Jan. 5–Feb. 2. Exh. cat. with introduction by Henry T. Hopkins.

• Tinsley, Ann Miller. “Art Center to Exhibit Unusual Works of ������.”&�Բ�����;Fort Worth Star-Telegram, Jan. 5, 1969, sec. 6, p. 1.
• ———. “Unconventional ������ Aims Not to Please but to Involve.”&�Բ�����;Fort Worth Star-Telegram, Jan. 6, 1969, sec. A, p. 4.
• Schulze, Franz. “Fort Worth Museum Is Part of Texas Art Progress.”&�Բ�����;Fort Worth Star-Telegram, Jan. 29, 1969, sec. A, p. 5.
• Hopkins, Henry T. “In the Museums: Robert ������.”&�Բ�����;Arts Magazine (New York) 43, no. 4 (Feb. 1969), p. 55.

Museum Boymans-Van Beuningen, Rotterdam, Drawings, Feb. 8–March 9.

Ace Gallery, Los Angeles, Robert ������: Carnal Clocks, April 24–May 30.

• Good, Jeanne. “Carnal Clocks Akin to Fast Pace Today.”&�Բ�����;Hollywood Citizen-News, May 2, 1969, p. 15.
• Wilson, William. “������’s Super-Earthy Things.”&�Բ�����;Los Angeles Times, May 19, 1969, sec. 4, p. 11.

Leo Castelli, New York, Carnal Clocks, April 26–May 17.

• Battcock, Gregory. “������’s New Clocks at Castelli.”&�Բ�����;Arts Magazine (New York) 43, no. 7 (May 1969), p. 16.
• Gruen, John. “Art in New York: The Medium Is the Marble.”&�Բ�����;New York 2, no. 20 (May 19, 1969), p. 57.
• Alloway, Lawrence. “Art.”&�Բ�����;Nation (New York) 208, no. 21 (May 26, 1969), pp. 676–77.

Douglas Gallery, Vancouver, Carnal Clocks, July 3–31.

Leo Castelli, New York, Stoned Moon Series, Nov. 13.

Gemini G.E.L., Los Angeles, Stoned Moon Series, Nov. 16–Dec. 10.

• Young, Joseph E. “Los Angeles.”&�Բ�����;Art International (Lugano) 14, no. 3 (March 20, 1970), p. 87.

Newport Harbor Art Museum, Newport Beach, Calif., Robert ������ in Black and White: Paintings 1962–63, Lithographs 1962–67, Dec. 10, 1969–Jan. 18, 1970. Traveled to Phoenix Art Museum, Feb. 3–March 15, 1970; University Art Museum, University of New Mexico, Albuquerque, April 6–May 3, 1970; Seattle Art Museum, May 22–June 21, 1970. Exh. brochure with introduction by Thomas H. Garver.

• Wilson, William. “‘������ Black and White’ at Newport Harbor.”&�Բ�����;Los Angeles Times, Dec. 28, 1969, Calendar, pp. 38, 47.

1970

Museum Haus Lange, Krefeld, Germany, Stoned Moon, Feb. 22–March 30. Exh. cat.

Institute of Contemporary Art, University of Pennsylvania, Philadelphia, ������: Graphic Art, April 1–May 10. Traveled to Art Gallery, State University of New York, Albany, July 1–Aug. 14; Marion Koogler McNay Art Institute, San Antonio, Aug. 30–Oct. 4; Museum of Contemporary Art, Chicago, Oct. 31–Dec. 13. Exh. brochure with introduction by Lawrence Alloway.

• Sandler, Irving. “������ and Johns: Anti-Art?” New York Times, May 10, 1970, sec. D, p. 21.
• Wells, Daniel M. “A Link Between Art and Life.”&�Բ�����;Chicago Tribune, Nov. 8, 1970, sec. 5, p. 13.

Dayton’s Gallery 12, Minneapolis, ������ Currents, April 4–May 2. Traveled to Castelli Graphics, New York, June 4–26, and Automation House, New York, June 4–28; Pasadena Art Museum (as Robert ������), July 7–Sept. 6. Exh. cat. with statement by ������.

• McGrath, Kristin. “������ Work: 54-Foot-Long Chronicle of Now.”&�Բ�����;Minneapolis Star, April 4, 1970, sec. A, p. 12.
• Gruen, John. “Galleries and Museums: It’s Boston’s Birthday, Too.”&�Բ�����;New York 3, no. 26 (June 29, 1970), p. 57.
• Wilson, William. “Pasadena Shows Are Study in Poetic Exhaustion.”&�Բ�����;Los Angeles Times, July 19, 1970, Calendar, p. 47.
• Davis, Douglas. “Strong Currents.”&�Բ�����;Newsweek (New York) 76, no. 4 (July 27, 1970), p. 69B.
• Terbell, Melinda. “Los Angeles.”&�Բ�����;Arts Magazine (New York) 45, no. 1 (Sept.–Oct. 1970), p. 53.
• Plagens, Peter. “Robert ������: Los Angeles, Pasadena Museum of Art.”&�Բ�����;Artforum (New York) 9, no. 2 (Oct. 1970), pp. 86–88.

La Jolla Art Museum, San Diego, Stoned Moon Lithographs by Robert ������, April 5–May 3.

New York Cultural Center, Currents and Stoned Moon Series, July 9–Aug. 30.

• Canaday, John. “������ Art: Chance to Catch Up.”&�Բ�����;New York Times, July 10, 1970, p. 16.

Minneapolis Institute of Arts, Robert ������: Prints 1948/1970, Aug. 6–Sept. 27. Exh. cat. with introduction by Edward A. Foster.

• Steele, Mike. “������: The ������ Is Daring.”&�Բ�����;Minneapolis Tribune, Aug. 30, 1970, sec. E, p. 6.
• Bolton, Edwin L. “Technical Accomplishments Keep Reviewer Going, while ������ Repeats Himself.”&�Բ�����;Minneapolis Star, Sept. 2, 1970, sec. B, p. 14.

Kunstverein Hannover, Hanover, Germany, Robert ������, Aug. 29–Sept. 27. Traveled to Kunstmuseum, Basel, Oct. 30–Dec. 6. Exh. cat. (Hanover) with essay by William S. Lieberman, statement by ������, previously published essays by Lawrence Alloway, John Ciardi, Douglas M. Davis, Lucy Lippard, Manfred de la Motte, Willoughby Sharp, and Paul Wember, and interview with Ken Tyler by R. Sherrill. Exh. brochure (Basel, Robert ������: Druckgraphik, in German) with text by Eva Maria Krafft and previously published statement by ������.

Fort Worth Art Center, Robert ������: “Stoned Moon” Lithographs, Sept. 29–Oct. 25.

Fendrick Gallery, Washington, D.C., Robert ������: Stoned Moon Series, Oct. 28–Nov. 21. Exh. brochure.

• Richard, Paul. “Apollo 11 as an Art Form.”&�Բ�����;Washington Post, Oct. 30, 1970, sec. B, pp. 1, 8.

Visual Arts Gallery, School of Visual Arts, New York, Robert ������: New Works, Nov. 17–Dec. 16. Traveled to Wabash Transit Gallery, School of the Art Institute of Chicago (as Robert ������: Syn-Tex Series), Jan. 4–23, 1971; Dayton’s Gallery 12, Minneapolis (as Robert ������: Syn-Tex Series and Cardbirds, Constructions), June 1971. Exh. brochure with statement by ������.

• Shirey, David L. “Business of Business Art since 1950: Robert ������.”&�Բ�����;New York Times, Dec. 12, 1970, p. 25.

1971

Galerie Ileana Sonnabend, Paris, Currents, Jan.

Leo Castelli, New York, Cardboards, and Castelli Graphics, New York, Cardbirds, Oct. 16–Nov. 6.

• Shirey, David L. “������ Turning to Cardboards.”&�Բ�����;New York Times, Oct. 23, 1971, p. 23.
• Perreault, John. “Art.”&�Բ�����;Village Voice (New York), Oct. 28, 1971, p. 37.
• Schjeldahl, Peter. “������ Just Won’t Be Boxed In.”&�Բ�����;New York Times, Oct. 31, 1971, sec. D, p. 21.
• Domingo, Willis. “In the Galleries: Robert ������.”&�Բ�����;Arts Magazine (New York) 46, no. 3 (Dec. 1971–Jan. 1972), p. 60.
• Siegel, Jeanne. “Reviews and Previews: Robert ������.”&�Բ�����;Artnews (New York) 70, no. 8 (Dec. 1971), p. 19.
• Pincus-Witten, Robert. “New York.”&�Բ�����;Artforum (New York) 10, no. 5 (Jan. 1972), pp. 79–80.
• Henry, Gerrit. “Personal Retrenchment.”&�Բ�����;Art and ������s (London) 6, no. 11 (Feb. 1972), pp. 42–45.

Gemini G.E.L., Los Angeles, Cardbird Series, Oct. 31–Nov. 30. Exh. brochure with statement by ������.

1972

Galerie Ileana Sonnabend, Paris, Cardboards, May.

Castelli Graphics, New York, Tares, May 20–June 10.

Leo Castelli and Castelli Graphics, New York, Made in Tampa: Prints + Clay Pieces, Dec. 2–23. Exh. brochure.

• Crimp, Douglas. “New York Letter.”&�Բ�����;Art International (Lugano) 17, no. 2 (Feb. 1973), pp. 46–49.
• Stitelman, Paul. “Galleries: Robert ������.”&�Բ�����;Arts Magazine (New York) 47, no. 4 (Feb. 1973), pp. 68–69.
• Kelder, Diane. “Made in Graphicstudio.”&�Բ�����;Art in America (New York) 61, no. 2 (March–April 1973), pp. 84–85.

1973

Mitchell Gallery, Southern Illinois University, Carbondale, Robert ������: Prints, Jan. 7–26. Exh. cat.

Leo Castelli, New York, Venetian Series, March 31–April 21.

• Alloway, Lawrence. “Art.”&�Բ�����;Nation (New York) 216, no. 16 (April 16, 1973), pp. 508–09.
• Perreault, John. “For ������, an Overdue Celebration.”&�Բ�����;Village Voice (New York), April 19, 1973, p. 34.
• Thomsen, Barbara. “Robert ������ at Castelli.”&�Բ�����;Art in America (New York) 61, no. 5 (Sept.–Oct. 1973), pp. 112–14.

Ace Gallery, Venice, Calif., White Paintings, 1951, April 10–30. Traveled to Ace Gallery, Vancouver, June 1–16.

Mayor Gallery, London, Robert ������: Combine Drawings, April 18–May 22.

• Lampert, Catherine. “Review: Robert ������ at the Mayor Gallery.”&�Բ�����;Studio International (London) 185, no. 956 (June 1973), pp. 293–94.

Galerie Ileana Sonnabend, Paris, Early Egyptian Series, opened Sept. 18.

• Loriot, Patrick. “Décors en quête d’auteurs.”&�Բ�����;Le Nouvel Observateur (Paris), no. 463 (Sept. 24, 1973), p. 72.
• Michel, Jacques. “������: De la pierre à la lune.”&�Բ�����;Le Monde (Paris), Oct. 24, 1973.

Centre culturel américain, Paris, Robert ������: Stoned Moon Project, 1969, Oct. 11–Nov. 15. Exh. brochure with introduction by George Boudaille.

• Michel, Jacques. “������: De la pierre à la lune.”&�Բ�����;Le Monde (Paris), Oct. 24, 1973.

1974

Musée d’Art et d’Industrie, Saint Étienne, France, ������, Jan. 7–Feb. 7. Exh. cat.

Library Gallery, University of South Florida, Tampa, ������ at Graphicstudio, Jan. 11–Feb. 15. Traveled to Walker Art Center, Minneapolis, Aug. 17–Sept. 29; Art Institute, Akron, Ohio, Dec. 15, 1974–Jan. 26, 1975; Ackland Art Center, University of North Carolina, Chapel Hill, Feb. 23–April 6, 1975; Art Gallery, Winnipeg, May 4–June 15, 1975; Denver Art Museum, July 13–Aug. 24, 1975. Exh. cat. with introduction by Willard McCracken.

• Smith, Griffin. “������ Graphics Splendid.”&�Բ�����;Miami Herald, Jan. 20, 1974, sec. G, p. 8.

Galerie Sonnabend, Geneva, Robert ������, opened April 2.

Gemini G.E.L., Los Angeles, Pages and Fuses, April 7–30. Exh. brochure.

Leo Castelli, New York, Robert ������ and Cy Twombly, May 4–25. Exh. brochure.

• deAk, Edit. “Robert ������ and Cy Twombly at Castelli Downtown.”&�Բ�����;Art in America (New York) 62, no. 4 (July–Aug. 1974), p. 86.
• Dreiss, Joseph. “Robert ������ and Cy Twombly.”&�Բ�����;Arts Magazine (New York) (Sept. 1974), p. 58.
• Herrera, Hayden. “Reviews: Cy Twombly, Robert ������.”&�Բ�����;Artnews (New York) 73, no. 8 (Oct. 1974), p. 110.

Castelli Graphics, New York, Pages and Fuses, May 18–June 1.

Israel Museum, Jerusalem, Robert ������ in Israel, May 29–Aug. 3. Exh. cat. (1975) designed by ������ with text by Yona Fischer.

• Fischer, Yona. “Robert ������ in Israel.”&�Բ�����;Ariel (Jerusalem), no. 37 (1974), pp. 34–47.
• Kohansky, Mendel. “������ at the Israel Museum.”&�Բ�����;Israel (Tel Aviv), no. 10 (May 1974), pp. 76, 78.
• Ronnen, Meir. “������.”&�Բ�����;Jerusalem Post Magazine, May 31, 1974, p. 19.

Current Editions, Seattle, Pages and Fuses, June 12–July 13.

• Tarzan, Deloris. “������ Editions Break New Ground.”&�Բ�����;Seattle Times, June 23, 1974, sec. H, p. 1.

Jared Sable Gallery, Toronto, Tablet Series, Sept.

• Nasgaard, Roald. “Toronto: ������ at Jared Sable.”&�Բ�����;Arts Magazine (New York) 49, no. 2 (Oct. 1974), p. 78.

Ace Gallery, Venice, Calif., Hoarfrosts, Oct. 6–Nov. 23.

• Wortz, Melinda. “Looking Inward.”&�Բ�����;Artnews (New York) 73, no. 10 (Dec. 1974), pp. 60–61.

Los Angeles County Museum of Art, Robert ������’s Pages and Fuses, Oct. 22, 1974–Jan. 26, 1975. Exh. brochure with text by Joseph E. Young.

Museum Haus Lange, Krefeld, Germany, Robert ������: Steinerner Mond, Dec. 1, 1974–Jan. 19, 1975. Exh. cat. (Robert ������: Stoned Moon Series) with text by Paul Wember.

Leo Castelli and Sonnabend Gallery, New York, Hoarfrosts, Dec. 7–28.

• Gruen, John. “At Seven SoHo Galleries: Double-������, Five More.”&�Բ�����;SoHo Weekly News (New York), Dec. 12, 1974, p. 18.
• Russell, John. “Art: Fragments of Language That Delight the Eyes.”&�Բ�����;New York Times, Dec. 14, 1974, sec. L, p. 22.
• Bourdon, David. “������’s Hoarfrost Causes Shivers of Delight.”&�Բ�����;Village Voice (New York), Dec. 23, 1974, p. 108.
• Dreiss, Joseph. “Arts Reviews: Robert ������.”&�Բ�����;Arts Magazine (New York) 49, no. 6 (Feb. 1975), p. 16.
• Smith, Roberta. “Reviews: Robert ������, Castelli Gallery Downtown and Sonnabend Gallery.”&�Բ�����;Artforum (New York) 13, no. 7 (March 1975), pp. 66–67.

Castelli Graphics, New York, Hoarfrost Editions, Dec. 7, 1974–Jan. 4, 1975.

Gemini G.E.L., Los Angeles, Hoarfrost Editions, Dec. 8–31.

• Seldis, Henry J. “Art Walk: La Cienega Area.”&�Բ�����;Los Angeles Times, Dec. 20, 1974, sec. 4, p. 6.

John Berggruen Gallery, San Francisco, Hoarfrost Editions from Gemini G.E.L., Dec. 14, 1974–Jan. 25, 1975.

1975

Margo Leavin Gallery, Los Angeles, ������: Hoarfrost Editions from Gemini G.E.L., Jan. 12–31.

Dayton’s Gallery 12, Minneapolis, Robert ������: Hoarfrost Series, Feb. 15–March 27. Traveled to Galerie Ileana Sonnabend, Paris (as ������: Hoarfrost), opened May 15; Alessandra Castelli, Milan, Oct.

• Larson, Philip. “Robert ������.”&�Բ�����;Arts Magazine (New York) 49, no. 8 (April 1975), p. 78.
• Abadie, Daniel. “Les Images ‘gelées’ de ������.”&�Բ�����;Art Press (Paris), no. 19 (July–Aug. 1975), pp. 16–17.

Visual Arts Gallery, School of Visual Arts, New York, Robert ������: Drawings, Feb. 24–April 2.

• Bourdon, David. “Music to the Eyes.”&�Բ�����;Village Voice (New York), March 10, 1975, p. 84.

Ace Gallery, Vancouver, ������: Hoarfrost, May.

Ace Gallery, Venice, Calif., Hoarfrosts, June.

Art Association, Newport, R.I., Hoarfrost Series, Aug. 3–Sept. 3.

Gemini G.E.L., Los Angeles, Bones and Unions, Aug. 31–Sept. 30.

• Wilson, William. “Art Walk: La Cienega Area.”&�Բ�����;Los Angeles Times, Sept. 12, 1975, sec. 4, p. 12.
• Wortz, Melinda. “������’s ‘Bones and Unions.’” Artweek (Oakland) 6, no. 35 (Oct. 18, 1975), p. 2.

Museo d’Arte Moderna Ca’ Pesaro, Venice, Robert ������, Sept. 6–Oct. 6. Traveled to Galleria Civica d’Arte Moderna, Ferrara, Jan. 18–March 7, 1976; Forte di Belvedere, Florence, Sept. 11–Oct. 19, 1976. Exh. cat. (Venice) with text by Guido Perocco and previously published texts by Daniel Abadie (in French) and David Bourdon (in English). Exh. cat. (Ferrara) with text by Paola Serra Zanetti and previously published texts by Abadie and Bourdon. Exh. cat. (Florence) with essay by Achille Bonito Oliva.

• Perocco, Guido. “������.”&�Բ�����;Le Arti (Milan) 25, nos. 8–9 (Sept.–Oct. 1975), pp. 21–22.
• Chieco, Giuseppe, interview with ������. “Dai Combine paintings ai Jammers.”&�Բ�����;Le Arti (Milan) 26, no. 3 (March 1976), pp. 47–50.
• Micacchi, Dario. “Gelida malinconia di ������.”&�Բ�����;��’U�Ծ���à (Rome), Sept. 28, 1976, p. 3.

Visual Arts Museum, School of Visual Arts, New York, Robert ������: Twenty-Six Years of Printmaking, Oct. 6–31.

Leo Castelli, New York, Bones and Unions—Ahmedabad, India 1975, Nov. 1–15.

1976

Galerie H. M., Brussels, ������: Hoarfrost, Jan. 28–March 10.

Leo Castelli, New York, ������: Jammers, Feb. 21–March 13.

• Russell, John. “Art: Alex Katz’s Idyllic and Simplified World.”&�Բ�����;New York Times, Feb. 28, 1976, sec. L, p. 22.
• Bourdon, David. “Art: What’s Goodnough Celebrating?” Village Voice (New York), March 8, 1976, p. 86.
• Patton, Phil. “Robert ������.”&�Բ�����;Artforum (New York) 14, no. 9 (May 1976), p. 62.

Hirshhorn Museum and Sculpture Garden, Washington, D.C., Robert ������: Stoned Moon Series, June 29–Sept. 6.

Ace Gallery, Los Angeles, and Ace Gallery, Venice, Calif., ������: Jammers, Aug. 10–Oct. 6.

• Ballatore, Sandy. “The Mid-Seventies ������: For the Joy of It.”&�Բ�����;Artweek (Oakland) 7, no. 30 (Sept. 11, 1976), pp. 1, 16.
• Wilson, William. “Art Walk: Venice.”&�Բ�����;Los Angeles Times, Sept. 24, 1976, sec. 4, p. 12.
• ———. “Art Walk: La Cienega Area.”&�Բ�����;Los Angeles Times, Oct. 1, 1976, sec. 4, p. 10.

Ace Gallery, Vancouver, ������: Jammers, Sept.

• Lowndes, Joan. “������.”&�Բ�����;Vancouver Sun, Sept. 3, 1976, sec. A, p. 35.
• Perry, Art. “������ry Blowing in the Wind.”&�Բ�����;Province (Vancouver), Sept. 8, 1976, p. 27.

Alberta College of Art Gallery, Calgary, Robert ������: Glass Handle, Oct. 12–Nov. 7. Exh. brochure with statement by ������ from previously published interview by Dorothy Gees Seckler.

• Joyner, Brooks. “Glass Handle: Very Significant Exhibition.”&�Բ�����;Albertan (Calgary), Oct. 23, 1976, p. 9.

National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., Robert ������, Oct. 30, 1976–Jan. 2, 1977. Traveled to Museum of Modern Art, New York, March 25–May 17, 1977; San Francisco Museum of Modern Art, June 24–Aug. 21, 1977; Albright-Knox Art Gallery, Buffalo, Sept. 25–Oct. 30, 1977; Art Institute of Chicago, Dec. 3, 1977–Jan. 15, 1978. .

• Davis, Douglas. “������ of Everything.”&�Բ�����;Newsweek (New York) 88, no. 17 (Oct. 25, 1976), pp. 94–99.
• Richard, Paul. “‘Goofy, Grand’ ������.”&�Բ�����;Washington Post, Oct. 30, 1976, sec. B, pp. 1, 7.
• Forgey, Benjamin. “������, an ������ic Revelation.”&�Բ�����;Washington Star, Oct. 31, 1976, sec. G, pp. 1, 24–25.
• Johnson, Lincoln F. “������: ‘Great Show, Great ������.’” Baltimore Sun, Nov. 11, 1976, sec. B, pp. 1, 3.
• Hughes, Robert. “The Most Living ������.”&�Բ�����;Time (New York) 108, no. 22 (Nov. 29, 1976), cover and pp. 54–62.
• Donohoe, Victoria. “������: Art Made from Everyday Things.”&�Բ�����;Philadelphia Inquirer, Dec. 5, 1976, sec. H, p. 11.
• Latter, Ruth. “Exhibit Honors Living ������.”&�Բ�����;Daily Progress (Charlottesville, Va.), Dec. 5, 1976.
• Forgey, Benjamin. “An ������ for All Decades.”&�Բ�����;Artnews (New York) 76, no. 1 (Jan. 1977), cover and pp. 34–36.
• Gruen, John. “Robert ������: An Audience of One.”&�Բ�����;Artnews (New York) 76, no. 2 (Feb. 1977), pp. 44–48.
• Perrone, Jeff. “Robert ������.”&�Բ�����;Artforum (New York) 15, no. 6 (Feb. 1977), cover and pp. 24–31.
• Stuckey, Charles F. “Reading ������.”&�Բ�����;Art in America (New York) 65, no. 2 (March–April 1977), cover and pp. 74–84.
• Olson, Roberta J. M. “A Retrospective: Castelli on ������.”&�Բ�����;SoHo Weekly News (New York), March 24, 1977, pp. 26–27.
• Russell, John. “Art That Sings.”&�Բ�����;New York Times, March 25, 1977, sec. C, pp. 1, 19.
• Wallach, Amei. “Pow—A New Way of Looking.”&�Բ�����;Newsday (Garden City, N.Y.), March 25, 1977, Part II, p. 11A.
• Tallmer, Jerry. “Rasuchenberg Rides Again.”&�Բ�����;New York Post, March 26, 1977, p. 24.
• Olson, Roberta J. M. “������, the Extraordinary Ragpicker.”&�Բ�����;SoHo Weekly News (New York), March 31, 1977, pp. 17–23.
• Bourdon, David. “Robert ������: Slapdash Master.”&�Բ�����;Village Voice (New York), April 4, 1977, p. 67.
• Ratcliff, Carter. “New York.”&�Բ�����;Art International (Lugano) 21, no. 3 (May–June 1977), pp. 60–61.
• “������: The World Is a Painting.”&�Բ�����;Horizon (New York) 19, no. 3 (May 1977), pp. 16–19.
• Loercher, Diana. “������: His Work a Cipher of Our Times.”&�Բ�����;Christian Science Monitor (Boston), May 2, 1977, p. 30.
• Hess, Thomas B. “Replenishing ������.”&�Բ�����;New York 10, no. 20 (May 16, 1977), pp. 78–80.
• Rosenberg, Harold. “The Art World: Souvenirs of an Avant-Garde.”&�Բ�����;New Yorker 53, no. 13 (May 16, 1977), pp. 123–28.
• “The Talk of the Town: ������.”&�Բ�����;New Yorker 53, no. 14 (May 23, 1977), pp. 30–31.
• Bloomfield, Arthur. “Art of the Enfant Terrible.”&�Բ�����;San Francisco Examiner, June 24, 1977, p. 25.
• Frankenstein, Alfred. “������—A Pussycat and a Lion.”&�Բ�����;San Francisco Sunday Examiner and Chronicle, July 10, 1977, pp. 49, 51.
• Cheever, Julia. “Looking Back on a Giant of Modern Art.”&�Բ�����;San Francisco Bay Guardian, July 14, 1977, p. 15.
• Seldis, Henry J. “������ Retrospective: Robert’s Rules of Disorder.”&�Բ�����;Los Angeles Times, July 24, 1977, Calendar, pp. 1, 76.
• Green, Blake. “Imagine Oscar Here.”&�Բ�����;San Francisco Chronicle, Aug. 19, 1977, p. 24.
• de la Falaise, Maxime. “������ à Washington et à New York.”&�Բ�����;XXe siècle (Paris) 39, no. 49 (Dec. 1977), pp. 28–34.
• Hanson, Henry. “������’s Madcap Vision.”&�Բ�����;Chicago (Dec. 1977), pp. 112, 114.
• Schulze, Franz. “������’s Cheerful Cheek.”&�Բ�����;Chicago Daily News, Dec. 3–4, 1977, Panorama, p. 15.
• Artner, Alan G. “������ Retrospective Paints Picture of Distinction.”&�Բ�����;Chicago Tribune, Dec. 4, 1977, sec. 6, p. 5.
• Auer, James. “������: This Is His Decade.”&�Բ�����;Milwaukee Journal, Dec. 18, 1977, Lively Arts, pp. 1, 3.
• Pieszak, Devonna. “Robert ������: From Port Arthur to Captiva.”&�Բ�����;New Art Examiner (Chicago) 5, no. 4 (Jan. 1978), pp. 3, 23.

Margo Leavin Gallery, Los Angeles, ������ at Gemini: 1967–1976, Introducing the Horsefeathers Thirteen Series, Dec. 10, 1976–Jan. 8, 1977, and Grunwald Center for Graphic Arts, University of California, Los Angeles, ������ at Gemini: 1967–1976, Dec. 21, 1976–Jan. 16, 1977.

• Wilson, William. “������, Melting Pot of Modernism.”&�Բ�����;Los Angeles Times, Jan. 9, 1977, Calendar, p. 64.

1977

Museo Diego Aragona Pignatelli Cortes, Naples, ������, viaggio nel dispendio, April 21–May 15. Traveled to Pinacoteca Provinciale, Bari, Italy, May 22–June 12; Civica Galleria d’Arte Moderna E. Restivo, Palermo, June 22–July 16. Exh. cat. with text by Alberto Boatto.

Leo Castelli, New York, Spreads and Scales, April 23–May 23, and Sonnabend Gallery, New York, April 23–May 14.

• Hess, Thomas B. “Replenishing ������.”&�Բ�����;New York 10, no. 20 (May 16, 1977), pp. 78–80.
• Rubinfien, Leo. “Robert ������.”&�Բ�����;Artforum (New York) 16, no. 1 (Sept. 1977), p. 79.
• Zimmer, William. “Arts Reviews: Robert ������.”&�Բ�����;Arts Magazine (New York) 52, no. 1 (Sept. 1977), p. 33.

Gemini G.E.L., Los Angeles, Romances, July 2–Aug. 13.

Fort Worth Art Museum, Whistle Stop, opened Sept. 11.

Jacksonville Museum of Contemporary Art, Florida, Jim and Bob: The Florida Connection, Oct. 20–Nov. 20. Exh. cat.

Janie C. Lee Gallery, Houston, ������ Hoarfrosts, Jammers, Spreads and Scales, Oct. 29–Nov. Exh. brochure.

Neue Galerie am Landesmuseum Joanneum, Graz, Austria, Robert ������: Collagen, Grafiken, Multiples aus der Sammlung Rischner, Nov. 18–Dec. 8. Exh. cat. with introduction by Kurt Jungwirth and essay by Wilfried Skreiner.

Ace Gallery, Venice, Calif., New Paintings: Spreads and Scales, Nov. 20–Dec. 14.

• Wilson, William. “Art Walk: Venice.”&�Բ�����;Los Angeles Times, Nov. 25, 1977, sec. 4, p. 15.
• Snyder, Camilla. “������ Robert ������ Puts His Best Buckets Forward.”&�Բ�����;Los Angeles Herald Examiner, Nov. 29, 1977, sec. B, pp. 1, 3.
• Muchnic, Suzanne. “������: Successful Yet Still Optimistic.”&�Բ�����;Los Angeles Times, Dec. 1, 1977, sec. 4, p. 26.

1978

Muzeum Narodwe w Warszawie, Warsaw, ������, March 3–April 30. Exh. cat. (Warsaw: American Embassy) with previously published essay by Charles F. Stuckey.

Galerie Ileana Sonnabend, Paris, Spreads and Scales, May.

Mayor Gallery, London, Robert ������: An Exhibition of Recent Work, June 28–Aug. 11.

• Berthoud, Roger. “The ������ Story.”&�Բ�����;Times (London), July 5, 1978, p. 13.

Surrey Art Gallery, British Columbia, Robert ������: Stoned Moon Series and Robert ������: Works from the Vancouver Art Gallery, July 6–30.

Vancouver Art Gallery, Robert ������: Works from Captiva, Sept. 8–Oct. 29. Exh. brochure with text by Luke Rombout.

Gemini G.E.L., Los Angeles, Publicons, Sept. 11–30. Traveled to Castelli Graphics, New York, Nov. 7–25.

1979

Sonnabend Gallery, New York, Two New Works by Robert ������, Jan. 13–Feb. 3.

• Glueck, Grace. “Art: Puerto Rican Show in Bronx.”&�Բ�����;New York Times, Jan. 26, 1979, sec. C, p. 14.
• Alloway, Lawrence. “Art.”&�Բ�����;Nation (New York) 228, no. 5 (Feb. 10, 1979), pp. 154–55.
• Gibson, Eric. “New York Letter.”&�Բ�����;Art International (Lugano) 23, no. 1 (April 1979), pp. 49–51.

Richard Gray Gallery, Chicago, ������: New Works, Jan. 19–March 10.

• Artner, Alan G. “A Slightly ‘New’ ������ Has Turned the Shouting to Song.”&�Բ�����;Chicago Tribune, Feb. 2, 1979, sec. 4, p. 10.

Akron Art Institute, Ohio, Robert ������: Spreads and Scales, Feb. 3–March 18.

Ace Gallery, Venice, Calif., Spreads and Scales, Feb. 16–March 24.

• Wilson, William. “Art Walk: Venice.”&�Բ�����;Los Angeles Times, Feb. 23, 1979, p. 5.

Richard Hines Gallery, Seattle, Spreads and Scales, Feb. 19–March 24.

Portland Center for the Visual Arts, Oreg., Robert ������: New Work, April 2–30.

Castelli Graphics, New York, ������ and Robbe-Grillet/������ and Voznesensky, April 28–May 19.

• Towle, Tony. “������: Two Collaborations—Robbe-Grillet and Voznesensky.”&�Բ�����;Print Collector’s Newsletter (New York) 10, no. 2 (May–June 1979), pp. 37–41.
• Burnside, Madeleine. “Robert ������ (Castelli Graphics).”&�Բ�����;Arts Magazine (New York) 54, no. 1 (Sept. 1979), p. 37.

Kunsthalle Tübingen, Germany, Robert ������: Das zeichnerische Werk, 1949–1979, May 5–June 24. Traveled to Kunstmuseum Hannover mit Sammlung Sprengel, Hanover, Germany, Aug. 19–Sept. 23. Exh. cat. (Munich: R. Piper, 1979) with essays by Götz Adriani and Karin Thomas.

• Zimmermann, Monika. “������ in Tübingen: Sanfte Verführung zur alltäglichen Wahrheit.”&�Բ�����;Frankfurter Allgemeine Zeitung (Frankfurt), June 8, 1979.
• Glozer, Laszlo. “Vision aus Mischtechnik.”&�Բ�����;Süddeutsche Zeitung (Munich), June 16, 1979, p. 14.
• Franzke, Andreas. “Robert ������. Zeichnungen, Gouachen, Collagen. 1949 bis 1979.”&�Բ�����;Pantheon (Munich) 37, no. 4 (Oct.–Dec. 1979), p. 322.

Center for Music, Drama and Art, Lake Placid, N.Y., Hiccups, June 28–July 15.

Musée de Toulon, France, ������, July 14–Sept. 23. Exh. cat. with introduction by Marie Claude Beaud and essay by François Bazzoli.

• Gibson, Michael. “Recent ������s in a Toulon Museum.”&�Բ�����;International Herald Tribune (Paris), Sept. 11, 1979, p. 6.

Multiples, New York, ������, Sept. 18–Oct. 6. Exh. brochure.

Sonnabend Gallery, New York, Slides, Sept. 29–Oct. 20.

• Rickey, Carrie. “Robert ������, Sonnabend Gallery.”&�Բ�����;Artforum (New York) 18, no. 4 (Dec. 1979), pp. 73–74.

Palm Springs Desert Museum, Calif., Robert ������: Publicons, Nov. 3–Dec. 2.

Gemini G.E.L., Los Angeles, Rookery Mounds, Nov. 16–Dec. 31.

Castelli Graphics, New York, Robert ������: Rookery Mounds Lithographs and Etchings from Glacial Decoy, Dec. 8, 1979–Jan. 5, 1980.

• Kramer, Hilton. “Art: Photos Evoke Lost World of Japan.”&�Բ�����;New York Times, Dec. 21, 1979, sec. C, p. 23.

Institute of Contemporary Art, Virginia Museum, Richmond, ������: Prints/Multiples, Dec. 18, 1979–Jan. 22, 1980. Exh. brochure with essay by Jean Crutchfield.

1980

Gallery of Fine Art, Edison Community College, Fort Myers, Fla., ������, Feb. 3–27.

• Shroder, Tom. “A Show to Put You on the Map.”&�Բ�����;Fort Myers News-Press (Fla.), Feb. 2, 1980, sec. D, pp. 1, 4.
• Bennett, Gale. “������: A Modern Master.”&�Բ�����;Fort Myers News-Press (Fla.), Feb. 8, 1980, sec. D, pp. 1, 5.
• DelFavero, Nancy. “������’s Exhibit—‘Tell Me what It All Means!’” Island Reporter (Pinellas County, Fla.), Feb. 8, 1980, sec. A, pp. 1, 35.

University Gallery of Fine Art, Ohio State University, Columbus, ������, Feb. 14–March 16. Exh. brochure with essay by W. Ann Reynolds.

Visual Arts Museum, School of Visual Arts, New York, Variable Editions, March 11–28.

Staatliche Kunsthalle, Berlin, ������: Werke 1950–1980, March 23–May 4. Traveled to Kunsthalle Düsseldorf, June 7–July 13; Louisiana Museum of Modern Art, Humlebaek, Denmark, Sept. 20–Nov. 25; Städel, Frankfurt, Dec. 4, 1980–Jan. 18, 1981; Städtische Galerie im Lenbachhaus, Munich, Feb. 4–April 5, 1981; Tate Gallery, London (as Robert ������), April 29–June 14, 1981. Exh. cat. (Berlin, in English and German) with essays by Lawrence Alloway and William S. Lieberman and previously published essays by Götz Adriani and Douglas M. Davis. Exh. cat. (Louisiana Revy, Louisiana Museum of Modern Art, 21, no. 1, Sept. 1980) with essays by Øystein Hjort and Steingrim Laursen and Mikael Wivel; previously published essays by Lawrence Alloway, John Gruen, and Alan R. Solomon; and previously published interview with ������ by André Parinaud. Exh. brochure (London) with introduction by Alan Bowness.

• Großkopf, Annegret. “Ein Mann, der Kunst aus Krempel macht.”&�Բ�����;Stern (Hamburg), no. 13/1980 (March 20, 1980), pp. 180–87.
• Ohff, Heinz. “Synthese aus Kunst und Anti-Kunst.”&�Բ�����;Der Tagesspiegel (Berlin), March 21, 1980, p. 4.
• Sarduy, Severo. “Robert ������: Miroir givré.”&�Բ�����;Art Press (Paris), no. 36 (April 1980), pp. 10–11.
• Wivel, Mikael. “En week-end i reservatet.”&�Բ�����;���Դڴǰ�������í�Dz� (Copenhagen), May 3–4, 1980, pp. 16–17.
• Blechen, Camilla. “Inmitten der Bilderflut.”&�Բ�����;Du (Zurich), no. 472 (June 1980), p. 80.
• Haase, Amine. “Der Draufgänger von einst wurde sanft.”&�Բ�����;Kölner Stadt-Anzeiger (Cologne), June 24, 1980.
• Kocks, Dirk. “Robert ������, Werke 1950–1980.”&�Բ�����;Pantheon (Munich) 38, no. 4 (Oct.–Dec. 1980), pp. 316–17.
• Nicol, Gabriele. “Mit dem Auto fuhr der Freund übers Papier.”&�Բ�����;Frankfurter Neue Presse (Frankfurt), Dec. 4, 1980.
• von Helmolt, Christa. “Den Betrachter aus der Passivität locken.”&�Բ�����;Frankfurter Allgemeine Zeitung (Frankfurt), Dec. 15, 1980.
• Giessler, Ursula. “Oder man nehme ein Bett.”&�Բ�����;Saarbrücker Zeitung (Saarland, Germany), Dec. 17, 1980.
• Müller-Mehlis, Reinhard. “Robert ������.”&�Բ�����;Weltkunst (Munich) 51, no. 5 (March 1, 1981), pp. 532–35.
• Mejias, Jordan. “������.”&�Բ�����;Vogue Deutsch (Munich) (April 1981), pp. 126–29, 160.
• Januszczak, Waldemar. “Robert ������.”&�Բ�����;Guardian (London), April 29, 1981, p. 10.
• “Trans World: ������ at the Tate.”&�Բ�����;Horizon (Tuscaloosa, Ala.) 24, no. 5 (May 1981), p. 15.
• Geddes-Brown, Leslie. “The ������ Who Turns a Hanging into a Happening.”&�Բ�����;Sunday Times (London), May 3, 1981.
• Vaizey, Marina. “The Man Who Turned Life into a Stage Set.”&�Բ�����;Sunday Times (London), May 3, 1981.
• Taylor, John Russell. “Works That Live Dangerously.”&�Բ�����;Times (London), May 5, 1981, p. 7.
• McEwen, John. “Now and Zen.”&�Բ�����;Spectator (London) 246, no. 7975 (May 16, 1981), p. 27.
• Phillips, Antonia. “Cleaning Up.”&�Բ�����;Times Literary Supplement (London), May 22, 1981.
• Newman, Michael. “������ Re-Evaluated.”&�Բ�����;Art Monthly (London), no. 47 (June 1981), pp. 7–10.
• Shone, Richard. “Current and Forthcoming Exhibitions: London.”&�Բ�����;Burlington Magazine (London) 123, no. 940 (July 1981), p. 436.

Galerie Ileana Sonnabend, Paris, Robert ������: A Portfolio of Twelve Photographs, March 24–April 30.

• Bréerette, Geneviève. “Les photos ‘combinées’ de ������.”&�Բ�����;Le Monde (Paris), April 7, 1980.
• Nuridsany, Michel. “������ photographe.”&�Բ�����;Le Figaro (Paris), April 9, 1980.

Leo Castelli, New York, Spreads and Scales, March 29–April 19.

Photographers’ Gallery, Sanibel Island, Fla., Photos In + Out City Limits: Ft. Myers, Florida, April 20–May 30.

Ace Gallery, Los Angeles, Three of the Cloisters Series, April 24–Aug. 15.

Anniston Museum of Natural History, Ala., ������: A Retrospective of Lithographs, Paintings and Drawings from Castelli Graphics, New York, June 6–Sept. 6. Traveled to Fay Gold Gallery, Atlanta, Jan. 9–Feb. 15, 1981.

• Pousner, Howard. “Anniston Goes ������.”&�Բ�����;Atlanta Constitution, June 6, 1980, sec. B, pp. 1, 5.
• Smith, Helen C. “������ Exhibit Has Distractions with Design.”&�Բ�����;Atlanta Journal-Constitution, July 20, 1980, sec. E, p. 3.
• Burnett, W. C. “A Study in Contrasts, ������’s Subtle Work Catches On.”&�Բ�����;Atlanta Journal, Jan. 27, 1981.

Ace Gallery, Venice, Calif., ������: Paintings, Sept. 4–30.

Cranbrook Academy of Art, Bloomfield Hills, Mich., Robert ������: Recent Work, Sept. 14–Oct. 26.

Thomas Babeor Gallery, San Diego, Hoarfrosts, Bones and Publicons, Oct. 1–30.

Fendrick Gallery, Washington, D.C., Robert ������: New Editions, Oct. 3–25.

Baltimore Museum of Art, Robert ������: 1970–1980, Oct. 5–Nov. 30.

• Dorsey, John. “������: An Appraisal.”&�Բ�����;Baltimore Sun, Oct. 19, 1980, sec. D, pp. 1, 3.
• Stevens, Elisabeth. “Robert ������: The Cardboard Realist Communicates.”&�Բ�����;Baltimore Sun, Oct. 24, 1980, sec. B, p. 1.

Magnuson Lee Gallery, Boston, Robert ������: Lithographs, Etchings and Photographs, opened Oct. 10.

Ace Gallery, Vancouver, Robert ������: Cloister Series, Oct. 28–Nov. 30.

B. R. Kornblatt Gallery, Baltimore, Robert ������ Multiples, Nov. 8–Dec. 6.

• Stevens, Elisabeth. “At the Kornblatt: Baltimoreans Have a Third Chance to Look at ������’s Art.”&�Բ�����;Baltimore Sun, Dec. 2, 1980, sec. B, p. 6.

Galleriet, Lund, Sweden, Rookery Mounds and More, Nov. 29–Dec. 21.

1981

New Gallery of Contemporary Art, Cleveland, Ohio, Robert ������: Recent Works: Spreads, Drawings, Etchings, Photographs, Jan. 6–Feb. 21.

Gallery Gemini, Palm Beach, Fla., Robert ������: Recent Paintings, Jan. 13–23.

• Wolff, Millie. “������’s Life Is Never an Empty Canvas.”&�Բ�����;Palm Beach Daily News (Fla.), Jan. 9, 1981, p. 5.

Galerie Watari, Tokyo, Robert ������: A Portfolio of Twelve Photographs, Jan. 16–Feb. 10.

Clara Hatton Gallery and Lory Student Center Gallery, Colorado State University, Fort Collins, ������ in the Rockies, March 3–April 3. Traveled to Boise Gallery of Art, April 11–May 10; Aspen Center for the Visual Arts, May 29–July 15; Colorado Springs Fine Arts Center, Aug. 15–Oct. 4; Northern Arizona University Art Gallery, Flagstaff, Oct. 8–Nov. 6; Sangre de Cristo Arts Center, University of Southern Colorado, Pueblo, Feb. 3–28, 1982; University of Wyoming, Laramie, March 14–April 11, 1982; Walter Phillips Gallery, Banff Centre School of Fine Arts, Canada, May 9–June 2, 1982; Arvada Center for the Arts and Humanities, Colo., June 25–July 29, 1982; New Mexico Museum of Fine Arts, Santa Fe, Aug. 13–Sept. 26, 1982; Laguna Gloria Art Museum, Austin, Oct. 29–Dec. 12, 1982. Exh. brochure (Pueblo). Exh. cat. (Fort Collins) with essay by Ron G. Williams.

Sable-Castelli Gallery, Toronto, Robert ������, March 14–28.

Sonnabend Gallery, New York, ������ at Sonnabend: Photems, March 28–April 25.

Centre Georges Pompidou, Musée National d’Art Moderne, Paris, ������ Photographe, April 15–May 27. Traveled to Musée Cantini, Marseille, Nov. 15–Dec. 15; Musée des Beaux-Arts, Saint Étienne, Jan. 6–Feb. 28, 1982; Moderna Museet, Stockholm, March 15–April 30, 1982; Aarhus Kunstmuseum, Denmark, May 22–June 15, 1982; Forte di Belvedere, Florence, July 2–Aug. 27, 1982; Neue Galerie, Aachen, Germany, Sept. 10–Oct. 17, 1982. Exh. cat. (Paris: Photogravure Bussière Arts Graphiques) with statement by ������ and interview with ������ by Alain Sayag. Exh. cat. (Florence: Fratelli Alinari Editrice) Robert ������ fotografia.

Styria Studio, New York, Arcanum I–XIII, May 14–June 27. Exh. brochure (Arcanum I–XIII: ������).

Gemini G.E.L., Los Angeles, American Pewter with Burroughs, Aug. 26–Oct. 7.

Institute of Contemporary Art, Boston, Photems, Sept. 16–Nov. 1.

• Bethoney, Jessica. “Photems That Serve as Modern Totems.”&�Բ�����;Boston Globe, Oct. 15, 1981, p. 44.
• Fondiller, Harvey V. “Shows We’ve Seen.”&�Բ�����;Popular Photography (New York) 88, no. 12 (Dec. 1981), pp. 50, 52.
• Allara, Pamela. “Robert ������: Institute of Contemporary Art; Magnuson Lee; Jasper Johns: Thomas Segal.”&�Բ�����;Artnews (New York) 81, no. 4 (April 1982), pp. 176, 178.

Mayor Gallery, London, Robert ������: Drawings, Oct. 12–Nov. 14.

Gibbes Art Gallery, Charleston, S.C., Photos In + Out City Limits: Charleston, Oct. 27–Dec. 10.

• Weiss, Marjorie. “������’s Photographs Exhibited.”&�Բ�����;News and Courier-Evening Post (Charleston, S.C.), Nov. 1, 1981, sec. E, p. 9.

Magnuson Lee Gallery, Boston, Photos In + Out City Limits: Boston, Oct. 30–Dec. 12. Exh. cat. (West Islip, N.Y.: ULAE, 1981) with introduction by Clifford Ackley and statement by ������. Standard and deluxe editions.

• McLaughlin, Jeff. “A Photographer’s Eye for Freshness in Boston’s Familiar Sights.”&�Բ�����;Boston Globe, Nov. 2, 1981, p. 38.
• Allara, Pamela. “Robert ������: Institute of Contemporary Art; Magnuson Lee; Jasper Johns: Thomas Segal.”&�Բ�����;Artnews (New York) 81, no. 4 (April 1982), pp. 176, 178.

Grimaldis Gallery, Baltimore, Photos In + Out City Limits: Baltimore, Nov. 5–29. Exh. brochure.

• Stevens, Elisabeth. “������’s Camera Is an Unselective Eye.”&�Բ�����;Baltimore Sun, Nov. 6, 1981, sec. B, p. 5.
• Schoettler, Carl. “Robert ������’s Instants of Baltimore.”&�Բ�����;Baltimore Evening Sun, Nov. 27, 1981, sec. B, pp. 1, 9.

Rosamund Felsen Gallery, Los Angeles, Photos In + Out City Limits: Los Angeles, Dec. 31, 1981–Jan. 23, 1982.

• Johnstone, Mark. “Ambiguous Images of the City.”&�Բ�����;Artweek (Oakland) 13, no. 2 (Jan. 16, 1982), p. 11.
• ������, Robert. “In + Out City Limits: Los Angeles.”&�Բ�����;Images and Issues (Santa Monica, Calif.) 2, no. 4 (Spring 1982), pp. 52–55.

1982

Sonnabend Gallery, New York, Photos In + Out City Limits: New York C., Jan. 9–30. Exh. cat. (West Islip, N.Y.: ULAE, 1981) with introduction by Colta Ives and statement by ������. Standard and deluxe editions.

Photographers’ Gallery, Sanibel Island, Fla., Photos In + Out City Limits: 6 Cities’ 40, Jan. 17–26.

• Kohen, Helen L. “������’s Camera Finds Details Inch by Inch.”&�Բ�����;Miami Herald, Feb. 7, 1982, sec. L, p. 8.

Gallery of Fine Art, Edison Community College, Fort Myers, Fla., The First Footage of the 1/4 Mile or 2 Furlong Piece, Feb. 6–26.

• Faulkner, Mary. “A 1/4 Mile of Design.”&�Բ�����;Fort Myers News-Press (Fla.), Feb. 6, 1982, sec. D, p. 1.

Gloria Luria Gallery, Bay Harbor Islands, Fla., Robert ������: Photems, Feb. 12–March 3.

• Kohen, Helen L. “������’s Camera Finds Details Inch by Inch.”&�Բ�����;Miami Herald, Feb. 7, 1982, sec. L, p. 8.

Hara Museum of Contemporary Art, Tokyo, ������ Print Exhibition, Feb. 19–April 11. Organized in collaboration with Colorado State University, Fort Collins and Gemini G.E.L. Exh. brochure (in English and Japanese) with introduction by Toshio Hara and essay by Teruo T. Fujieda.

Castelli Graphics, New York, Robert ������: The Razorback Bunch I–VII, April 3–24.

Galleriet, Lund, Sweden, Arcanum I–XIII, May 8–30.

Long Beach Museum of Art, Calif., Prints by Robert ������, July 4–Aug. 29.

Flow Ace Gallery, Paris, Robert ������: Sculpture, Oct. 23–Nov. 27.

• Millet, Catherine. “Robert ������: Le corps morcelé de la sculpture.”&�Բ�����;Art Press (Paris), no. 90 (March 1985), pp. 15–18.

Van Straaten Gallery, Chicago, ������: Paintings and Works on Paper, Nov. 6–Dec. 10.

• Artner, Alan G. “������: Collaborating Again, Then Off to See the World.”&�Բ�����;Chicago Tribune, Nov. 14, 1982, sec. 6, pp. 22–23.
• Lyon, Christopher. “������’s Show a Work of Art.”&�Բ�����;Chicago Sun-Times, Nov. 28, 1982.

Gemini G.E.L., Los Angeles, 7 Characters, Nov. 18–Dec. 31. Exh. Brochure. Exh. cat. with introduction by Donald Saff.

Museum of Modern Art, New York, ������ in China, Dec. 2, 1982–Feb. 1, 1983.

• Larson, Kay. “������’s Renaissance: Three Exhibitions Show ������ at a New Peak.”&�Բ�����;New York 16, no. 1 (Dec. 27, 1982–Jan. 3, 1983), pp. 50–56.
• “������ in China.”&�Բ�����;Print Collector’s Newsletter (New York) (Jan.–Feb. 1983), p. 213.
• Hughes, Robert. “The Arcadian as Utopian: ������’s Rhapsodic Energies Fill Four Manhattan Shows.”&�Բ�����;Time (New York) 121, no. 4 (Jan. 24, 1983), pp. 74, 77.
• Silverthorne, Jeanne. “Robert ������: Castelli Gallery, Sonnabend Gallery, Museum of Modern Art.”&�Բ�����;Artforum (New York) 21, no. 8 (April 1983), pp. 75–76.

Leo Castelli, 142 Greene Street, and Sonnabend Gallery, 112 and 136 Greene Street, New York, ������ on Greene Street: Kabal American Zephyr, Japanese Clay Works, Japanese Recreational Clayworks, 7 Characters, Chinese Summerhall, Dec. 31, 1982–Jan. 29, 1983.

• Brenson, Michael. “Art People: ������ Giant Photo.”&�Բ�����;New York Times, Oct. 29, 1982, sec. C, p. 21.
• Larson, Kay. “������’s Renaissance: Three Exhibitions Show ������ at a New Peak.”&�Բ�����;New York 16, no. 1 (Dec. 27, 1982–Jan. 3, 1983), pp. 50–56.
• Herrera, Hayden. “������’s Scroll.”&�Բ�����;Connoisseur (New York) 213, no. 851 (Jan. 1983), pp. 57–61.
• Benbow, Charles. “Graphicstudio: Mechanism for an ������ic Triumph.”&�Բ�����;St. Petersburg Times (Fla.), Jan. 11, 1983, sec. D., pp. 1, 5.
• Groenfeldt, Tom. “The Riddle of ������: New Pieces Perpetuate Puzzle.”&�Բ�����;Record (Hackensack, N.J.), Jan. 14, 1983, sec. B, pp. 1, 8.
• Hughes, Robert. “The Arcadian as Utopian: ������’s Rhapsodic Energies Fill Four Manhattan Shows.”&�Բ�����;Time (New York) 121, no. 4 (Jan. 24, 1983), pp. 74, 77.
• Rowes, Barbara. “Painter Robert ������ Takes a Trip to China and Pops Back with New Shows and New Vitality.”&�Բ�����;People (New York) 19, no. 3 (Jan. 24, 1983), pp. 82–83.
• Smith, Roberta. “Clashes of Titans, Kisses of Death.”&�Բ�����;Village Voice (New York), Jan. 25, 1983, pp. 83, 85.
• Schiebler, Ralf. “������ im Land des Lächelns.”&�Բ�����;Weltkunst (Munich) (March 1, 1983), p. 582.
• Bell, Jane. “New York Reviews: Robert ������: Leo Castelli, Sonnabend, the Exhibition Space.”&�Բ�����;Artnews (New York) 82, no. 4 (April 1983), p. 149.
• Marano, Lizbeth. “Robert ������ at Castelli Greene Street and Sonnabend.”&�Բ�����;Art in America (New York) 71, no. 4 (April 1983), pp. 179, 182–83.
• Silverthorne, Jeanne. “Robert ������: Castelli Gallery, Sonnabend Gallery, Museum of Modern Art.”&�Բ�����;Artforum (New York) 21, no. 8 (April 1983), pp. 75–76.

1983

Malmö Konstmuseum, Sweden, Selections from ‘In + Out City Limits: New York C.’, Feb. 3–March 14. Traveled to Tranegården, Gentofte, Denmark, June 4–26; Nordjyllands Kunstmuseum, Aalborg, Denmark, July 2–Aug. 28; Esbjerg Art Museum, Denmark, Sept. 3–25; Kunstverein, Hamburg, Jan.–Feb. 1984.

Flow Ace Gallery, Los Angeles, Robert ������: A Selection of Work from the Last Decade, March 16–April 9.

Gallery of Fine Arts, Daytona Beach Community College, Fla., Robert ������: Photographer, May 16–June 19. Exh. brochure.

• Murphy, Drew. “Time Needed to Savor ������ Images.”&�Բ�����;Daytona Beach Sunday News-Journal (Fla.), May 22, 1983, sec. D, p. 5.

Art Center, Jingxian, People’s Republic of China, Robert ������: 7 Characters, Unique Collages, June–July.

14th International Festival of Photography, Arles, France, Abbaye Montmajour, Robert ������: La Chine sur 33 metres (100 Feet Long China Picture), July 7–Aug. 6. Exh. cat.

Gallery of Fine Art, Edison Community College, Fort Myers, Fla., The Second Footage of the 1/4 Mile or 2 Furlong Piece, July 22–Sept. 9.

• Faulkner, Mary. “Best Footage Forward.”&�Բ�����;Fort Myers News-Press (Fla.), July 22, 1983, sec. D, pp. 1, 4.
• Meardon, David. “������’s ‘Second Footage’ Opens at ECC.”&�Բ�����;Islander (Sanibel, Fla.), July 26, 1983, sec. A, p. 14.
• Faulkner, Mary. “Mixed Reactions Provide Footage for ������ Robert ������.”&�Բ�����;Fort Myers News-Press (Fla.), Aug. 14, 1983, sec. E, p. 3.

Galleria di Franca Mancini, Pesaro, Italy, ������/Performance: 1954–1979, Aug. 11–Sept. 30. Expanded version traveled as ������/Performance: 1954–1984 to Arthur A. Houghton Jr. Gallery, Cooper Union, New York, Dec. 7–22; Contemporary Arts Museum, Houston, May 12–June 24, 1984; Cleveland Center for Contemporary Art, Ohio, Sept. 7–Oct. 8, 1984; North Carolina Museum of Art, Raleigh, Dec. 18, 1984–Feb. 17, 1985; Norton Gallery and School of Art, West Palm Beach, Fla., March 9–April 23, 1985; University Art Museum, California State University, Long Beach, July 15–Sept. 15, 1985. Exh. cat. with introduction by Franca Mancini (in Italian and English) and essays by Alberto Boatto and Nina Sundell. Exh. cat. (Cleveland) with introduction by Marjorie Talalay and essay by Sundell.

• Crisafi, Claudio. “I 3 cavalieri dell’happening.”&�Բ�����;��’U�Ծ���à (Rome), Sept. 22, 1983, p. 10.
• Bird, David, and Maurice Carroll. “New York Day by Day.” New York Times, Dec. 8, 1983, sec. B, p. 3.
• McEvilley, Thomas. “Robert ������, Houghton Gallery, Cooper Union.”&�Բ�����;Artforum (New York) 22 (March 1984), p. 92.
• “������ Exhibit at Norton.”&�Բ�����;Palm Beach Daily News (Fla.), March 5, 1985, p. 5.
• Apple, Jacki. “Revisiting a Frontier.”&�Բ�����;Artweek (Oakland) 16, no. 29 (Sept. 7, 1985), cover and p. 5.

Gemini G.E.L., Los Angeles, Studies for Chinese Summerhall, Aug. 31–Oct. 12.

Douglas Elliott Gallery, San Francisco, ������ Photos, Sept. 13–Oct. 28.

• Graham, Marna C. “Photography: A Restless, Inquiring Eye.”&�Բ�����;Artweek (Oakland) 14, no. 34 (Oct. 15, 1983), pp. 11–12.

Castelli Graphics, New York, ������: Photogravures, Sept. 17–Oct. 8.

Maryland Institute, College of Art and G. H. Dalsheimer Gallery, Baltimore, Images of China, Oct. 12–Nov. 13.

• Dorsey, John. “������ in China: Collages, Photographs.”&�Բ�����;Baltimore Sun, Oct. 19, 1983, sec. B, pp. 1, 4.

Marianne Friedland Gallery, Toronto, Important Works by Robert ������, Oct. 22–Nov. 10.

Australian National Gallery, Canberra, Robert ������, Dec. 5, 1983–Jan. 31, 1984.

1984

Gallery of the Port Arthur Public Library, Tex., The Robert ������ Exhibition, Feb. 4–19. Exh. brochure with introduction by Lynne Lokensgard.

• Angelle, Denny. “������ Exhibit to Feature Collage, Photography.”&�Բ�����;Port Arthur News (Tex.), Jan. 29, 1984, sec. C, p. 6.
• Johnson, Patty. “Libraries: ������ Exhibit Opening in Port Arthur.”&�Բ�����;Houston Chronicle, Feb. 2, 1984, sec. 6, p. 4.
• Roberson, Pam. “������ Exhibit Reveals ������’s Success.”&�Բ�����;Port Arthur News (Tex.), Feb. 5, 1984, sec. E, pp. 1–2.
• Everingham, Carol J. “Return of ������ Worth a Celebration.”&�Բ�����;Houston Post, Feb. 8, 1984, sec. E, p. 1.
• Johnson, Patricia C. “������.”&�Բ�����;Houston Chronicle, Feb. 12, 1984, Zest, pp. 15, 43.

Galerie Beyeler, Basel, ������, March 12–May. Exh. cat. with texts by Joseph Beuys, William Burroughs, David Byrne, John Cage, Teeny Duchamp, and Andrei Voznesensky and statements by ������.

Heland Thordén Wetterling Galleries, Stockholm, Robert ������, March 15–April 23.

Center for the Fine Arts, Miami, The 1st 400 Feet or More than 1/2 a Furlong of the 1/4 Mile or 2 Furlong Piece, May 5–July 2.

• Hutchinson, Bill. “The World According to ������: Clear Skies, Sunny and Warm.”&�Բ�����;Marquee (Coral Gables, Fla.) 4, no. 6 (May 1984), cover and pp. 16–23, 26–27.
• Eldridge, John. “One Big Painter.”&�Բ�����;Miami News, May 4, 1984, sec. C, pp. 1, 10.
• Chandler, Mary. “When Will This Work End? He Can’t Tell.”&�Բ�����;Miami Herald, May 5, 1984, sec. C, pp. 1–2.
• Ahlander, Leslie Judd. “������ ‘Furlong’ Expands Art’s Horizons.”&�Բ�����;Miami News, May 18, 1984, sec. C, p. 2.
• Cox, Petey. “Robert ������.”&�Բ�����;Miami Today, May 24, 1984, p. 7.
• Kohen, Helen L. “‘1/4 Mile’ Makes Art an Experience.”&�Բ�����;Miami Herald, May 27, 1984, sec. L, pp. 1, 6.
• Felser, Maggie Evans. “������.”&�Բ�����;Tropic (Miami Herald), June 24, 1984, cover and pp. 14–17.
• Balmaseda, Liz. “On Guard: This Job Stacks Up as an Intriguing Line of Work.”&�Բ�����;Miami Herald, July 2, 1984, sec. B, pp. 1–2.

Fondation Maeght, Saint-Paul-de-Vence, France, Robert ������: Peintures récentes, May 12–June 30. Exh. cat. with introduction by Jean-Louis Prat and essay by Nan Rosenthal.

Allen Street Gallery, Dallas, Robert ������: Photem Series I, Sept. 8–Oct. 14.

Gallery of Fine Art, Edison Community College, Fort Myers, Fla., Robert ������: Salvage Series, Oct. 6–9.

Sonnabend Gallery, New York, Robert ������: New Works, Oct. 20–Nov. 17.

• Russell, John. “Art: Evoking the World of Some Great Painters.”&�Բ�����;New York Times, Nov. 2, 1984, sec. 3, p. 20.

Fay Gold Gallery, Atlanta, ������ and Dine, Oct. 26–Nov. 28.

Castelli Graphics, New York, Sling-Shots Lit, Dec. 8, 1984–Jan. 5, 1985.

1985

Fundación Juan March, Madrid, ������, Feb. 8–March 24. Traveled to Fundació Joan Miró, Barcelona, March 28–May 19. Exh. cat. with previously published essay by Lawrence Alloway.

• Figuerola-Ferretti, Luis. “El arte en Madrid: De la modernidad actual de Rauschemberg [sic] a la vanguardia rusa.”&�Բ�����;Goya (Madrid), no. 186 (May–June 1985), pp. 395–96.

B. R. Kornblatt Gallery, Washington, D.C., Sling-Shots Lit, March 2–April 5.

• Allen, Jane Addams. “Windows and Books Speak for Two ������s.”&�Բ�����;Washington Times, March 1, 1985, sec. B, p. 2.
• Heller, Nancy G. “Shades of Pop Art at B. R. Kornblatt, Robert ������’s ‘Sling Shots.’” Washington Post, March 28, 1985, sec. B, p. 7.

Gemini G.E.L., Los Angeles, Sling-Shots Lit, March 3–April 14.

John and Mable Ringling Museum of Art, Sarasota, Fla., Robert ������: Works from the Salvage Series, March 20–May 19. Exh. brochure with text by Mark Ormond.

• Allyn, Rex. “������ Does More than Paint: He Starts the Cycle.”&�Բ�����;Sarasota Herald-Tribune (Fla.), March 24, 1985, sec. F, p. 4.
• Kohen, Helen L. “‘Salvage Series’: Farewell for Now.”&�Բ�����;Miami Herald, March 31, 1985, sec. L, p. 2.
• Benbow, Charles. “‘Salvage’ a Fitting Title for ������ Display.”&�Բ�����;St. Petersburg Times (Fla.), April 26, 1985, sec. D, p. 7.
• Altabe, Joan. “Robert ������.”&�Բ�����;Splash (Sarasota, Fla.), May 1985, p. 7.

Museo Rufino Tamayo Arte Contemporáneo Internacional, Mexico City, ������ Overseas Culture Interchange: ROCI MEXICO, April 17–June 23. Exh. brochure (El soñado mundo de ������: ROCI) with introduction by Robert R. Littman, statement by ������, poem by Octavio Paz, and previously published essay by Robert Hughes. Exh. brochure (Mexico, Chile, and Venezuela) with introductions by Sofía Imber and Nena Ossa, essay by José Donoso, previously published introduction by Littman, previously published essay by Hughes, previously published statement by ������, and previously published poem by Paz.

• Brena, Angelina Camargo. “������ comienza su mensaje de paz.”&�Բ�����;���泦é�������ǰ� (Mexico City), April 17–18, 1985, p. 1.
• MacMasters, Merry. “‘El soñado mundo de ������.’” El Nacional (Mexico City), April 19, 1985, sec. 2, p. 7.
• Lenti, Paul. “‘The Dreamt World of ������’ Begins Its Tour in Mexico.”&�Բ�����;News (Mexico City), April 20, 1985, p. 19.
• Maxim, John. “With Myriad of Materials, Collage Master Creates a World.”&�Բ�����;News (Mexico City), April 20, 1985, p. 18.
• Tibol, Raquel. “������ como cuerpo de paz.”&�Բ�����;Proceso (Mexico City), no. 422 (April 22, 1985), pp. 51–52.
• Manrique, Jorge Alberto. “������ en Mexico.”&�Բ�����;La Jornada (Mexico City), April 23, 1985, Cultura, p. 27.
• Gaitan-Rolo, Héctor. “Desparpajo y humor en ������.”&�Բ�����;Punto (Mexico City) 3, no. 130 (April 29–May 5, 1985), pp. 19–20.
• Alloway, Lawrence. “La evolución de ������.”&�Բ�����;Revista vuelta (Mexico City), no. 102 (May 1985), pp. 52–60.
• Hahn, Dorothea. “Exposiciones como las de ������ son negativas y mercantiles: El pintor rené allí.”&�Բ�����;Uno más uno (Mexico City), June 11, 1985, Cultura, p. 19.

Museo Nacional de Bellas Artes, Santiago, ������ Overseas Culture Interchange: ROCI CHILE, July 17–Aug. 18. Exh. brochure (Mexico, Chile, and Venezuela) with introductions by Sofía Imber and Nena Ossa, essay by José Donoso, previously published introduction by Robert R. Littman, previously published essay by Robert Hughes, previously published statement by ������, and previously published poem by Octavio Paz.

• Calas, Nicolas, and Elena Calas. “El arte de ������.”&�Բ�����;El Mercurio (Santiago), Oct. 28, 1984, sec. E, p. 1.
• Lafourcade, Enrique. “������ en Chile.”&�Բ�����;El Mercurio (Santiago), Oct. 28, 1984, sec. E, p. 1.
• “������a estadounidense: Llega R. ������.”&�Բ�����;El Mercurio (Santiago), July 14, 1985, sec. C, p. 5.
• “En Santiago artista Robert ������.”&�Բ�����;El Mercurio (Santiago), July 15, 1985, sec. C, p. 1.
• “Mañana se inaugura muestra ������.”&�Բ�����;El Mercurio (Santiago), July 16, 1985, sec. C, p. 1.
• Sommer, Waldemar. “������, el gozo creador.”&�Բ�����;El Mercurio (Santiago), July 21, 1985, sec. E, p. 1.
• Meza, María Eugenia. “Veintecinco años de juego.”&�Բ�����;Ercilla (Santiago), no. 2608 (July 30, 1985), pp. 26–28.

Museo de Arte Contemporáneo de Caracas, ������ Overseas Culture Interchange: ROCI VENEZUELA, Sept. 12–Oct. 27. Exh. brochure (Mexico, Chile, and Venezuela) with introductions by Sofía Imber and Nena Ossa, essay by José Donoso, previously published introduction by Robert R. Littman, previously published essay by Robert Hughes, previously published statement by ������, and previously published poem by Octavio Paz. Exh. cat. (������) with additional essays by David Galloway and Arturo Uslar Pietri.

• Galloway, David. “������, dócil e indomable.”&�Բ�����;El Universal (Caracas), Sept. 1, 1985, sec. 4, p. 1.
• Díaz, Rafael Pedraza. “������, o cómo trabajar en la brecha que separa el arte de la vida.”&�Բ�����;El Universal (Caracas), Sept. 9, 1985, sec. 4, p. 1.
• Calcano, Isabel Cristina. “Trying to Bring Art and Different Cultures Closer.”&�Բ�����;Daily Journal (Caracas), Sept. 12, 1985, pp. 14–15.
• Comeriati, Mara. “������ vino en misión de paz.”&�Բ�����;El Nacional (Caracas), Sept. 12, 1985, sec. C, p. 16.
• Hernández, María Angélica. “El arte es una rareza del mundo.”&�Բ�����;El Diario (Caracas), Sept. 12, 1985, Arte y espectáculos, p. 52.
• Borges, Ignacio Iribarren. “Robert ������: Una experiencia compartida.”&�Բ�����;El Universal (Caracas), Sept. 14, 1996, sec. 4, p. 1.
• Alloway, Lawrence. “La evolución de ������ Y (II).”&�Բ�����;Suplemento cultural (Caracas), Sept. 15, 1985, pp. 8–9.
• Manaure, Mateo. “������ en el Museo de arte contemporáneo de Caracas.”&�Բ�����;El Universal (Caracas), Sept. 15, 1985, sec. 4, p. 1.
• López, Pedro, and Susana Montesinos. “������ testimonia el cataclismo del cambio total.”&�Բ�����;Maracay (Maracaibo, Venezuela), Sept. 17, 1985, sec. A, p. 12.
• “Una exposición con materiales desechables.”&�Բ�����;���ܳ�é�Գپ����� (Caracas), Sept. 20, 1985, pp. 36–37.
• Jiménez, Ariel. “Del hombre para el hombre.”&�Բ�����;El Universal (Caracas), Sept. 22, 1985, sec. 4, p. 1.
• Marcano, Jesús Rosas. “La cita es con ������.”&�Բ�����;El Diario (Caracas), Sept. 22, 1985, Ciudad, p. 2.
• Jiménez, Maritzá. “������, otro domingo de triunfo en el MACC.”&�Բ�����;El Universal (Caracas), Sept. 23, 1985, sec. 4, p. 1.
• Maldonado, Domingo. “El impactante ������.”&�Բ�����;Momento (Caracas), Sept. 23, 1985, p. 46.
• Pietri, Arturo Uslar. “Un arte de fin de mundo.”&�Բ�����;El Nacional (Caracas), Sept. 23, 1985, sec. A, p. 4.
• Calcano, Isabel Cristina. “Trying to Understand ROCI.”&�Բ�����;Daily Journal (Caracas), Sept. 24, 1985, Arts, p. 15.
• Weeks, Sally. “Art Exhibit to Grow as It Goes.”&�Բ�����;Chicago Tribune, Sept. 26, 1985, Tempo, p. 14.
• Ramos, María Elena. “Del desecho al encantamiento: Robert ������.”&�Բ�����;El Nacional (Caracas), Sept. 29, 1985, Feriado, p. 6.
• Ribes, María Ramírez. “El mundo soñado por ������.”&�Բ�����;El Universal (Caracas), Sept. 29, 1985, sec. 4, p. 1.
• Niño, William Araque. “El gesto del atrapamiento.”&�Բ�����;El Universal (Caracas), Sept. 30, 1985, sec. 4, p. 1.
• Vigas, Oswaldo. “������ y el tercer mundo.”&�Բ�����;El Universal (Caracas), Oct. 5, 1985, sec. 4, pp. 1–2.
• Volkenborn, Anne-Louise. “������ Style Influencing Local ������s.”&�Բ�����;Daily Journal (Caracas), Oct. 18, 1985, Weekend, p. 16.
• Castro, Roberto Montero. “El tratado de la realidad.”&�Բ�����;El Universal (Caracas), Oct. 27, 1985, sec. 4, p. 1.
• Stein, Axel. “Venezuela: Cultura infartada.”&�Բ�����;El Universal (Caracas), Oct. 28, 1985, sec. 4, pp. 1–2.

Musée Temporaire, Fondation Daniel Templon, Fréjus, France, Robert ������: Recent Works, Oct. 30–Nov. 27.

National Art Museum of China, Beijing, ������ Overseas Culture Interchange: ROCI CHINA, Nov. 18–Dec. 8. Exh. brochure (China and Tibet) with essay by Donald Saff, text by Wu Zugang, poem by Laba Pingcuo, previously published essay by Robert Hughes, and previously published statement by ������.

• Jin, S. P. “������’s Riddles.”&�Բ�����;China Daily (Beijing), Nov. 28, 1985, Culture, p. 5. In Chinese.
• Su, Chun Wuei. “������ and His ‘International Exhibition Tour.’” Tibet Daily (Lhasa), Nov. 30, 1985, p. 4.
• Fine Arts in China (Beijing: Chinese Art Institute) 22, no. 21 (Dec. 1985). Articles by Kong Chang-an, Li Jia-tun, Yu Feng, Yuan Xiaojin, Zhao Jian-hai, Zhu Ye, and Zheng Sheng-tian (in Chinese and English).

Tibet Exhibition Hall, Lhasa, ������ Overseas Culture Interchange: ROCI TIBET, Dec. 2–23. Exh. brochure (China and Tibet) with essay by Donald Saff, text by Wu Zugang, poem by Laba Pingcuo, previously published essay by Robert Hughes, and previously published statement by ������.

Contemporary Arts Museum, Houston, Robert ������, Work from Four Series: A Sesquicentennial Exhibition, Dec. 21, 1985–March 16, 1986. Traveled to Marion Koogler McNay Art Museum, San Antonio, April 13–June 8, 1986; Dallas Museum of Art, Dec. 21, 1986–Feb. 8, 1987; Art Museum of South Texas, Corpus Christi, March 11–June 5, 1987. Exh. cat. with essays by Donald Barthelme and Linda L. Cathcart.

• Everingham, Carol J. “Promoting World Peace Through Art.”&�Բ�����;Houston Post, Dec. 23, 1985, sec. C, p. 4.
• Johnson, Patricia C. “Modern Master Shows Awesome Power in Contemporary Arts Museum Exhibit.”&�Բ�����;Houston Chronicle, Dec. 28, 1985, sec. 5, pp. 1, 8.
• Berryhill, Michael. “Notice: This Art Is for Fun.”&�Բ�����;USA Today (Washington, D.C.), Jan. 9, 1986.
• Crossley, Mimi. “The ������ Revolution.”&�Բ�����;Houston Style (Feb. 1986), pp. 53–54.
• Ennis, Michael. “������ Relics.”&�Բ�����;Texas Monthly (Austin) 14, no. 2 (Feb. 1986), pp. 126, 128–29.
• Lin, Wendy. “The Boy from Port Arthur.”&�Բ�����;Art and Antiques (New York) 19, no. 4 (Feb. 1986), pp. 58–61.
• Marcus, Stanley. “The Found, the Recycled, the Metamorphosed.”&�Բ�����;Artweek (Oakland) 17, no. 6 (Feb. 15, 1986), cover and p. 1.
• Becker, Robert. “Art in View.”&�Բ�����;Interview (New York) (March 1986), pp. 166–67.
• Welish, Marjorie. “Texas, Japan, etc.: Robert ������’s Sense of Place.”&�Բ�����;Arts Magazine (New York) 60, no. 7 (March 1986), pp. 52–54.
• Tennant, Donna. “Houston: Robert ������, Contemporary Arts Museum.”&�Բ�����;Artnews (New York) 85, no. 4 (April 1986), pp. 141–42.
• Goddard, Dan R. “But . . . He’s from Port Arthur.”&�Բ�����;Sunday Express-News (San Antonio), April 13, 1986, sec. H, p. 7.
• Solon, Marcia. “������.”&�Բ�����;San Antonio Light, April 13, 1986, sec. L, pp. 1, 7.
• Rips, Geoffrey. “Notes on a Native Son.”&�Բ�����;Texas Observer (Austin) 78, no. 11 (May 30, 1986), pp. 16–17.
• Graze, Sue. “Robert ������, Work from Four Series: A Sesquicentennial Exhibition.”&�Բ�����;Dallas Museum of Art (Winter 1986–87), pp. 6–7.
• Pickering, David. “������: American ������ Collides with Life.”&�Բ�����;Corpus Christi Caller-Times (Tex.), March 15, 1987, sec. H, pp. 1, 3.

1986

Contemporary Arts Museum, Houston, Robert ������: Photographs 1949–1984, Feb. 28–April 20. Exh. brochure.

• Crossley, Mimi. “The ������ Revolution.”&�Բ�����;Houston Post, Feb. 1986, pp. 53–54.

Espace Niçois d’Art et de Culture, Nice, Robert ������: Peindre, photographier, March 21–May 11. Exh. brochure.

Gallery of Fine Art, Edison Community College, Fort Myers, Fla., ������: Newest Continuation of the 1/4 Mile or 2 Furlong Piece, March 22–26.

• Rozsa, Lori. “������’s Latest Work Shown at College.”&�Բ�����;Miami Herald, March 23, 1986, sec. B, p. 1.
• Faulkner, Mary. “Round Three with ������ a Charm.”&�Բ�����;Fort Myers News-Press (Fla.), March 25, 1986, sec. D, pp. 1, 3.

Gagosian Gallery, New York, ������: The White and the Black Paintings 1949–1952, April 18–May 31. Exh. cat. with introduction by Roberta Bernstein.

• Russell, John. “Art: At ������s Space, 3 Survivors of 1930s.”&�Բ�����;New York Times, May 2, 1986, sec. 3, p. 28.
• Feinstein, Roni. “The Early Work of Robert ������: The White Paintings, the Black Paintings, and the Elemental Sculptures.”&�Բ�����;Arts Magazine (New York) 61, no. 1 (Sept. 1986), pp. 28–37.
• Caley, Shaun. “New York: Robert ������: Gagosian.”&�Բ�����;Flash Art (Milan), no. 131 (Dec. 1986–Jan. 1987), p. 88.

Visual Arts Museum, School of Visual Arts, New York, ������ Photos and Photems, Oct. 20–Nov. 17.

Acquavella Contemporary Art, New York, Robert ������: Drawings 1958–1968, Oct. 24–Dec. 6. Exh. cat. with essay by Lawrence Alloway.

• Smith, Roberta. “Art: Drawings by Robert ������, 1958–68.”&�Բ�����;New York Times, Oct. 31, 1986, sec. C, p. 28.
• Klein, Ellen Lee. “Robert ������.”&�Բ�����;Arts Magazine (New York) 61 (Jan. 1987), p. 122.

Leo Castelli, New York, ������: Gluts, Nov. 1–29.

Setagaya Museum of Art, Tokyo, ������ Overseas Culture Interchange: ROCI JAPAN, Nov. 22–Dec. 28. Exh. cat. with essay by Donald Saff, interview with ������ by Yoshiaki Tono, previously published essay by Robert Hughes, and previously published statement by ������.

• “������.”&�Բ�����;Atelier (Tokyo) (Nov. 1986), p. 96.
• “������.”&�Բ�����;Yomiuri Shimbun (New York), Nov. 19, 1986, p. 10.
• McClure, Steve. “������ Repays Debt to Japan.”&�Բ�����;Japan Times Weekly (Tokyo) 26, no. 48 (Nov. 29, 1986), pp. 8–9.
• “������: Art’s Magician.”&�Բ�����;Marie Claire (Japan), no. 50 (Jan. 1987), pp. 193–98.
• “������ Overseas Culture Exchange: Japan.”&�Բ�����;Ikebana Sogetsu (Japan), no. 170 (Feb. 10, 1987), pp. 41–43.

Interlink Festival, Akasaka, Japan, Sogetsu Gallery, ������: Hiccups, Dec. 1–6. Exh. brochure.

1987

Metropolitan Museum of Art, New York, Selections from ������’s 1/4 Mile or 2 Furlong Piece, Feb. 3, 1987–Jan. 3, 1988.

• Glueck, Grace. “The Met Makes Its Move into the 20th Century.”&�Բ�����;New York Times, Jan. 18, 1987, sec. 2, pp. 1, 20.
• Wallach, Amei. “The Incredible Growing Work of Art.”&�Բ�����;Newsday (New York), Jan. 21, 1987, Part II, p. 3.
• Story, Richard David. “Robert ������: The Unstoppable ������ Pours Hard Work and Wild Humor into His Pop-Cultural Canvases.”&�Բ�����;USA Today (Washington, D.C.), Jan. 26, 1987, sec. D, p. 4.
• Marzorati, Gerald. “������ Redux.”&�Բ�����;Vanity Fair (New York) 50, no. 2 (Feb. 1987), p. 105.
• Rose, Barbara. “Amazing Space.”&�Բ�����;Vogue (New York) 177, no. 2 (Feb. 1987), pp. 400–01.
• Russell, John. “������ and Johns: Mr. Outside and Mr. Inside.”&�Բ�����;New York Times, Feb. 15, 1987, sec. 2, pp. 33–34.
• McDonald Exum, Helen. “Robert ������ Makes It to the Met.”&�Բ�����;Chattanooga News–Free Press (Tenn.), March 1, 1987, sec. K, pp. 1–2.

Heland Thordén Wetterling Galleries, Stockholm, ������: Paintings on Copper and Stainless Steel, 1985/86, March 6–April 1. Exh. cat. with introduction by Bo Nilsson.

Galerie Kaj Forsblom, Helsinki, Robert ������: Viimeaikaisia maalauksia, grafiikkaa Recent Works, March 7–April 5. Exh. brochure.

BlumHelman Gallery, New York, Robert ������: Works on Paper: 1970–1983, March 11–April 4.

Barbara Mann Performing Arts Hall Wall, Edison Community College, Fort Myers, Fla., Robert ������: Gluts, March 26–May 7.

• Bashaw, Maureen. “������ Spills His ‘Gluts.’” Fort Myers News-Press (Fla.), March 26, 1987, sec. D, pp. 1, 9.
• Peterson, Kristin. “������ Molds Junk into ������ic Jewels.”&�Բ�����;Fort Myers News-Press (Fla.), March 27, 1987, sec. D, p. 1.

Galerie Denise René Hans Mayer, Düsseldorf, Robert ������: Neue Arbeiten, April 21–June 10. Exh. brochure.

Galleria Lucio Amelio, Naples, ������: Neapolitan Glut, April 24–May 30. Exh. cat. (������) with interview with ������ by Michele Bonuomo.

Gemini G.E.L., Los Angeles, Tibetan Keys and Locks, April 27–June 20.

• McKenna, Kristine. “The Art Galleries.”&�Բ�����;Los Angeles Times, May 15, 1987, sec. 6, p. 14.
• McCloud, Mac. “A Return from the Mountains.”&�Բ�����;Artweek (Oakland) (June 6, 1987), pp. 7–8.

Castelli Graphics, New York, Tibetan Keys and Locks, May 21–June 18.

BlumHelman Gallery, Santa Monica, Calif., Robert ������: The Gluts, Oct. 29–Dec. 5. Traveled to BlumHelman Gallery, New York, Jan. 6–30, 1988.

• Muchnic, Suzanne. “The Galleries: Santa Monica.”&�Բ�����;Los Angeles Times, Nov. 6, 1987, sec. 6, p. 12.

Texas Gallery, Houston, Summer Gluts, Nov. 10–Dec. 6.

Waddington Galleries, London, Robert ������: Gluts, Nov. 25–Dec. 23. Exh. cat.

• Graham-Dixon, Andrew. “Glut Reaction.”&�Բ�����;Independent (London), Dec. 11, 1987, p. 15.

Blue Sky Gallery, Portland, Oreg., Robert ������, Dec. 3, 1987–Jan. 3, 1988.

1988

Pace/MacGill, New York, Robert ������: New Pictures, Jan. 21–March 5.

Museo Nacional de Bellas Artes, Castillo de la Real Fuerza, and Casa de las Américas, Galería Haydée Santamaría, Havana, ������ Overseas Culture Interchange: ROCI CUBA, Feb. 10–April 3. Exh. brochure with essay by Roberto Fernández Retamar.

• “ROCI-CUBA.”&�Բ�����;Cartelera (Havana) 36, no. 310 (Feb. 4–10, 1988), p. 3.
• Piñera, Toni. “Exposición ������ en la Habana.”&�Բ�����;Gramma (Havana), Feb. 9, 1988, Culture/sports, p. 7.
• Piñera, Toni. “Inaugura Hart la exposición de ������.”&�Բ�����;Gramma (Havana), Feb. 11, 1988, pp. 1, 6.
• Kohen, Helen L. “An Odyssey to Encourage World Peace” and “To Cuba, with Art.”&�Բ�����;Miami Herald, Feb. 21, 1988, sec. K, pp. 1–2.

Galerie Alfred Kren, Cologne, Robert ������: Currents 1970, Feb. 27–March 30.

M. Knoedler, New York, ������: New Drawings from the Passes Series, May 14–June 2.

• Heartney, Eleanor. “Robert ������.”&�Բ�����;Artnews (New York) 87, no. 8 (Oct. 1988), p. 167.

Galerie Isy Brachot, Brussels, Robert ������: Gluts, May 18–Sept. 3. Exh. cat. with text by Pierre Sterckx.

Galerie Jamileh Weber, Zurich, Robert ������: Paintings and Gluts, Sept. 15–Oct. 29.

BMW Pavilion, Berlin, Robert ������: Art Car und neue Objekte, Sept. 22–Oct. 23. Traveled to BMW Pavilion, Munich, Nov. 17, 1988–Jan. 7, 1989. Exh. brochure (in English and German) with text by Marjorie Welish.

Heland Wetterling Gallery, Göteborg, Sweden, Robert ������: Skupturer and Målningar, Oct. 6–Nov. 20. Exh. brochure.

M. Knoedler, New York, Robert ������: Shiners, Gluts, Urban Bourbons, Nov. 5–Dec. 1. Exh. brochure.

• Decter, Joshua. “Robert ������.”&�Բ�����;Arts Magazine (New York) 63 (Feb. 1989), pp. 102–03.
• MacAdam, Barbara. “Reviews: Robert ������: Knoedler.”&�Բ�����;Artnews (New York) 88, no. 3 (March 1989), p. 170.

1989

Universal Limited Art Editions, New York, Soviet/American Array, Jan. 13–Feb. 28.

Central House of ������s, Tretyakov Gallery, Moscow, ������ Overseas Culture Interchange: ROCI USSR, Feb. 2–March 5. Exh. brochure with essays by Donald Saff and Yevgeny Yevtushenko, previously published essay by Robert Hughes, and previously published statement by ������.

• “Pop-Art on Krimsky Val.”&�Բ�����;Literatornaya Gazeta (Moscow), Feb. 1989.
• Simmons, Todd. “Color U.S. Art Exhibit in Moscow a Major Success.”&�Բ�����;Tampa Tribune, Feb. 3, 1989, sec. A, p. 6.
• Wallach, Amei. “������ Goes to Moscow.”&�Բ�����;Art in America (New York) 77, no. 3 (March 1989), pp. 21–22.
• Kotz, Mary Lynn. “Captiva: The ROCI Road Show.”&�Բ�����;Artnews (New York) 88, no. 6 (Summer 1989), pp. 48, 50.

Gemini G.E.L., Los Angeles, Samarkand Stitches, Feb. 16–March 28.

Fabian Carlsson Gallery, London, Robert ������, March 1–25.

Castelli Graphics, New York, ������: Samarkand Stitches, March 4–25.

Akira Ikeda Gallery, Tokyo, Robert ������: New Paintings, May 9–31. Exh. cat.

Ace Contemporary Exhibitions, Los Angeles, ������: A Selection of Paintings and Sculpture, June.

• Curtis, Cathy. “The Galleries: Wilshire Center.”&�Բ�����;Los Angeles Times, June 23, 1989, sec. VI, p. 14.

Akira Ikeda Gallery, Nagoya, Frank Stella, Robert ������, Sept. 4–30.

Heland Wetterling Gallery, Stockholm, ������, Sept. 5–Oct. 8. Exh. cat. (Stockholm: Painters Posters in association with Heland Wetterling Gallery, 1990) with text by Donald Saff. Deluxe edition.

Heland Wetterling Gallery, Göteborg, Robert ������, Sept. 7–21.

Fred Hoffman Gallery, Santa Monica, Calif., and Manny Silverman Gallery, Los Angeles, Robert ������, The Gemini Works: 1967–1988, Sept. 15–Oct. 14.

Hirshhorn Museum and Sculpture Garden, Washington, D.C., Robert ������ Lithographs: Selections from the “Stoned Moon Series”, Sept. 28, 1989–Jan. 16, 1990.

M. Knoedler, New York, Robert ������: Works, Nov. 1–30. Exh. cat.

• Bass, Ruth. “Robert ������: Knoedler.”&�Բ�����;Artnews (New York) 89, no. 3 (March 1990), p. 174.

Meadows Museum, Southern Methodist University, Dallas, A Tribute to ������: Works from Dallas Collections, Nov. 2–25.

Galerie Jamileh Weber, Zurich, Robert ������, Nov. 5, 1989–Jan. 31, 1990.

San Jose Museum of Art, Calif., Jasper Johns and Robert ������: Selections from the Anderson Collection, Dec. 16, 1989–Feb. 4, 1990. Exh. brochure with essay by James Cuno.

1990

Lorence/Monk Gallery, New York, ������ Prints, Jan. 6–28.

Textile Arts International, Minneapolis, Fabric: A Chosen Medium, Robert ������ and Lucas Samaras, Jan. 20–Feb. 24.

Lang and O’Hara, New York, Robert ������: Paintings 1962–1980, Feb. 1–March 3. Traveled to Runkel-Hue-Williams, London, May 3–June 7. Exh. cat.

• Smith, Roberta. “An 18-Year Journey Through ������’s Development.”&�Բ�����;New York Times, Feb. 16, 1990, sec. C, p. 30.
• Kramer, Hilton. “������ ‘Paintings’ in SoHo: Just Clever Exercises in Layout.”&�Բ�����;New York Observer, March 5, 1990, pp. 1, 21.
• Lillington, David. “London Exhibitions: Robert ������ at Runkel Hue Williams.”&�Բ�����;Arts Review (London) 42, no. 10 (May 18, 1990), p. 258.
• Goldman, Saundra. “Robert ������: Lang and O’Hara.”&�Բ�����;Artnews (New York) 89, no. 6 (Summer 1990), p. 166.

Projects Room, Scott Hanson Gallery, New York, Robert ������: China Mix, Feb. 3–24. Exh. brochure with text by Tricia Collins and Richard Milazzo.

Neue Berliner Galerie, Altes Museum, Berlin, ������ Overseas Culture Interchange: ROCI BERLIN, March 10–April 1. Exh. brochure with essay by Donald Saff, text by Heiner Müller, previously published essay by Robert Hughes, and previously published statement by ������.

• Kamm, Henry. “������ Show Heralds Union of the Arts in Berlin.”&�Բ�����;New York Times, March 10, 1990, pp. 11, 14.
• Oesterreich, Volker. “Pop-Art Made in USA—Ost-Berlin im Farbrausch.”&�Բ�����;Berliner Morgenpost (Berlin), March 11, 1990, p. 1.
• Wiegenstein, Roland H. “Kurzer Aufenthalt zwischen Moskau und Kuala Lumpur.”&�Բ�����;Frankfurter Rundschau (Frankfurt), March 13, 1990, p. 9.
• Müller, Dorothee. “Spaziergänger zwischen den Kulturen.”&�Բ�����;Süddeutsche Zeitung (Munich), March 22, 1990, p. 45.
• Kipphoff, Petra. “Pelikan in Preußen.”&�Բ�����;Die Zeit (Hamburg), March 23, 1990, p. 68.
• Kuhlmey, Astrid. “Das Aroma von Jahrmarkt schwebt hier in der Luft.”&�Բ�����;Berliner Allgemeine Zeitung (Berlin), March 28, 1990.
• Waterman, Daniel. “Vasari Diary: ������’s Bandages.”&�Բ�����;Artnews (New York) 89, no. 5 (May 1990), p. 44.
• Winter, Peter and Sally Simmons. “Berlin: ������’s Art for Peace.”&�Բ�����;Art International (Paris), no. 12 (Autumn 1990), p. 27.

Castelli Graphics, New York, ������: Currents ’70, May 5–26. Exh. brochure with essay by Ingrid Schaffner and previously published statement by ������.

Galerie Alfred Kren, Cologne, Robert ������: American Pewter with Burroughs, 1981, May 12–June 13.

Balai Seni Lukis Negara (National Art Gallery), Kuala Lumpur, ������ Overseas Culture Interchange: ROCI MALAYSIA, May 21–June 21. Exh. brochure with essays by Donald Saff and Muhammad Haji Salleh, previously published essay by Robert Hughes, and previously published statement by ������.

• Chuen, Ooi Kok. “������ Who Breaks All Rules.”&�Բ�����;New Straits Times (Kuala Lumpur), May 3, 1990, Times Two, p. 15.
• ———. “A Sort of Wunderkind.”&�Բ�����;New Straits Times (Kuala Lumpur), May 4, 1990, Times Two, p. 17.
• Yee, Chen May. “Mammoth Art Undertaking.”&�Բ�����;Star (Kuala Lumpur), May 11, 1990, Metro, p. 1.
• Edwin, Joseph. “Images of Malaysia.”&�Բ�����;New Straits Times (Kuala Lumpur), May 24, 1990, Times Two, p. 1.
• Chuen, Ooi Kok. “������ Who Values Personal Perceptions.”&�Բ�����;New Sunday Times (Kuala Lumpur), May 27, 1990, Arts and Leisure, p. 15.
• “One-Man Art Show: Robert ������.”&�Բ�����;Corporate World (Kuala Lumpur) 2, no. 6 (June–July 1990), p. 53.

M. Knoedler, New York, Robert ������: Works on Paper, May 30–July 6. Exh. brochure.

• Cyphers, Peggy. “New York in Review.”&�Բ�����;Arts Magazine (New York) 65, no. 2 (Oct. 1990), pp. 114–15.

National Gallery of Art, Washington, D.C., ������ Overseas Culture Interchange: ROCI MOSCOW, June 6.

Galerie Fabien Boulakia, Paris, ������, June 12–Sept. 22. Exh. cat. (Paris: Le Dernier Terrain Vague and Galerie Fabien Boulakia, 1990) with essays by John Cage and Michel Nuridsany; previously published essays by Daniel Abadie, Régis Durand, Catherine Millet, Severo Sarduy, and Nina Sundell; previously published interview with ������ by France Huser (1984); and previously broadcast interview with ������ by Pierre Daix (1984).

• Faucher, Michel. “������.”&�Բ�����;Cimaise (Paris) 37 (June–Aug. 1990), pp. 93–96.
• Ernould-Gaudouet, Marielle. “Paris: Robert ������.”&�Բ�����;��’O�𾱱� (Paris), nos. 420–21 (July–Aug. 1990), p. 108.
• “Revoir ������.”&�Բ�����;Connaissance des arts (Paris), no. 463 (Sept. 1990), p. 16.

Fondation Vincent Van Gogh, Palais de Luppé, Arles, France, Roy Lichtenstein, Robert ������: 38 Oeuvres gravées de 1965 à 1989, July 7–Oct. 31. Exh. cat. with essay by Lucien Clergue.

Gemini G.E.L., Los Angeles, Borealis Shares, Aug. 20–Oct. 3.

Scott Hanson Gallery, Santa Monica, Calif., Robert ������: Paintings 1962–1970, Oct.–Nov.

Feigen, Chicago, Robert ������: Gluts, Oct. 12–Nov. 24. Exh. brochure with text by Rosetta Brooks.

• Fishman, Ted C. “International Influence—Chin-Tickling Gods and Wrecked Corvaires.”&�Բ�����;Newcity (Chicago), Nov. 1, 1990.
• Artner, Alan G. “������ Works Detail Spiritual Ruins of the ’80s.”&�Բ�����;Chicago Tribune, Nov. 2, 1990, sec. 7, p. 65.
• Yood, James. “Chicago: Robert ������: Feigen Incorporated.”&�Բ�����;Artforum (New York) 29, no. 5 (Jan. 1991), p. 132.

Galerie Baudoin Lebon, Paris, Robert ������ Polaroids, Oct. 27–Dec. 1. Exh. brochure.

• Bouisset, Maïten. “������, le peintre et le polaroïd.”&�Բ�����;Beaux Arts (Paris), no. 84 (Nov. 1990), p. 147.

Whitney Museum of American Art, New York, Robert ������: The Silkscreen Paintings, 1962–64, Dec. 7, 1990–March 17, 1991. Exh. cat. by Roni Feinstein with text by Calvin Tomkins.

• Wallach, Amei. “Art, Life and Robert ������.”&�Բ�����;New York Newsday, Dec. 10, 1990, Part II, pp. 53, 60–61, 66.
• Smith, Roberta. “Vintage ������: The Silk-Screen Paintings.”&�Բ�����;New York Times, Dec. 14, 1990, sec. C, p. 30.
• Glueck, Grace. “������ at 65, with All Due Immodesty.”&�Բ�����;New York Times, Dec. 16, 1990, sec. 2, pp. 47, 49.
• Malanga, Gerard. “Letter to the Editor: Warhol Got the Idea from ������.”&�Բ�����;New York Times, Dec. 28, 1990, sec. A, p. 34.
• Lingemann, Susanne. “Aufregende Resultate dank Regelverstoß.”&�Բ�����;Art (Hamburg) (Jan. 1991), pp. 94–95.
• Plagens, Peter with Malcolm Jones, Jr. “Back to the Future.”&�Բ�����;Newsweek (New York) 117, no. 1 (Jan. 7, 1991), pp. 50–51.
• Taylor, Paul. “Letter to the Editor: ������ Recalls Warhol as the Pioneer.”&�Բ�����;New York Times, Jan. 18, 1991.
• Flam, Jack. “Abstracting Reality.”&�Բ�����;Wall Street Journal, Jan. 23, 1991, sec. A, p. 10.
• Carrier, David. “New York: Whitney Museum: Robert ������: The Silkscreen Paintings, 1962–64.”&�Բ�����;Burlington Magazine (London) 133, no. 1056 (March 1991), pp. 218–19.
• Gookin, Kirby. “Robert ������: Whitney Museum.”&�Բ�����;Artforum (New York) 29, no. 7 (March 1991), pp. 128–29.
• Perlman, Bennard. “Robert ������: Turning Rags into Real ������ic Riches.”&�Բ�����;Daily Record (Baltimore), March 5, 1991, sec. A, p. 28.
• Larson, Kay. “New History.”&�Բ�����;New York 24, no. 11 (March 18, 1991), p. 62.
• MacAdam, Barbara A. “Robert ������: Whitney Museum, Knoedler.”&�Բ�����;Artnews (New York) 90, no. 5 (May 1991), p. 146.
• Morgan, Robert C. “Robert ������, the Whitney Museum of American Art.”&�Բ�����;Tema Celeste (Siracusa, Italy), no. 31 (May–June 1991), p. 98.
• Johnston, Jill. “The World outside His Window.”&�Բ�����;Art in America (New York) 80, no. 4 (April 1992), pp. 114–25, 183.

1991

Ducson Gallery, Seoul, Robert ������, Frank Stella, Feb. 8–28.

M. Knoedler, New York, Robert ������: New Works, Feb. 13–March 7.

• Smith, Roberta. “Robert ������.”&�Բ�����;New York Times, March 1, 1991, sec. C, p. 20.
• MacAdam, Barbara A. “Robert ������: Whitney Museum, Knoedler.”&�Բ�����;Artnews (New York) 90, no. 5 (May 1991), p. 146.

Pace/MacGill, New York, Robert ������, April 4–May 4.

B. R. Kornblatt Gallery, Washington, D.C., Robert ������: Recent Paintings and Prints, April 27–May 25.

Le Marié Tranier Gallery, Washington, D.C., Wax Fire Works and Other ROCI Editions, May 12–Aug. 25. Exh. brochure.

• James, Curtia. “Reviews: Robert ������: National Gallery, Le Marié Tranier, Corcoran.”&�Բ�����;Artnews (New York) 90, no. 7 (Sept. 1991), pp. 141–42.

National Gallery of Art, Washington, D.C., ������ Overseas Culture Interchange, May 12–Sept. 2. Exh. cat. with introduction by Jack Cowart; essay by Rosetta Brooks; interview with ������ by Donald Saff; previously published essays by José Donoso, Roberto Fernández Retamar, and Yevgeny Yevtushenko; previously published texts by Heiner Müller and Wu Zuguang; previously published statement by ������; and previously published poems by Laba Pingcuo and Octavio Paz.

• Lingemann, Susanne. “Statt Midlife Crisis eine Kampagne gegen die Weltkrise.”&�Բ�����;Art (Hamburg) (April 1991), pp. 12–13.
• Dudar, Helen. “The ������ Who Wants to Embrace the Whole World.”&�Բ�����;Smithsonian (Washington, D.C.) 22, no. 2 (May 1991), pp. 54–67.
• Weil, Deborah. “Take Your Lunchbreak at the Museums: Great Art on View this Summer Includes Shows by ������, Annie Leibovitz.”&�Բ�����;Roll Call (Washington, D.C.), May 2, 1991, Travel and Entertainment, p. 1.
• Gibson, Eric. “������ Exhibit Has No ������ic Luster.”&�Բ�����;Washington Times, May 10, 1991, sec. E, p. 8.
• Lewis, Jo Ann. “������’s Cultural Canvas.”&�Բ�����;Washington Post, May 12, 1991, sec. G, pp. 1, 6–7.
• Richard, Paul. “Silk Sheets and Neon Bicycles.”&�Բ�����;Washington Post, May 12, 1991, sec. G, pp. 1, 5.
• Wallach, Amei. “������’s World.”&�Բ�����;Newsday (New York), May 12, 1991, Fanfare, p. 15.
• Annas, Teresa. “‘Most Living ������’ Wages Peace with Historic Mix of Art, Culture.”&�Բ�����;Virginian-Pilot (Norfolk), May 19, 1991, sec. G, pp. 1, 7.
• Merritt, Robert. “Show Offers ������’s-Eye View of World.”&�Բ�����;Richmond Times Dispatch (Va.), May 19, 1991.
• Sweeney, Louise. “������’s Worldwide Quest for Art and Ideas.”&�Բ�����;Christian Science Monitor (Boston), May 20, 1991, pp. 10–11.
• Grenier, Richard. “������ic Cultural Bridges?” Washington Times, May 23, 1991, sec. G, p. 4.
• Kilian, Michael. “Peace Through Art: ������’s World Tour Makes Final Stop in D.C.”&�Բ�����;Chicago Tribune, June 6, 1991, sec. C, p. 13.
• Gibson, Eric. “������’s Rise, Fall Depicted in 2 Shows.”&�Բ�����;Washington Times, June 26, 1991, sec. E, p. 3.
• Baker, Kenneth. “‘Rocky’ ������ Picture Show.”&�Բ�����;San Francisco Chronicle, July 14, 1991, Datebook, pp. 32–34.
• Twardy, Chuck. “Making an Art of Change.”&�Բ�����;Orlando Sentinel, Aug. 4, 1991, sec. F, pp. 1, 11.
• Smith, Roberta. “Art: Robert ������, at Home and Abroad.”&�Բ�����;New York Times, Aug. 6, 1991, sec. C, pp. 11, 16.
• Greenberg, Blue. “������: Making Art from What We Throw Away.”&�Բ�����;Herald-Sun (Durham, N.C.), Aug. 25, 1991.
• Durand, Régis. “Robert ������: Parcours du monde, parcours de l’oeuvre.”&�Բ�����;Art Press (Paris), no. 161 (Sept. 1991), pp. 26–27.
• James, Curtia. “Reviews: Robert ������: National Gallery, Le Marié Tranier, Corcoran.”&�Բ�����;Artnews (New York) 90, no. 7 (Sept. 1991), pp. 141–42.
• Powell, Kathleen V. “Fanfare from the Common Man.”&�Բ�����;Fort Myers News-Press (Fla.), Sept. 13, 1991, Gulf Coasting, p. 5.
• Mahoney, Robert. “Sculpture on the Road: ������’s ROCI.”&�Բ�����;Sculpture (Washington, D.C.) 10, no. 6 (Nov.–Dec. 1991), pp. 44–49.
• Wood, Carol. “Robert ������.”&�Բ�����;Arts Magazine (New York) 66, no. 3 (Nov. 1991), p. 84.
• Johnston, Jill. “The World Outside His Window.”&�Բ�����;Art in America (New York) 80, no. 4 (April 1992), pp. 114–25, 183.

Galerie Jamileh Weber, Zurich, Robert ������, June 7–July 20.

• Durand, Régis. “Robert ������: Parcours du monde, parcours de l’oeuvre.”&�Բ�����;Art Press (Paris), no. 161 (Sept. 1991), pp. 26–27.

Corcoran Gallery of Art, Washington, D.C., Robert ������: The Early 1950s, June 15–Aug. 11. Organized by the Menil Collection, Houston. Traveled to the Menil Collection, Sept. 28, 1991–Jan. 5, 1992; Museum of Contemporary Art, Chicago, Feb. 8–April 19, 1992, San Francisco Museum of Modern Art, May 14–Aug. 16, 1992; Guggenheim Museum SoHo, New York, Oct. 24, 1992–Jan. 24, 1993. Exh. brochure with essay by Walter Hopps. Exh. cat. (Houston: The Menil Collection and Houston Fine Art Press) by Hopps.

• Lewis, Jo Ann. “������, Bright and Early.”&�Բ�����;Washington Post, June 15, 1991, sec. C, pp. 1, 8.
• “A Close-Up of an ������’s Evolution at Corcoran.”&�Բ�����;Washington Times, June 24, 1991, sec. E, pp. 1, 3.
• Gibson, Eric. “������’s Rise, Fall Depicted in 2 Shows.”&�Բ�����;Washington Times, June 26, 1991, sec. E, p. 3.
• Smith, Roberta. “Robert ������, at Home and Abroad.”&�Բ�����;New York Times, Aug. 6, 1991, sec. C, pp. 11, 16.
• Wijers, Louwrien. “������ geëerd.”&�Բ�����;Het Financieele Dagblad (Amsterdam), Aug. 26, 1991, p. 13.
• James, Curtia. “Reviews: Robert ������: National Gallery, Le Marié Tranier, Corcoran.”&�Բ�����;Artnews (New York) 90, no. 7 (Sept. 1991), pp. 141–42.
• Chadwick, Susan. “Early Robert ������.”&�Բ�����;Houston Post, Sept. 22, 1991, sec. H, p. 15.
• Szilagyi, Pete. “Native Texan Makes a Triumphant Return.”&�Բ�����;Austin American-Statesman, Sept. 25, 1991, sec. B, p. 1.
• Johnson, Patricia C. “Fifties Unveiled: ������ Shows Work New to Public.”&�Բ�����;Houston Chronicle, Sept. 29, 1991, Zest, p. 22.
• Chadwick, Susan. “Retro ������” and “Menil Exhibit a Landmark.”&�Բ�����;Houston Post, Oct. 2, 1991, sec. D, pp. 1, 4.
• Paris, Wendy. “������’s Striking Consistency: The Menil Collection and Texas Gallery Show the Early and Late Work of a Twentieth-Century Master.”&�Բ�����;Houston Press, Oct. 10–16, 1991, pp. 36–37.
• Ennis, Michael. “A Protean Talent.”&�Բ�����;Texas Monthly (Austin) 19, no. 11 (Nov. 1991), pp. 80, 82, 84.
• Wood, Carol. “Robert ������.”&�Բ�����;Arts Magazine (New York) 66, no. 3 (Nov. 1991), p. 84.
• Kusin, David. “Taking an ‘Early’ Look at ������.”&�Բ�����;Dallas Times Herald, Nov. 11, 1991, sec. D, p. 3.
• Holg, Garrett. “Fifties ������: Paving the Way for Pop and Beyond.”&�Բ�����;Chicago Sun-Times, Feb. 2, 1992, sec. E, pp. 1, 12.
• Heard, Jacquelyn. “Exhibit Revives ’50s Art: ������’s Work on Display.”&�Բ�����;Chicago Tribune, Feb. 7, 1992, sec. 1, p. 16.
• McCracken, David. “Together Again, ������ and Cage: The Avant-Garde Experiments Go On.”&�Բ�����;Chicago Tribune, Feb. 16, 1992.
• .
• Colpitt, Frances. “������: In the Beginning.”&�Բ�����;Art in America (New York) 80, no. 4 (April 1992), pp. 126–29.
• Osowski, Ed. “Simply ������.”&�Բ�����;Spot (Houston Center for Photography) 11, no. 1 (Spring 1992), pp. 22–23.
• Bevan, Roger. “Salvaging 1950s ������.”&�Բ�����;Art Newspaper (London) 3, no. 18 (May 1992), sec. 1, p. 7.
• Cooke, Lynne. “San Francisco, MOMA, Robert ������ the Early 1950s.”&�Բ�����;Burlington Magazine (London) 134, no. 1070 (May 1992), pp. 335–36.
• Bonetti, David. “������: ’50s Fervor at SFMOMA.”&�Բ�����;San Francisco Examiner, May 14, 1992, sec. B, pp. 1, 6.
• Baker, Kenneth. “A ’50s Look at Robert ������.”&�Բ�����;San Francisco Chronicle, May 15, 1992, sec. D, p. 3.
• Knight, Christopher. “Enlightening Look at Early Work of Robert ������.”&�Բ�����;Los Angeles Times, May 20, 1992, sec. B, pp. 8, 9.
• Wiegenstein, Roland H. “Ein Porträt des Künstlers als junger Mann.”&�Բ�����;Frankfurter Rundschau (Frankfurt), July 18, 1992, sec. ZB, pp. 2–4.
• Tarshis, Jerome. “Creativity Knew No Limits.”&�Բ�����;Christian Science Monitor (Boston), Sept. 14, 1992, pp. 16–17.
• Kimmelman, Michael. “Early ������, before He Became Infamous.”&�Բ�����;New York Times, Oct. 23, 1992, sec. C, p. 21.
• Tallmer, Jerry. “Getting Started in Black and White.”&�Բ�����;New York Post, Nov. 6, 1992, p. 42.
• Tourigny, Maurice. “Capturer le mouvement de la vie.”&�Բ�����;Le Devoir (Montreal), Nov. 7, 1992.
• Larson, Kay. “Zen and the Art.”&�Բ�����;New York 25, no. 45 (Nov. 16, 1992), p. 90.
• Wallach, Amei. “‘What Ifs’ of a 20th-Century Master.”&�Բ�����;Newsday (New York), Nov. 27, 1992, Part II, pp. 73, 99.
• Kramer, Hilton. “Justly Ignored Early 50’s ������ upon Us.”&�Բ�����;New York Observer (Nov. 30, 1992), pp. 1, 23.
• Plagens, Peter. “The Wonder Years: How Two Audacious Young Americans Broke into the Avant-Garde.”&�Բ�����;Newsweek (New York) 120, no. 24 (Dec. 14, 1992), pp. 76–77.
• Tager, Alisa. “Reviews: Robert ������: Guggenheim Museum SoHo.”&�Բ�����;Artnews (New York) 92, no. 3 (March 1993), pp. 107–08.
• Gookin, Kirby. “Reviews: Robert ������: Guggenheim Museum SoHo.”&�Բ�����;Artforum (New York) 31, no. 8 (April 1993), p. 97.

BlumHelman Gallery, Santa Monica, Calif., Robert ������: The Phantom Series, Sept. 13–Oct. 26.

City Gallery of Contemporary Art, Raleigh, Robert ������ 1974–1991: Animals and Other Themes, Sept. 14–Oct. 27. Exh. brochure with introduction by Denise Dickens and essay by Denis Wood.

• Halperen, Max. “‘Animals and the Earth’: Raleigh Curators Tap Collection of a Legend of Modern Art.”&�Բ�����;News and Observer (Raleigh), Sept. 13, 1991, pp. 13, 23.

Texas Gallery, Houston, Robert ������: Night Shade Paintings, Sept. 28–Nov. 2.

Nicholas Roerich Museum, New York, Robert ������: Tibetan Locks and Keys, Sept. 29–Oct. 20.

Leo Castelli, 578 Broadway, and Leo Castelli, New York, Robert ������: Print Survey in Themes, 1952–1992, Oct. 26–Dec. 7. Traveled to Moody Gallery of Art, University of Alabama, Tuscaloosa, March 20–April 21, 1992; Simmons Visual Arts Center, Brenau University, Gainesville, Ga., Oct. 7–Dec. 4, 1992. Exh. brochure (Gainesville) with texts by Kathleen Slavin.

• “UA Opens Prestigious Exhibit.”&�Բ�����;Tuscaloosa News (Ala.), March 22, 1992, sec. D, p. 3.
• Cullum, Jerry. “������’s Dazzling Prints Delineate Our Time.”&�Բ�����;Atlanta Journal-Constitution, Oct. 23, 1992, sec. H, p. 2.

Galleria d’arte il Gabbiano, Rome, Robert ������: Dipinti recenti, Nov. 18, 1991–Jan. 15, 1992. Traveled to Appiani Arte Trentadue, Milan, Feb. 14–March 14, 1992. Exh. cat. (Rome, Robert ������: Mostra personale, in English and Italian) with essay by Achille Bonito Oliva and previously published interview with ������ by Barbara Rose. Exh. cat. (Milan, 1992, in Italian) with interview with ������ by Bonito Oliva and previously published essay by Bonito Oliva.

• Di Forti, Massimo. “Appuntamento con dieci ������ mai visti prima.”&�Բ�����;Il Messaggero (Rome), Nov. 14, 1991.
• D’Amico, Fabrizio. “Robert l’acrilico.”&�Բ�����;Il Venerdì di Repubblica (Rome), Nov. 15, 1991, pp. 112–16.
• Bonuomo, Michele. “������, l’arte come avventura.”&�Բ�����;��’I�Ի徱���Ի��Գٱ� (Sicily), Nov. 17, 1991.
• Pasti, Daniela. “Il nonno terribile della Pop Art.”&�Բ�����;La Repubblica (Rome), Nov. 17–18, 1991.
• Petrignani, Sandra. “Texano de Roma.”&�Բ�����;Panorama (Milan) (Nov. 17, 1991), p. 26.
• Zevi, Adachiara. “Ecco tutti i colori del Pop.”&�Բ�����;Corriere della sera (Milan), Nov. 17, 1991, Cultura, p. 8.
• Simongini, Franco. “������, Pop miliardario inaugura la sua mostra romana.”&�Բ�����;Il Tempo (Rome), Nov. 19, 1991, sec. 7, p. 1.
• Trucchi, Lorenza. “La quarta volta di ������.”&�Բ�����;Il Giornale (Milan), Nov. 19, 1991.
• Micacchi, Dario. “������ un irrequieto annuncio di pace.”&�Բ�����;��’U�Ծ���à (Rome), Nov. 20, 1991, p. 17.
• Sinisi, Silvana. “La leggerezza del colore.”&�Բ�����;Il Mattino (Naples), Nov. 26, 1991.
• Lambertini, Luigi. “������: Quelli della Pop Art.”&�Բ�����;Gioia (Milan), Dec. 30, 1991, pp. 128–30.
• Villa, Giuditta. “Robert ������, Il Gabbiano, Roma.”&�Բ�����;Flash Art (Milan), no. 166 (Feb.–March 1992).
• Carboni, Massimo. “Rome: Robert ������, Galleria il Gabbiano.”&�Բ�����;Artforum (New York) 30, no. 7 (March 1992), pp. 116–17.
• Micozzi, Mario. “Robert ������: Simultaneità e compresenza della bidimensionalità.”&�Բ�����;Punto d’incontro (Lanciano, Italy) 15, no. 2 (March–April 1992), p. 11.
• Serravalli, Luigi. “Macchie di coscienza.”&�Բ�����;Alto Adige (Bolzano, Italy), March 21, 1992, p. 12.

1992

M. Knoedler, New York, ������ at Knoedler: Night Shades and New Gluts, Feb. 1–29. Exh. brochure.

• Tully, Judd. “Night of the Living Gluts.”&�Բ�����;Cover (New York) 6, no. 2 (March 1992), pp. 8–9.
• Kuspit, Donald. “Reviews: Robert ������: Knoedler and Company.”&�Բ�����;Artforum (New York) 30, no. 9 (May 1992), p. 114.
• Malloy, Nancy. “Reviews: Robert ������: Knoedler.”&�Բ�����;Artnews (New York) 91, no. 5 (May 1992), pp. 121–22.

Gemini G.E.L., Los Angeles, Robert ������: Illegal Tender L.A., Feb. 10–March 24.

Gemini G.E.L. at Joni Moisant Weyl, New York, Robert ������: Illegal Tender L.A., Feb. 29–June.

Galerie Alfred Kren, Cologne, Robert ������s Werkszyklen “Borealis” und “Night Shades”, April 4–May 9.

• Iden, Peter. “Vom Erinnern am Rande der Nacht.”&�Բ�����;Frankfurter Rundschau (Frankfurt), April 25, 1992, p. 11.

Platt Gallery, University of Judaism, Los Angeles, ������, April 26–May 22. Exh. brochure.

Galerie Thaddaeus Ropac, Salzburg, Robert ������: Bilder und neue Arbeiten auf Papier, July 25–Sept. 25.

Tampa Museum of Art, Study for Chinese Summerhall, Aug. 16–Oct. 18.

• Milani, Joanne. “Photographs Capture China’s Timeless Beauty.”&�Բ�����;Tampa Tribune, Oct. 4, 1992, Bay Life, pp. 1–2.

Leo Castelli, 578 Broadway, New York, ������: Prints and Editions, 1962–1992, Nov. 10–Dec. 19.

Galerie Alfred Kren, Cologne, Robert ������: Skulpturen aus den achtziger Jahren, Nov. 12, 1992–Jan. 16, 1993.

1993

Galería Cobo y Alexander, Madrid, Robert ������: Photems/Fotografías, Feb. 9–April 24. Traveled to Sala Rekalde, Bilbao, July 1–Sept. 26; Sala Parpalló, Valencia, Oct. 1–Nov. 30. Exh. cat. (in English and Spanish) with text by Horacio Fernández.

• .

Galerie Jamileh Weber, Zurich, Robert ������/Darryl Pottorf, April 16–July 3.

Gallery of Fine Art, Edison Community College, Fort Myers, Fla., ������, April 30–June 13.

• Bashaw, Maureen. “International ������ Returns to Captiva.”&�Բ�����;Fort Myers News-Press (Fla.), April 30, 1993, sec. D, pp. 1, 3.
• Kircher, Ralf. “������: An ������ of Immense Proportions.”&�Բ�����;Cape Coral Breeze (Fla.), May 10, 1993.
• ———. “An Afternoon with Robert ������.”&�Բ�����;Fort Myers Observer (Fla.), May 12, 1993, p. 9.
• Bashaw, Maureen. “An ������ at Work.”&�Բ�����;Fort Myers News-Press (Fla.), May 21, 1993, sec. D, pp. 1, 3.

M. Knoedler, New York, ������: Bicycloids, Urban Bourbons + Eco-Echo, May 8–June 4.

• Henry, Gerrit. “Reviews: Robert ������: Knoedler.”&�Բ�����;Artnews (New York) 92, no. 9 (Nov. 1993), p. 158.

Gemini G.E.L., Los Angeles, Double Feature, Aug. 31–Oct. 12.

Hiroshima City Museum of Contemporary Art, The Second Hiroshima Art Prize: Robert ������, Nov. 3, 1993–Jan. 16, 1994. Exh. cat. with essays by Marjorie Welish and Takeshi Yoshizumi, texts by Seiji Oshima and Yuso Takezawa, and statements by Shinichiro Fujita and ������.

1994

Art Gallery, Williams Center for the Arts, Lafayette College, Easton, Pa., Breaking Boundaries: Robert ������ Prints from the Robert and Jane Meyerhoff Collection, Jan. 28–Feb. 20. Exh. brochure with essay by Robert Saltonstall Mattison.

Leo Castelli, 420 West Broadway and 65 Thompson Street, New York, ������: Scores (Off Kilter Keys), Feb. 26–March 26.

• Smith, Roberta. “Art in Review: ������, Mixing and Remixing His Ingredients.”&�Բ�����;New York Times, March 11, 1994, sec. C, p. 30.

Mandarin Oriental Fine Arts, Hong Kong, ������: Day Lights and Night Sights, March 8–31. Exh. brochure with essay by Donald Saff.

Archer M. Huntington Art Gallery, University of Texas, Austin, Head On: Image and Text in the Prints of Robert ������, April 1–May 15.

• Goldman, Saundra. “When Images, Words Collide: Exhibit Illuminates ������.”&�Բ�����;Austin American-Statesman, April 9, 1994, sec. D, p. 13.
• Levy, Rebecca. “Words of Art.”&�Բ�����;Austin Chronicle, April 29, 1994, p. 30.

Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Robert ������, May 7–July 10. Exh. cat. (Cologne: DuMont; in English and German) with texts by Hiltrud Reinhold and Armin Zweite.

• Wagner, Thomas. “Viele Augen blicken ins Dämmerlicht.”&�Բ�����;Frankfurter Allgemeine Zeitung (Frankfurt), June 7, 1994, p. 35.
• Bode, Ursula. “Der große Kommunikator.”&�Բ�����;Süddeutsche Zeitung (Munich), June 10, 1994, p. 14.
• Jocks, Heinz-Norbert. “Robert ������.”&�Բ�����;Kunstforum (Ruppichteroth, Germany), no. 127 (July–Sept. 1994), pp. 320–24.
• Vogel, Sabine B. “Reviews: Düsseldorf: Robert ������, Kunstsammlung Nordrhein-Westfalen.”&�Բ�����;Artforum (New York) 33, no. 3 (Nov. 1994), p. 97.

Galerie Jamileh Weber, Basel, Robert ������: Off Kilter Keys, May 13–July 30.

National Museum of Art, Osaka, Jasper Johns and Robert ������, May 26–July 3.

Mary Ryan Gallery, New York, Robert ������: Stoned Moon, July 20–Sept. 17.

• Cotter, Holland. “Art in Review: Robert ������.”&�Բ�����;New York Times, Aug. 5, 1994, sec. C, p. 19.

Knoedler and Company, New York, Robert ������: Shales, Sept. 13–Oct. 5.

• Aukeman, Anastasia. “Robert ������: Knoedler.”&�Բ�����;Artnews (New York) 93, no. 10 (Dec. 1994), p. 136.
• Edelman, Robert G. “Robert ������ at Knoedler.”&�Բ�����;Art in America (New York) 82, no. 12 (Dec. 1994), pp. 94–95.

Gemini G.E.L. at Joni Moisant Weyl, New York, Robert ������: Booster and 7 Studies, Oct. 28–Nov. 26.

Museo de Bellas Artes, Santander, Spain, Robert ������, Nov. 15, 1994–Jan. 15, 1995. Exh. cat. with essays by Fernando Francés, Artemis Olaizola, and Gabriel Rodríguez.

1995

Texas Gallery, Houston, Robert ������, Feb. 8–May 6.

• Chadwick, Susan. “������ Exhibit Strikes the Right Note.”&�Բ�����;Houston Post, Feb. 16, 1995, sec. D, pp. 1, 12.
• Johnson, Patricia C. “‘Scores’ Positively Strange.”&�Բ�����;Houston Chronicle, March 8, 1995, sec. D, pp. 1, 12.

Galerie Templon, Paris, Robert ������: Shales Series, Feb. 18–March 22.

• “Des ������ cirés.”&�Բ�����;Connaissance des arts (Paris), no. 514 (Feb. 1995), p. 19.
• Loisy, Odile de. “Le Dernier ������.”&�Բ�����;Beaux Arts (Paris), no. 132 (March 1995), p. 121.
• Huser, France. “Robert ������: La Vie au plus pres.”&�Բ�����;��’O�ڴھ�������� (Paris), no. 794 (March 1995), pp. 246–49.

Galerie Beyeler, Basel, Robert ������: Night Shades and Urban Bourbons, March 18–May 13. Traveled to Ordrupgaard, Charlottenlund, Denmark, Oct. 14–Dec. 10. Exh. cat. (Basel) by Francis M. Naumann. Exh. cat. (Copenhagen, in Danish and English) with essay by Mikael Wivel.

• Ifversen, Karsten R.S. “Verden er et skrabelod.”&�Բ�����;Politiken (Copenhagen), Oct. 22, 1995, Interpol, pp. 8–9.

Leo Castelli, 578 Broadway, New York, Robert ������: Tribute 21, March 25–April 29. Exh. brochure.

Gagosian Gallery, New York, ������: The Venus Motif, March 31–May 19.

Milleventi, Turin, Robert ������, April 27–May 20.

13 Vanak Street, Tehran, Robert ������: An Exhibition of Signed Posters, May 1–31.

Buckminster Fuller Institute, Santa Barbara, Calif., Tribute 21, May 13–June 4.

Galerie Jamileh Weber, Zurich, Robert ������: Quake in Paradise—A Labyrinth, May 27–July 22.

Morgan Gallery, Kansas City, Mo., Robert ������: Tribute 21, June 9–July 22.

• Thorson, Alice. “‘Tribute 21’ Honors Humanitarians.”&�Բ�����;Kansas City Star (Mo.), June 16, 1995, Preview, p. 13.

Morris Museum of Art, Augusta, Ga., Robert ������: Major Printed Works, 1962–1995, Sept. 6–Oct. 22. Traveled to Kemper Museum of Contemporary Art, Kansas City, Mo., June 8–Aug. 11, 1996. Exh. cat. with introduction by William S. Morris III, essays by J. Richard Gruber, and text by Ann Rowson.

• Copley, Rich. “������’s Work Consistently Innovative.”&�Բ�����;Augusta Chronicle (Ga.), Sept. 6, 1995, sec. B, pp. 1, 5.
• Shuter, Marty. “Artful Innovation.”&�Բ�����;Savannah News-Press (Ga.), Sept. 17, 1995, sec. G, pp. 1, 6.

Graphicstudio, Institute for Research in Art, University of South Florida, Tampa, Robert ������: Two Decades at Graphicstudio, Sept. 11–Dec. 1. Exh. cat.

• Altabe, Joan. “Junk Culture.”&�Բ�����;Sarasota Herald-Tribune (Fla.), Sept. 17, 1995, sec. G, pp. 1, 3.
• ———. “Robert ������ and the Art of Being.”&�Բ�����;Sarasota Herald-Tribune (Fla.), Sept. 22, 1995, Ticket, p. 22.
• Marger, Mary Ann. “Redefining Definition Itself.”&�Բ�����;St. Petersburg Times (Fla.), Sept. 29, 1995, Weekend, p. 25.
• Milani, Joanne. “������ in Retrospect.”&�Բ�����;Tampa Tribune, Nov. 2, 1995, Bay Life, pp. 1, 3.
• ———. “Shows Reviewed: Robert ������: Two Decades at Graphicstudio.”&�Բ�����;Tampa Tribune, Nov. 17, 1995, Friday Extra, p. 21.

Gagosian Gallery, 136 Wooster Street, Vydocks and Doubleluck, and 65 Thompson Street, Reefs, New York, Robert ������: New Paintings, Sept. 23–Oct. 21.

• “New Power from the Man Who Put New into Art.”&�Բ�����;Interview (New York) (Oct. 1995), p. 90.
• Karmel, Pepe. “Art in Review: Robert ������.”&�Բ�����;New York Times, Oct. 6, 1995, sec. C, p. 32.
• Corn, Alfred. “Robert ������: Gagosian, 65 Thompson.”&�Բ�����;Artnews (New York) 95, no. 1 (Jan. 1996), p. 123.

Modern Art Museum of Fort Worth, Robert ������: Sculpture, Oct. 22–Dec. 31. Traveled to Museum of Contemporary Art, Miami, April 25–July 28, 1996. Exh. cat. with essay by Marjorie Welish, interview with ������ by Julia Brown Turrell, and conversation by Pontus Hultén and Turrell.

• Isola, Marina. “Putting It All Together: ������’s Assemblages on View at the Modern.”&�Բ�����;Fort Worth Star-Telegram, Oct. 24, 1995, sec. D, pp. 1–2. Rev. and reprinted as “Chicken is as Good as a Brush,” Beaumont Enterprise (Tex.), Oct. 29, 1995.
• Kutner, Janet. “Object Lessons: Robert ������ Imbues Litter of Society with Meaning.”&�Բ�����;Dallas Morning News, Oct. 29, 1995, sec. C, p. 10.
• Irvine, Madeline. “Turning Artifacts into Art: A Sculptor’s Sense of Flight, Gravity.”&�Բ�����;Austin American-Statesman, Dec. 16, 1995, sec. C, pp. 13, 15.
• Bravo, Armando Álvarez. “A todo ������.”&�Բ�����;El nuevo Herald (Miami), April 24, 1996, sec. C, pp. 1, 3.
• Turner, Elisa. “Surprising Take on Enfant Terrible’s Sculpture.”&�Բ�����;Miami Herald, April 28, 1996, sec. I, pp. 1, 3.
• Hurlburt, Roger. “Throwaway Lines.”&�Բ�����;Sun-Sentinel (Fort Lauderdale), May 12, 1996, sec. D, pp. 1–2.

1996

Sonnabend Gallery, New York, ������: Carnal Clocks, Cardboards, Jammers, Jan. 6–Feb. 17. Exh. brochure.

• Smith, Roberta. “Art in Review: Robert ������.”&�Բ�����;New York Times, Jan. 12, 1996, sec. C, p. 31.
• Doran, Anne. “Robert ������, ‘Carnal Clocks,’ ‘Cardboards’ and ‘Jammers.’” Time Out New York (Feb. 7–14, 1996), p. 22.

Robert Hull Fleming Museum, University of Vermont, Burlington, The Print and Beyond: Robert ������ Editions 1970–1995, Jan. 28–April 19.

Main Lobby, United Nations, New York, prints and posters from 1970–96 and Clan Destiny, Feb. 5–16.

Visual Arts Gallery, Adirondack Community College, Queensbury, N.Y., Robert Rasuchenberg: Chow Bag Series, Feb. 26–March 28.

Jim Kempner Fine Art, New York, Robert ������: Prints 60s, 70s, 80s, May 1–June 15.

• Hicks, Robert. “������ Prints: A Different Facet.”&�Բ�����;Villager (New York), May 22, 1996, p. 25.

Gemini G.E.L., Los Angeles, Robert ������: Speculations, June 1–12.

United Nations Conference on Human Settlements, Istanbul, Habitat II, June 3–14.

• Özdoğru, Nüvit. “������ ile iki saat.”&�Բ�����;Milliyet (Istanbul), June 18, 1996, p. 19.

Gemini G.E.L. at Joni Moisant Weyl, New York, Robert ������: Speculations, June 4–Aug. 16.

Monastero Mechitarista dell’Isola di San Lazzaro degli Armeni, Venice, Robert ������, June 22–July 31.

• Ducci, Carlo. “������.”&�Բ�����;Vogue Italia (Milan), no. 551 (July 1996), pp. 136–43, 215.
• Espanet, Luisa. “Robert ������: Futuro è il villaggio globale.”&�Բ�����;Madame (Milan), no. 9 (Sept. 1996), pp. 38–39.
• Arditi, Fiamma. “Gli anagrammi del genio.”&�Բ�����;La Stampa (Turin), Sept. 21, 1996, p. 22.

PaceWildenstein, New York, Robert ������: Anagrams, Sept. 19–Oct. 19. Traveled to PaceWildenstein, Beverly Hills, Nov. 15, 1996–Jan. 18, 1997. Exh. cat. with text by Bernice Rose.

• McKenna, Kristine. “Extra Sensory Expression.”&�Բ�����;Los Angeles Times, Nov. 24, 1996, Calendar, pp. 3, 81.

Galerie Jamileh Weber, Zurich, Robert ������: Anagrams, Oct. 4–Nov. 16.

Exhibit A Gallery, Savannah College of Art and Design, Ga., Icons of the Century: Centurions, Robert ������, Oct. 10–Nov. 19. Exh. cat. with introduction by Judith Van Baron and essay by Anne Swartz.

Philharmonic Center for the Arts, Naples, Fla., Winter Works: ������ and Pottorf, Dec. 10, 1996–Jan. 25, 1997.

• Lilliefors, James. “������: A Portrait of the ������.”&�Բ�����;Naples Daily News (Fla.), Dec. 8, 1996, sec. G, pp. 1, 6, 9.
• Bashaw, Maureen. “Three Men and a Vision.”&�Բ�����;Fort Myers News-Press (Fla.), Dec. 10, 1996, sec. D, pp. 1, 3.
• Wortzel, Pamela Gilbert. “‘Winterworks’ at the Naples Philharmonic Art Gallery.”&�Բ�����;Island Sun (Sanibel, Fla.), Dec. 13, 1996, pp. 1, 25.

1997

Gallerie Taksu, Kuala Lumpur, Robert ������: New Works, Jan. 16–20. Traveled to Wetterling Teo Gallery, Singapore, Jan. 24–March 20. Exh. brochure.

• Chuen, Ooi Kok. “A Pop Icon Mellows.”&�Բ�����;New Straits Times (Kuala Lumpur), Jan. 21, 1997, p. 3.
• Munroe, Ben. “Vivid Testimonies of a Rollercoaster Life.”&�Բ�����;Business Times (Singapore), Feb. 22–23, 1997, sec. EL, p. 3.
• Ho, Janet. “Jumbled Images Shed New Light on Modern Structures.”&�Բ�����;Straits Times (Singapore), Feb. 26, 1997, p. 16.

Tampa Museum of Art, Donald Saff/Robert ������: In Collaboration, Feb. 9–April 27. Organized in collaboration with Graphicstudio, Institute for Research in Art, and Contemporary Art Museum, University of South Florida, Tampa.

Czech Museum of Fine Arts, Prague, Robert ������: Tribute 21, Feb. 13–April 6. Exh. cat.

Gallery of Art, University of Missouri, Kansas City, Robert ������: Through the Lens, Feb. 28–April 13. Exh. cat. with essay by Richard Gruber.

• Thorson, Alice. “������ Gifted in Vernacular of Photography.”&�Բ�����;Kansas City Star, April 4, 1997.

Aktionsforum Praterinsel, Munich, Robert ������: Haywire, Technologische Hauptwerke aus den sechziger Jahren (Haywire, major technological works from the 1960s), March 22–May 19. Exh. cat. with essays by Catherine Craft and Billy Klüver with Julie Martin.

• Gliewe, Gert. “Der Mensch spiegelt sich in der Kunst.”&�Բ�����;Abendzeitung (Munich), March 22–23, 1997, p. 8.
• Kollros, Petra. “Der Besucher muß rufen und stampfen.”&�Բ�����;Südwest Presse (Ulm, Germany), March 22, 1997.
• Müller, Dorothee. “Ich bin ein aktiver Voyeur.”&�Բ�����;Süddeutsche Zeitung (Munich), March 22–23, 1997, p. 13.
• Babnik, Erika. “Wem die Stunde schlägt.”&�Բ�����;��ü�Գ���Ա�� (Munich) (April 1997), p. 86.
• Dienst, Rolf-Gunter. “Die Technik entläßt ihren Künstler.”&�Բ�����;Frankfurter Allgemeine Zeitung (Frankfurt), May 23, 1997.
• Becker, Jochen. “Die Rückkehr der elektronischen Braut.”&�Բ�����;Die Tageszeitung (Berlin), May 5, 1997, Kultur, p. 14.

Michael Solway Gallery (formerly Carl Solway Gallery), Cincinnati, Ohio, Robert ������: Tribute 21, April 19–May 31.

Gemini G.E.L. at Joni Moisant Weyl, New York, Robert ������: Speculations, April 22–June 28.

Galerie Jamileh Weber, Zurich, Quattro Mani—A Collaboration (Robert ������ and Darryl Pottorf), May 23–July 26. Traveled to Kunstsalon, Zurich, Sept. 24–Oct. 25, 1998.

PaceWildensteinMacGill, New York, Robert ������: Photographs, Sept. 11–Oct. 25.

PaceWildenstein, New York, Robert ������: Arcadian Retreats, Sept. 19–Oct. 18. Exh. cat. with essay by Bernice Rose.

Solomon R. Guggenheim Museum, New York, Robert ������: A Retrospective, Sept. 19, 1997–Jan. 7, 1998, Guggenheim Museum SoHo, New York, Sept. 19, 1997–Jan. 4, 1998, and Guggenheim Museum at Ace Gallery, New York, Sept. 19–Nov. 9. Traveled to the Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Feb. 13–May 17, 1998; Museum Ludwig, Cologne, June 27–Oct. 11, 1998; Guggenheim Museum, Bilbao, Nov. 21, 1998–March 7, 1999. .

• Kazanjian, Dodie. “Captiva Audience.”&�Բ�����;Vogue (New York) 187, no. 9 (Sept. 1997), pp. 652–61, 727.
• Lewis, Jim. “Souvenirs of Creation.”&�Բ�����;Harper’s Bazaar (New York), no. 3430 (Sept. 1997), pp. 454–59.
• Pacheco, Patrick. “He Got Painting’s Goat.”&�Բ�����;Art and Antiques (New York) (Sept. 1997), pp. 105–07.
• .
• Duberman, Martin. “Is There Room for Privacy on the Canvas?” New York Times, Sept. 7, 1997, sec. 2, p. 89.
• Goldman, Judith. “The American Picasso.”&�Բ�����;Daily News (New York), Sept. 18, 1997, pp. 49–51.
• Bashaw, Maureen. “Reassessing ������.”&�Բ�����;Fort Myers News-Press (Fla.), Sept. 19, 1997, sec. E, pp. 1, 3.
• Gouveia, Georgette. “������ Soars at the Guggenheim.”&�Բ�����;Reporter Dispatch (White Plains, N.Y.), Sept. 19, 1997, sec. C, pp. 1, 5.
• Kimmelman, Michael. “Clowning Inventively with Stuff of Beauty.”&�Բ�����;New York Times, Sept. 19, 1997, sec. E, pp. 33, 36.
• Klawans, Stuart. “Review.”&�Բ�����;Daily News (New York), Sept. 20, 1997.
• Scott, Whitney. “������ Redux.”&�Բ�����;New York Post, Sept. 20, 1997.
• Arditi, Fiamma. “������, il quadro senza fine.”&�Բ�����;La Stampa (Turin), Sept. 21, 1997.
• Prose, Francine. “Artifacts of the Age of Anxiety.”&�Բ�����;Wall Street Journal, Sept. 25, 1997.
• Boschmann, Hella. “Weltreisen gegen die Midlife-Krise.”&�Բ�����;Welt am Sonntag (Berlin), Sept. 28, 1997.
• Budick, Ariella. “All the City’s His Museum.”&�Բ�����;Newsday (New York), Sept. 28, 1997, sec. D, pp. 24–26.
• Kramer, Hilton. “Glub, Glub! We’re Awash in Trashy ������s.”&�Բ�����;New York Observer, Sept. 29, 1997, pp. 1, 31.
• Stevens, Mark. “More Is More.”&�Բ�����;New York 30, no. 37 (Sept. 29, 1997), pp. 54, 56.
• .
• Trebay, Guy. “Rauschenworld.”&�Բ�����;Village Voice (New York), Sept. 30, 1997, p. 30.
• Dover, Caitlin. “Interactive Retrospective.”&�Բ�����;Upper East Side Resident (New York), Oct. 1, 1997.
• Halle, Howard. “Does Size Matter?” Time Out New York (Oct. 2–9, 1997).
• Mays, John Bentley. “������’s Vivacious Impurity.”&�Բ�����;Globe and Mail (Toronto), Oct. 2, 1997, sec. A, pp. 14–15.
• Vogel, Carol. “Inside Art: Big ������.”&�Բ�����;New York Times, Oct. 3, 1997.
• Bischoff, Dan. “������ Nearly ‘Runs Out of World’ for Colossal Three-Part Show.”&�Բ�����;Star-Ledger (Newark, N.J.), Oct. 5, 1997.
• Sozanski, Edward J. “������ Retrospective Takes Over 2 Museums and a Gallery.”&�Բ�����;Philadelphia Inquirer, Oct. 5, 1997.
• Sipe, Jeffrey R. “The World as Canvas.”&�Բ�����;Insight on the News (Washington, D.C.) 13, no. 37 (Oct. 6–13, 1997), p. 36.
• Schjeldahl, Peter. “Chaos’s Mascot.”&�Բ�����;Village Voice (New York), Oct. 7, 1997, p. 87.
• Kimball, Roger. “Dada for the Masses.”&�Բ�����;Spectator (London) 279, no. 8828 (Oct. 11, 1997), pp. 58–59.
• Baker, Kenneth. “������ in Spotlight in New York.”&�Բ�����;San Francisco Chronicle, Oct. 13, 1997.
• Tomkins, Calvin. “Master of Invention.”&�Բ�����;New Yorker 73, no. 31 (Oct. 13, 1997), pp. 92–96.
• Breerette, Geneviève. “Robert ������, maître du collage universel.”&�Բ�����;Le Monde (Paris), Oct. 14, 1997, p. 30.
• Cullinane, Robert. “An Incurable Obsession with the Ordinary.”&�Բ�����;Asbury Park Press (N.J.), Oct. 19, 1997, sec. E, pp. 1, 8.
• Gayford, Martin. “To Hell with Suffering for Art.”&�Բ�����;Sunday Telegraph (London), Oct. 19, 1997, p. 11.
• Barber, Lynn. “Robert ������.”&�Բ�����;Observer Life (London), Oct. 26, 1997, pp. 6–12.
• Hughes, Robert. “The Great Permitter.”&�Բ�����;Time (New York) 150, no. 17 (Oct. 27, 1997), pp. 108–10.
• Anzelowitz-Tanner, Lois. “������: A Retrospective.”&�Բ�����;Where New York (Nov. 1997), pp. 22–25.
• Castle, Frederick Ted. “������.”&�Բ�����;Art Monthly (London), no. 211 (Nov. 1997), pp. 8–11.
• MacAdam, Barbara A. “Reviews: Robert ������.”&�Բ�����;Artnews (New York) 96, no. 10 (Nov. 1997), p. 221.
• Iden, Peter. “Ich bemühe mich, mit dem, was ich tue, nicht vertraut zu sein.”&�Բ�����;Frankfurter Rundschau (Frankfurt), Nov. 1, 1997, sec. ZB, p. 3.
• Lilliefors, James. “Art Pioneer Still Defies Convention, Unveiling New Ideas.”&�Բ�����;Miami Herald, Nov. 2, 1997, sec. C, pp. 7, 10.
• Fenton, James. “The Voracious Ego.”&�Բ�����;New York Review of Books 44, no. 17 (Nov. 6, 1997), pp. 8–11.
• Gropp, Rose-Maria. “Die magnetische Kraft eines sorgsamen Gedächtnisses.”&�Բ�����;Frankfurter Allgemeine Zeitung (Frankfurt), Nov. 13, 1997.
• Danto, Arthur C. “Robert ������.”&�Բ�����;Nation (New York) 265, no. 16 (Nov. 17, 1997), pp. 32–36.
• Donohue, Marlena. “������’s Signature on the Century.”&�Բ�����;Christian Science Monitor (Boston), Nov. 28, 1997, pp. 10–11.
• Schor, Gabriele. “‘Ich habe nichts zu sagen!’” Neue Zürcher Zeitung (Zurich), Nov. 28, 1997.
• Cembalest, Robin. “An Iconoclast Becomes an Icon.”&�Բ�����;Artnews (New York) 96, no. 12 (Dec. 1997), pp. 56–57.
• Codognato, Cristina. “������ a New York.”&�Բ�����;��’A���� (Milan) 37, no. 3 (Dec. 1997), pp. 33–35.
• Danto, Arthur C. “Top Ten x 12: The Year in Review.”&�Բ�����;Artforum (New York) 36, no. 4 (Dec. 1997), p. 96.
• Schwabsky, Barry. “Robert ������.”&�Բ�����;Art Press (Paris), no. 230 (Dec. 1997), pp. 72–73 (in English and French).
• Perl, Jed. “Transformations.”&�Բ�����;New Republic (Washington, D.C.) 217, no. 22 (Dec. 1, 1997), pp. 33–38.
• Schwendenwien, Jude. “An Exhibit So Big It Fills Two Museums.”&�Բ�����;Hartford Courant (Conn.), Dec. 14, 1997.
• “The People Who Shaped the Cultural Year: Looking Backward while Moving Ahead.”&�Բ�����;New York Times, Dec. 28, 1997, sec. 2, pp. 1, 38.
• Doe, Willo. “The Possible Present.”&�Բ�����;Linea, Art Students League newsletter (New York) 2, no. 1 (Winter 1998), pp. 1, 6.
• Cooke, Lynne. “New York: Robert ������.”&�Բ�����;Burlington Magazine (London) 140, no. 1138 (Jan. 1998), pp. 64–65.
• Servetar, Stuart. “New York Fax.”&�Բ�����;Art Issues (Los Angeles), no. 51 (Jan.–Feb. 1998).
• Dell’Orso, Silvia. “������ ‘inedito’ apre la super-Galleria.”&�Բ�����;La Repubblica (Rome), Jan. 30, 1998, p. 9.
• Feinstein, Roni. “������: Solutions for a Small Planet.”&�Բ�����;Art in America (New York) 86, no. 2 (Feb. 1998), cover and pp. 66–79.
• Kuspit, Donald. “East Coast, West Coast: Robert ������, Richard Diebenkorn.”&�Բ�����;Art New England (Newtonville, Mass.) 19 (Feb.–March 1998), p. 15.
• Johnson, Patricia C. “Melding Pot.”&�Բ�����;Houston Chronicle, Feb. 15, 1998, Zest, cover and pp. 8–9, 15.
• Tyson, Janet. “������ Exhibit Honors Sweeping Influence of Native Son.”&�Բ�����;Morning Star Telegram (Fort Worth, Tex.), Feb. 15, 1998.
• Doiron, Darragh. “Robert ������ Retrospective.”&�Բ�����;Port Arthur News (Tex.), Feb. 22, 1998.
• Kutner, Janet. “The Wide World of Robert ������.”&�Բ�����;Dallas Morning News, Feb. 22, 1998, sec. C, pp. 1, 6.
• Schaffner, Ingrid. “������’s Photographies.”&�Բ�����;Afterimage (Rochester, N.Y.) 25, no. 5 (March–April 1998), p. 15.
• Knight, Christopher. “Soaring Like an Eagle.”&�Բ�����;Los Angeles Times, March 1, 1998, Calendar, pp. 6, 73.
• Bonetti, David. “The Impact of ������.”&�Բ�����;San Francisco Examiner, April 14, 1998, sec. C. pp. 1, 9.
• Camnitzer, Luis. “The ������ Invasion.”&�Բ�����;ArtNexus (Bogota), no. 28 (May–July 1998), pp. 84–87.
• Smith, Mark L. “������’s Homecoming.”&�Բ�����;Artnews, Texas Fine Arts Association newsletter (Austin) (May–July 1998), pp. 2–3.
• Wainwright, Lisa. “������’s American Voodoo.”&�Բ�����;New Art Examiner (Chicago) 25, no. 8 (May 1998), pp. 28–33.
• Amy, Michael. “Robert ������: La rétrospective.”&�Բ�����;Art et Culture (Paris) 12, no. 10 (June 1998), pp. 46–47.
• Craft, Catherine. “Much Too Much.”&�Բ�����;Art Journal (College Art Association, New York) 57, no. 2 (Summer 1998), pp. 108–11.
• Czöppan, Gabi. “Weltreise statt Midlife-crisis.”&�Բ�����;Focus (Munich), no. 26/1998 (June 22, 1998), pp. 102–05.
• Weingarten, Susanne. “Der Weltfresser bei der Arbeit.”&�Բ�����;Der Spiegel (Hamburg), no. 26/1998 (June 22, 1998), pp. 174–76.
• Lutterbeck, Claus. “Von der Müllhalde ins Museum.”&�Բ�����;Stern (Hamburg) 51, no. 27 (June 25, 1998), pp. 68–82.
• Haase, Amine. “Verlockungen der Schönheit.”&�Բ�����;Kölner Stadt-Anzeiger (Cologne), June 27–28, 1998, p. 37.
• Wagner, Thomas. “Malerei gegen das Bombardement der Welt.”&�Բ�����;Frankfurter Allgemeine Zeitung (Frankfurt), July 11, 1998, p. 29.
• Seidel, Martin. “Robert ������: Retrospektive, Museum Ludwig, Köln.”&�Բ�����;Kunstforum (Ruppichteroth, Germany), no. 142 (Oct.–Dec. 1998), pp. 406–08.
• Palomero, Carmen. “Una vida, un arte.”&�Բ�����;El Correo (Bilbao), Nov. 21, 1998, p. 49.
• Sala, Luis. “������ inunda el Guggenheim de imaginación y propuestas vanguardistas.”&�Բ�����;El Correo (Bilbao), Nov. 21, 1998, p. 48.
• Merino, José Luis. “������, el inventor.”&�Բ�����;El País (Madrid), Dec. 1, 1998, p. 10.

Gemini G.E.L. at Joni Moisant Weyl, New York, ������ Art For Change, Sept. 23–Nov. 1.

Bernard Jacobson Gallery, London, Robert ������: Shales, Sept. 24–Nov. 1. Exh. cat. with essay by Bryan Robertson.

Dranoff Fine Art, New York, Robert ������: Paintings, Drawings, Sculpture and Prints, Oct. 24–Dec. 6.

Bobbie Greenfield Gallery, Santa Monica, Calif., Robert ������: Ground Rules, Oct. 25–Nov. 15.

Jim Kempner Fine Art, New York, Robert ������: Prints and Drawings and Objects, Nov. 1–Dec. 23.

Tampa Bay Performing Arts Center, Fla., Robert ������: Study for Chinese Summerhall and Tibetan Garden Song, closed Nov. 9.

1998

Windows on Fifty-seventh Street, Art Students League, New York, Robert ������: Road-Show (Anagram), 1996, Jan. 6–Feb. 15.

Galleria Lawrence Rubin, Milan, Robert ������: Anagrams (A Pun), Jan. 29–March 7. Exh. cat. with text by Gillo Dorfles.

Texas Gallery, Houston, Robert ������ (Anagrams), Feb. 14–April 11.

Galerie Wild, Frankfurt, Robert ������: Bilder, Objekte und Graphiken von 1976–1994, June 29–Sept. 15.

National Gallery of Modern Art, New Delhi, Robert ������: Tribute 21, Aug. 21–Sept. 12. Exh. brochure with essay by Sundaram Tagore.

• .

PaceWildensteinMacGill, New York, Robert ������: Postcard Pictures 1952, Sept. 10–Oct. 24.

Museum of the Gulf Coast, Port Arthur, Tex., Robert ������: Tribute 21, Sept. 19–Nov. 30. Exh. brochure.

• Gallaspy, Beth. “������ Returns.”&�Բ�����;Beaumont Enterprise (Tex.), Sept. 18, 1998, sec. D, pp. 1, 5.
• Doiron, Darragh. “������ Comes Home.”&�Բ�����;Port Arthur News (Tex.), Sept. 20, 1998, sec. A, pp. 1–2.
• Upshaw, Amy. “������ Comes Home for Exhibit Honoring Those Who Shaped Our World.”&�Բ�����;Beaumont Enterprise (Tex.), Sept. 20, 1998, sec. A, pp. 1, 13.
• Doiron, Darragh. “������ Never Forgets His Hometown.”&�Բ�����;Port Arthur News (Tex.), Nov. 1, 1998.

Gemini G.E.L. at Joni Moisant Weyl, New York, Robert ������ L.A. Uncovered and Darryl Pottorf and Robert ������: Quattro Mani, Oct. 21–Nov. 21. Traveled to Eckert Fine Art, Naples, Fla., Jan. 16–30, 1999. Exh. cat. (Los Angeles: Gemini G.E.L., 1998).

• Muchnic, Suzanne. “Collage Professor.”&�Բ�����;Los Angeles Times, Jan. 31, 1998, sec. F, pp. 1, 14.

Tyler Art Gallery, Oswego State University, Syracuse, Robert ������: Chow Bag Series, Nov. 20–Dec. 13.

Museu d’Art Espanyol Contemporani, Palma, Spain, Robert ������: Obra gráfica 1967–1979, Dec. 16, 1998–March 6, 1999. Organized by Fundación Juan March, Madrid, in collaboration with Walker Art Center, Minneapolis. Traveled to Museo de Arte Abstracto Español, Cuenca, Spain, March 12–June 13, 1999.

1999

Orange County Museum of Art, Newport Beach, Calif., ������ in Transparency, Jan. 16–April 18.

Leo Castelli, New York, Robert ������: Arcadian Survey 1977, opened Feb. 3.

PaceWildenstein, New York, ������: Anagrams (A Pun), March 19–April 17. Exh. cat. with statement by ������.

Galleria Lawrence Rubin, Milan, Robert ������: Fotografie 1949–1985, April 8–May 15. Exh. cat. (in English and Italian) with essay by Yve-Alain Bois.

• “Trenta scatti on the road con Robert ������.”&�Բ�����;Arte in Mostra (Turin), April 2, 1999, p. 6.

Butler Institute of American Art, Youngstown, Ohio, Robert ������/Darryl Pottorf, April 18–July 11.

Piazza del Plebiscito, Naples, ������ a Napoli: Tribute 21, April 24–Sept. 24. Exh. cat. (in English and Italian) by Eduardo Cicelyn and Mario Codognato.

• Coen, Ester. “Le bandiere di ������.”&�Բ�����;La Repubblica (Rome), April 26, 1999, p. 26.

San Francisco Museum of Modern Art, Robert ������, May 5–Sept. 7.

• Baker, Kenneth. “������ Coup at SFMOMA.”&�Բ�����;San Francisco Chronicle, May 8, 1999, sec. E, pp. 1, 8.
• Bonetti, David. “������ Coup Cements SFMOMA’s Ascendance.”&�Բ�����;San Francisco Examiner, May 21, 1999, sec. C, pp. 1, 4.

Samuel P. Harn Museum of Art, Gainesville, Fla., Robert ������: The Chinese Summerhall Series, May 30–Sept. 26.

Massachusetts Museum of Contemporary Art, North Adams, Robert ������: The 1/4 Mile or 2 Furlong Piece, May 30, 1999–April 9, 2000.

• Thompson, Chris. “MASS MoCA Details Exhibits.”&�Բ�����;North Adams Transcript (Mass.), May 25, 1999, sec. A, pp. 1, 8.
• Temin, Christine. “Massive MoCA.”&�Բ�����;Boston Globe, May 28, 1999, sec. D, pp. 1, 14.
• Smith, Roberta. “Art Center Has Room for the Big and the New.”&�Բ�����;New York Times, June 2, 1999, sec. E, pp. 1, 5.
• Zeiger, Lisa. “MoCA Grande.”&�Բ�����;Interiors (Chicago) 158, no. 8 (Aug. 1999), cover and pp. 42–49.
• Schjeldahl, Peter. “Minimalism Depot.”&�Բ�����;New Yorker 75, no. 21 (Aug. 2, 1999), pp. 81–82.
• Watson, Bruce. “A Unique Home for Cutting-Edge Art.”&�Բ�����;Smithsonian (Washington, D.C.) 30, no. 12 (March 2000), pp. 115–24.

Museum of Modern Art, New York, Robert ������, Early Combines, July 1–October 5.

• Vogel, Carol. “Compliments of a Friend.”&�Բ�����;New York Times, June 25, 1999.

Museum of Fine Arts, St. Petersburg, Fla., Robert ������ and James Rosenquist: Images from Everywhere, News from Nowhere, Sept. 5–Oct. 31. Traveled to Brevard Museum of Art and Science, Melbourne, Fla., Dec. 2, 2000–Feb. 25, 2001. Exh. brochure with text by Jennifer Hardin.

• Marger, Mary Ann. “Reality, Readjusted.”&�Բ�����;St. Petersburg Times (Fla.), Sept. 10, 1999, sec. D, pp. 1–2.
• Harbaugh, Pam. “Art Can Baffle.”&�Բ�����;Florida Today (Melbourne, Fla.), Dec. 16, 2000, sec. D, pp. 1–2.

Galerie Jamileh Weber, Zurich, Robert ������: Works from the Early Seventies and Eighties, Oct. 8–Nov. 6.

2000

Eckert Fine Art, Naples, Fla., Robert ������: Ruminations, March 1–15. Organized in collaboration with Universal Limited Art Editions.

Gallery of Fine Art, Edison Community College, Fort Myers, Fla., Robert ������: Recent Work, March 9–April 16.

Whitney Museum of American Art, New York, Robert ������: Synapsis Shuffle, June 29–Oct. 8.

• Vogel, Carol. “The ������ Shuffles, Then Deals.”&�Բ�����;New York Times, June 1, 2000, sec. E, pp. 1, 4.
• Glueck, Grace. “A Card Trick as a Celebrity ‘Shuffle.’” New York Times, July 7, 2000, sec. E, p. 32.

Bobbie Greenfield Gallery, Santa Monica, Calif., Robert ������: Ruminations, July 15–Sept. 30.

Evansville Museum of Arts and Science, Ind., Robert ������ and Darryl Pottorf, Aug. 27–Nov. 26.

Gemini G.E.L. at Joni Moisant Weyl, New York, Robert ������: Marrakitch and Darryl Pottorf and Robert ������: Quattro Mani/Marrakech, Sept. 6–28.

PaceWildenstein, New York, Robert ������: Apogamy Pods, Nov. 17–Dec. 30. Exh. cat. with text by Dave Hickey.

• “Robert ������.”&�Բ�����;New Yorker 76, no. 37 (Dec. 4, 2000), p. 22.
• Arditi, Fiamma. “Più mi annullo, più mi piaccio.”&�Բ�����;Panorama (Milan), Dec. 7, 2000, p. 269.
• Finch, Charlie. “������’s Long Goodbye.” Artnet.com, Dec. 8, 2000. Accessed July 14, 2014. .

Eckert Fine Art, Naples, Fla., Robert ������: Marrakitch and Darryl Pottorf/Robert ������: Quattro Mani/Marrakech, Dec. 2, 2000–Jan. 6, 2001. Organized in collaboration with Gemini G.E.L.

• Pereira, Miriam. “������ Captures Trip to Marrakech.”&�Բ�����;Fort Myers News-Press (Fla.), Dec. 3, 2000, sec. G, p. 3.
• Miller, Donald. “������ Erupting in Artwork, Donations and the Unexpected.”&�Բ�����;Naples Daily News (Fla.), Dec. 5, 2000, sec. B, pp. 1, 9.

The Ralls Collection, Washington, D.C., Robert ������ and Darryl Pottorf, Dec. 6, 2000–Feb. 3, 2001.

Baltimore Museum of Art, Robert ������ Combines: Painting and Sculpture, Dec. 6, 2000–May 20, 2001. Exh. brochure. Exh. cat.

• Hirsch, Arthur. “������ic License . . . Issued by a Master.”&�Բ�����;Baltimore Sun, Dec. 10, 2000, sec. F, p. 3.
• Giuliano, Mike. “Mixmaster: The BMA Takes a Fresh Look at ������’s ‘Combines.’” Baltimore City Paper, Jan. 10, 2001, p. 32.
• O’Sullivan, Michael. “������’s Groundbreaking Combinations.”&�Բ�����;Washington Post, Jan. 19, 2001, Weekend, p. 37.  
• Saffer, Caroline. “������ Combines: Art of the Mundane.”&�Բ�����;Johns Hopkins News-Letter (Baltimore), Feb. 8, 2001.
• Shaw-Eagle, Joanna. “������’s Radical Mix of Art Forms.”&�Բ�����;Washington Times, Feb. 17, 2001.

Kultur Etxea, Gallarta, Spain, Relaciones: Diálogos con ������, Dec. 19, 2000–Jan. 11, 2001.

2001

Texas Gallery, Houston, Robert ������: Short Stories, April 6–May 12.

Versicherungskammer Bayern, Munich, ������: Posters, May 9–July 21. Traveled to Museum für Kunst und Gewerbe, Hamburg, Aug. 31–Oct. 28; Meppener Kunstkreis, Meppen, Germany, April 5–May 21, 2002. Exh. cat. (Munich: Prestel, 2001; in English and German) with essays by Jürgen Döring and Marc Gundel.

Galerie Jamileh Weber, Zurich, Robert ������: Short Stories and Ruminations—A New Series of Nine Limited Edition Prints, May 12–July 28. Exh. cat. with statement by ������.

Joel and Lila Harnett Print Study Center, University of Richmond Museums, Va., Robert ������: From the “Speculations” Series, Aug. 22–Dec. 16.

York Quay Gallery, Harbourfront Centre, Toronto, “In + Out City Limits” Selection, Sept. 21–Nov. 4.

• Goddard, Peter. “This Is ������ Unplugged.”&�Բ�����;Toronto Star, Sept. 27, 2001, sec. G, p. 9.
• Hackett, Sophie. “Master Joker: Art Star’s Lasting Irreverence.”&�Բ�����;Daily Xtra (Toronto), Oct. 4, 2001, p. 25.
• Milroy, Sarah. “������’s Story.”&�Բ�����;Globe and Mail (Toronto), Oct. 9, 2001, sec. R, pp. 1, 11.

Buren II, Stockholm, Robert ������: L.A. Uncovered–Screen Prints 1998, Nov. 16–Dec. 19.

2002

Eckert Fine Art, Naples, Fla., Robert ������: Beamers, Jan. 30–Feb. 10.

• Pereira, Miriam. “Metal Masterpiece.”&�Բ�����;Fort Myers News-Press (Fla.), Jan. 29, 2002, sec. E, pp. 1, 4.
• Miller, Donald. “Beamers.”&�Բ�����;Naples News (Fla.), Feb. 1, 2002, sec. B, pp. 1, 8.

Pace/MacGill, New York, Robert ������, Feb. 28–April 6.

Gallery of Fine Art, Edison Community College, Fort Myers, Fla., Robert ������: Short Stories, March 28–April 28.

Museum of Fine Arts, Boston, Robert ������: Recent Work, May 22–Aug. 18.

• Sherman, Mary. “������’s Latest Works Pack a Punch.”&�Բ�����;Boston Herald, May 28, 2002, pp. 31, 34.
• Temin, Christine. “A Quiet Round of ������s at the MFA.”&�Բ�����;Boston Globe, May 29, 2002, sec. D, pp. 1, 3.

Waddington Galleries, London, Robert ������: Short Stories, June 6–July 6. Exh. cat. with text by David Batchelor.

• Darwent, Charles. “Robert ������.”&�Բ�����;Art Review (London), no. 53 (June 2002), pp. 64–65.
• .
• Taylor, John Russell. “Déjà vu and de rigueur.”&�Բ�����;Times (London), June 11, 2002.

Fondation Dina Vierny, Musée Maillol, Paris, Robert ������, June 6–Oct. 14. Exh. brochure. Exh. cat. (in French) with essays by Marla Prather, Bernice Rose, and Dina Vierny.

• Maldonado, Guitemie. “Bob ������: L’ordre et l’aléatoire.”&�Բ�����;Connaissance des arts (Paris), no. 595 (June 2002), pp. 40–45.
• Youssi, Yasmine. “‘Le bon art ne peut jamais être compris.’” Le Journal du Dimanche (Paris), June 30, 2002.
• “Exposition Robert ������.”&�Բ�����;Couverture plomberie (Paris) (July 2002).
• de Maison Rouge, Isabelle. “Atout ������.”&�Բ�����;Art Actuel (Paris), no. 21 (July–Aug. 2002), pp. 32–33.
• Gauville, Hervé. “L’Art des essais.”&�Բ�����;������é�����پ��Dz� (Paris), Aug. 19, 2002, p. 22.
• Cremin, Ann. “Hail to the Hero.”&�Բ�����;Irish Eyes (Paris) (Sept. 2002).
• Marchi, Valérie. “Les collisions d’images de ������.”&�Բ�����;��’O�𾱱� (Paris), no. 539 (Sept. 2002), p. 96.

San Francisco Museum of Modern Art, Robert ������ at SFMOMA, June 27–Sept. 8.

San Francisco LGBT Community Center, Robert ������: From the Collection of Terry Van Brunt, June 28–Aug. 4. Organized by Queer Cultural Center, San Francisco. Exh. brochure (Love Letters: Robert ������ and Terry Van Brunt) with text by Jonathan Katz.

Henry Art Gallery, Faye G. Allen Center for the Visual Arts, University of Washington, Seattle, ������, Booster, Oct. 1–Nov. 17.

Galerie Jamileh Weber, Zurich, Robert ������: Japanese Recreational Clayworks, Nov. 23, 2002–Feb. 8, 2003.

2003

Simmons Visual Arts Center and Presidents Gallery, Brenau University, Gainesville, Ga., ������ Reprise and Quattro Mani: The Collaborative Work of Robert ������ and Darryl Pottorf, Feb. 6–March 30. Exh. cat. with essays by Mary Lynn Kotz.

• Epstein, Edward. “Gainesville, Georgia.”&�Բ�����;Art Papers (Atlanta) 27, no. 3 (May–June 2003), pp. 36–37.

Jim Kempner Fine Art, New York, Robert ������: Prints and Unique Work, March 15–April 26.

Madeline S. Taeni Hall, Edison Community College, Fort Myers, Fla., Ruminations, opened March 27. Organized by Gallery of Fine Art, Edison Community College.

PaceWildenstein, New York, Short Stories by Robert ������, April 4–May 3. Exh. cat. with statement by ������.

• Schmerler, Sarah. “3 Questions for Robert ������.”&�Բ�����;Time Out New York, no. 392 (April 3–10, 2003), p. 6.
• Grosz, David. “Gallery-Going.”&�Բ�����;New York Sun, April 17, 2003.

Museum Works Gallery, Aspen, Robert ������, opened Aug. 11.

2004

Eckert Fine Art, Naples, Fla., Lichtenstein: Chinese Landscapes and ������: 7 Chinese Characters, Jan. 19–Feb. 7. Exh. brochure with texts by Karen Bandlow and Donald Saff.

Jonathan Edwards College, Yale University, New Haven, Conn., Robert ������: Gifts to Terry Van Brunt, Jan. 22–March 5. Exh. brochure with introduction by Gary L. Haller and essays by Jonathan D. Katz and Terry Van Brunt.

• Martineau, Kim. “The ������ Debate.”&�Բ�����;Hartford Courant (Conn.), Jan. 30, 2004, sec. A, pp. 1, 11.

Vanderbilt University Fine Arts Gallery, Nashville, Robert ������: An American Iconoclast, Jan. 31–March 18.

Elizabeth Leach Gallery, Portland, Oreg., Robert ������, Feb. 5–28.

Wadsworth Atheneum, Hartford, Conn., Robert ������: Current Scenarios, Feb. 7–Sept. 5.

• Rosoff, Patricia. “Black and White and Read All Over.”&�Բ�����;Hartford Advocate (Conn.), Feb. 6, 2004.
• Erikson, Matthew. “������ Revisited.”&�Բ�����;Hartford Courant (Conn.), Feb. 8, 2004, sec. G, pp. 1, 4.
• Walsh, Laura. “A Snapshot of the Life Around Us.”&�Բ�����;Connecticut Post (Bridgeport), Feb. 8, 2004, sec. G, pp. 1, 4.
• Genocchio, Benjamin. “Blending Memories and Moments.”&�Բ�����;New York Times, Feb. 22, 2004, sec. CT, p. 11.
• Johnson, Ken. “Under ������’s Spell, Mundane Turns Uncanny.”&�Բ�����;New York Times, March 19, 2004, sec. E, p. 36.
• Genocchio, Benjamin. “������: Autumn of an Art Patriarch.” New York Times, June 27, 2004, p. 8.

Palazzo dei Diamanti, Ferrara, ������, Feb. 29–June 6. Exh. brochure with essay by Giuliano Serafini. Exh. cat. with essays by Julia Blaut and Susan Davidson and interview with ������ by Mario Codognato and Mirta d’Argenzio.

• Margutti, Flavia Fossa. “������.” In ����ֲ�����������: Il catalogo delle Mostre (Rome, 2004), pp. 23–33.
• Arditi, Fiamma. “������ io che impazzisco senza pittura.”&�Բ�����;La Stampa (Turin), Feb. 27, 2004.
• Pegoraro, Silvia. “������, le tele della vita.”&�Բ�����;Il Messagero (Rome), Feb. 28, 2004.
• Cattania, Isabella. “������ per tre mesi si racconta ai Diamanti.”&�Բ�����;Il Resto del Carlino (Bologna), Feb. 29, 2004, p. 11.
• Detheridge, Anna. “La vita in un ‘combine.’” Il Sole 24 Ore (Milan), Feb. 29, 2004, p. 38.
• Govoni, Michele. “Arte, la forza del messaggio.”&�Բ�����;La Nuova Ferrara, Feb. 29, 2004.
• Diez, Renato. “Il trionfo dell’ordine casuale.”&�Բ�����;Arte (Milan), no. 367 (March 2004), pp. 102–09.
• Mortari, Manuel. “Nel territorio tra arte e realtà.”&�Բ�����;Art e Dossier (Florence), no. 198 (March 2004), pp. 6–11.
• Lorenzi, Fausto. “������, il quadro non ha mai fine.”&�Բ�����;Giornale di Brescia (Italy), March 2, 2004, p. 23.  
• D’Amico, Fabrizio. “Robert ������: Viaggio verso la frontiera dell’arte.”&�Բ�����;La Repubblica (Rome), March 8, 2004, p. 29.
• Spagnesi, Licia. “‘Il Leone d’oro?’ Tutti erano inorriditi. L’unico felice ero io.”&�Բ�����;Arte (Milan), no. 368 (April 2004), pp. 45–46.

Gallery Camino Real, Boca Raton, Fla., Quattro Mani: The Collaborative Work of Robert ������ and Darryl Pottorf, March 11–April 3.

Centre des Arts, Enghien-les-Bains, France, Robert ������: Tribute 21, April 7–June 6.

Gagosian Gallery, Madison Avenue, New York, Robert ������, April 16–June 5.

Rule Gallery, Denver, Robert ������: Selected Prints, 1990–2001, closed May 8.

Eckert Fine Art, Naples, Fla., Robert ������: Urban Bourbon and Borealis, closed June.

Bob ������ Gallery, Edison Community College, Fort Myers, Fla., ������: Scenarios, June 4–July 11.

• Sterwald, Drew. “We Love That Bob in SWF.”&�Բ�����;Fort Myers News-Press (Fla.), June 4, 2004, sec. E, p. 1.
• ———. “The Bob ������ Gallery.”&�Բ�����;Fort Myers News-Press (Fla.), June 5, 2004, sec. A, p. 1.

John Berggruen Gallery, San Francisco, Robert ������: Paintings, Screenprints and Lithographs, July 15–Aug. 28.

• Baker, Kenneth. “Photos, Paintings, Odd Objects Find Home with ������.”&�Բ�����;San Francisco Chronicle, July 17, 2004.

Kennedy Museum of Art, Ohio University, Athens, Robert ������: Scent and Pull, Sept. 11, 2004–mid-Feb. 2005.

WP Gallery, Philadelphia, in collaboration with Gemini G.E.L., Robert ������/Susan Rothenberg, Sept. 18–Oct.

Bernard Jacobson Gallery, Clifford Street, London, Robert ������: 2K+, Oct. 14–Nov. 20. Exh. cat.

Bernard Jacobson Gallery, Cork Street, London, Robert ������: ROCI/USA, Oct. 14–Nov. 20. Traveled to Jacobson Howard Gallery, New York, opened Jan. 7, 2005; Galerie Ulysses, Vienna, May 19–June 25, 2005. Exh. cat. (Vienna, 2005) with text by John Sailer.

University Art Gallery, California State University, Hayward, Robert ������, ������-Citizen: Posters for a Better World, Oct. 28, 2004–Jan. 22, 2005. Organized by Smithsonian Institution Traveling Exhibition Service. Traveled to Canzani Center Gallery, Columbus College of Art and Design, Ohio, Feb. 25–April 16, 2005; Museum of the Gulf Coast, Port Arthur, Tex., Aug. 13–Oct. 23, 2005; New Braunfels Museum of Art and Music, Tex., Nov. 12, 2005–Jan. 22, 2006; Dallas Museum of Art, Nov. 5, 2005–Jan. 22, 2006; Emily Lowe Gallery, Hofstra Museum, Hempstead, N.Y., Feb. 11–April 23, 2006; Monmouth Museum, Lincroft, N.J., May 13–July 23, 2006; Baum Gallery, University of Central Arkansas, Conway, Aug. 12–Oct. 22, 2006; Center Art Gallery, Calvin College, Grand Rapids, Mich., Nov. 10, 2006–Jan. 20, 2007; Rose City Renaissance Design Center, Norwich, Conn., Feb. 10–April 22, 2007; Rebecca Randall Bryan Art Gallery, Coastal Carolina University, Conway, S. C., Feb. 10–April 22; Bob ������ Gallery, Edison College, Fort Myers, Fla., Jan. 11–Feb. 9, 2008. Exh. brochure with text by Lanier Graham. Exh. cat.

• Johnson, Mark M. “������: Posters for a Better World.”&�Բ�����;Arts and Activities (San Diego) 138, no. 2 (Oct. 2005), pp. 24–28.
• Harrison, Helen A. “Art Review: From the Obscure To the Unglued.”&�Բ�����;New York Times, April 9, 2006.
• Maber, Marie Naples. “Citizen ������.”&�Բ�����;Asbury Park Press (N.J.), July 2, 2006, sec. E, p. 1.
• Dorsey, Kristina. “Poster Boy.”&�Բ�����;Day (New London, Conn.), Feb. 9, 2007, sec. B, pp. 1–2.

Corkin Shopland Gallery, Toronto, Robert ������ and Thaddeus Holownia, Nov. 13, 2004–Jan. 22, 2005.

Trinity Gallery, Atlanta, ������, Nov. 19, 2004–Jan. 8, 2005.

• Cullum, Jerry. “������ and Marx.”&�Բ�����;Atlanta Journal-Constitution, Dec. 5, 2004.

2005

Bob ������ Gallery, Edison Community College, Fort Myers, Fla., ������’s A Quake in Paradise (Labyrinth), Jan. 7–Feb. 26.

• Sterwald, Drew. “������ Shakes Up Art Community.”&�Բ�����;Fort Myers News-Press (Fla.), Jan. 7, 2005, Gulf Coasting, cover and p. 27.

Godt-Cleary Projects, Las Vegas, Robert ������: Art and Life, Jan. 7–March 31.

PaceWildenstein, New York, Robert ������: Scenarios, Jan. 14–Feb. 5. Exh. cat. with essay by Oscar Hijuelos.

• Esplund, Lance. “Anti-Art, Anti-Establishment Establishment Art.”&�Բ�����;New York Sun, Jan. 20, 2005.
• Leffingwell, Edward. “Robert ������ at PaceWildenstein.”&�Բ�����;Art in America (New York) 93, no. 5 (May 2005), pp. 167–68.

Neuberger Museum of Art, Purchase College, State University of New York, Robert ������: Selections from the Permanent Collection, Jan. 23–April 17.

• Gouveia, Georgette. “Pointed and Prescient.”&�Բ�����;Journal News (White Plains, N.Y.), Jan. 29, 2005, sec. E, p. 1.
• .

Eckert Fine Art, Naples, Fla., Robert ������ and Darryl Pottorf, Feb. 1–27.

Miami Art Museum, Robert ������, March 4–July 3. Exh. brochure.

• Evans, Sara. “������ Re-Examined.”&�Բ�����;Art of the Times (West Palm Beach, Fla.) (Feb. 2005), pp. 20–21.
• Turner, Elisa. “Heeding Call of the Road.”&�Բ�����;Miami Herald, April 24, 2005, sec. M, pp. 1, 5.

Los Angeles County Museum of Art, ������: Posters, March 10–June 12.

• Myers, Holly. “Exploiting the Power of Image.”&�Բ�����;Los Angeles Times, April 12, 2005, sec. E, p. 3.
• Harvey, Doug. “Poster-Modernism: ������ and Revolution on Wilshire.”&�Բ�����;LA Weekly, May 6–12, 2005, pp. 52–53.
• Andreae, Christopher. “������’s Journey in Space.”&�Բ�����;Christian Science Monitor (Boston), May 11, 2005, p. 19.
• Frank, Peter. “Up Against the Wall.”&�Բ�����;Front Desk (Los Angeles) (June 2005), pp. 102–03.

Institut Valencia d’Art Modern, Robert ������, March 17–May 15. Exh. cat. (in Catalan, English, and Spanish) with text by Rosetta Brooks.

• “El IVAM expone la obra poética de ������, Premio Julio González.”&�Բ�����;Diario de Valencia, March 18, 2005, p. 51.
• Aimeur, Carlos. “El IVAM se acerca al arte crítico del norteamericano ������.”&�Բ�����;El Mundo (Valencia), March 18, 2005, p. 13.
• Bono, Ferran. “������ extrae formas poéticas de la chatarra reciclada.”&�Բ�����;El País (Madrid), March 18, 2005, p. 34.
• Marí, Rafa. “������ expone en el IVAM su poética sobre los objectos de deshecho.”&�Բ�����;Las Provincias (Valencia), March 18, 2005, p. 55.
• “Robert ������ dona al IVAM la obra ‘Blood Orange Summer Glut.’” Diario de Valencia, April 2, 2005, p. 51.  

Locks Gallery, Philadelphia, Robert ������, April 1–30.

• Sozanski, Edward J. “Old and Newer Meet in 7 ������s.”&�Բ�����;Philadelphia Inquirer, April 8, 2005.  

Galleri Faurschou, Copenhagen, Robert ������: Works from the 1960s, April 7–July 2. Exh. cat. with essay by Mikael Wivel.

• .
• Hornung, Peter Michael. “Hybridnettets mester.”&�Բ�����;Politiken (Copenhagen), May 15, 2005.

Thomas Segal Gallery, Baltimore, Robert ������: Early Prints, April 28–Sept.

Paul and Lulu Hilliard University Art Museum, University of Louisiana, Lafayette, Robert ������: Scenarios and Short Stories, May 21–Sept. 3. Traveled to Herron Galleries, Herron School of Art and Design, Indiana University–Purdue University Indianapolis, Sept. 10–Oct. 8; Jepson Center for the Arts, Telfair Museum of Art, Savannah, Ga., March 10–June 4, 2006.

Musée d’Art moderne et d’Art contemporain, Nice, Robert ������, On and Off the Wall: Works from the 80s and the 90s, June 24, 2005–Jan. 8, 2006. Traveled to Aarhus Kunstmuseum, Denmark, May 6–Sept. 10, 2006. Exh. cat. (Nice) with essays by Bruno Corá, Gilbert Perlein, and Barbara Rose. Exh. cat. (Aarhus) with introduction by Mona Jensen and essays by Rose and Mikael Wivel.

• Bertolino, Georges. “Nice: ������ dans son atelier.”&�Բ�����;Nice-Matin (Nice), June 24, 2005, p. 24.
• ������: In the Gap Between, Entretiens avec Robert ������. Paris: Archibooks, 2006. With texts by Maud Benayoun and Gilbert Perlein and interviews with ������ by Jean Daive, Henri-François Debailleux, and Emmanuelle Lequeux.
• Hermansen, Tom. Interview with Robert ������. “De Troede, At Jeg Var Evnesvag.”&�Բ�����;Morgenavisen Jyllands-Posten (Aarhus, Denmark), May 5, 2006, pp. 7–9.
• Witt, Louise. “Klassisk kunstner på Aros.”&�Բ�����;Aarhus Stiftstidende, May 5, 2006, p. 9.
• Knippel, Lars Ole. “Forfaldets æstetiker.”&�Բ�����;Morgenavisen Jyllands-Posten (Aarhus, Denmark), May 6, 2006, sec. 1, p. 14.

Guild Hall, East Hampton, N.Y., Robert ������: Hoarfrosts, Aug. 13–Oct. 23.

• Johnson, Ken. “Long Island Celebrates Its ������ic Abundance.” New York Times, Aug. 12, 2005, sec. E, pp. 27, 30.
• Baum, Joan. “In the Gallery.”&�Բ�����;Independent (East Hampton, N.Y.), Aug. 24, 2005.
• Long, Robert. “Cool Curtains, Creepy Clowns.”&�Բ�����;East Hampton Star (N.Y.), Aug. 25, 2005, sec. C, pp. 1, 4.
• .
• Higgs, Matthew. “Best of 2005.”&�Բ�����;Artforum (New York) 44, no. 4 (Dec. 2005), pp. 258–59.

William Griffin Gallery, Santa Monica, Calif., Robert ������: Late Paintings, Sept. 10–Nov. 12.

Galerie Terminus, Munich, Robert ������: Masterworks, Oct. 4–Nov. 10. Exh. cat.

Meyerovich Gallery, San Francisco, Robert ������: Eightieth Birthday Exhibition, Oct. 12, 2005–Jan. 15, 2006.

• Baker, Kenneth. “������ Is 80—How Is His Work Aging?” San Francisco Chronicle, Dec. 31, 2005, sec. E, pp. 1, 10.

The Ralls Collection, Washington, D.C., Robert ������: Works on Paper, Oct. 22, 2005–Jan. 28, 2006.

• Tischler, Gary. “������ at the Ralls Collection.”&�Բ�����;Georgetowner (Washington, D.C.), Nov. 16–29, 2005.

Metropolitan Museum of Art, New York, Robert ������: Combines, Dec. 20, 2005–April 2, 2006. Organized by Museum of Contemporary Art, Los Angeles, in collaboration with Metropolitan Museum of Art, New York. Traveled to Museum of Contemporary Art, Los Angeles, May 21–Sept. 4, 2006; Centre Georges Pompidou, Musée National d’Art Moderne, Paris, Oct. 11, 2006–Jan. 15, 2007; Moderna Museet, Stockholm, Feb. 17–May 6, 2007. Exh. cat. with essays by Thomas E. Crow, Branden W. Joseph, Paul Schimmel, and Charles Stuckey. Exh. cat. (Paris) with additional essay by Jean-Paul Amelie.

• Hickey, Dave. “Fall Preview 2005, ‘Robert ������: Combines.’” Artforum (New York) 44, no. 1 (Sept. 2005), pp. 114–15.
• Brooks, Rosetta. “������: Round the Block Once or Twice.”&�Բ�����;Modern Painters (New York) (Dec. 2005–Jan. 2006), cover and pp. 70–75.
• Sischy, Ingrid. “The Master in the Mirror.”&�Բ�����;Vanity Fair (New York), no. 544 (Dec. 2005), p. 202.
• Vogel, Carol. “The Robert ������ Reunion Tour.”&�Բ�����;New York Times, Dec. 18, 2005, sec. 2, pp. 1, 38.
• Knight, Christopher. “Image and Object.”&�Բ�����;Los Angeles Times, Dec. 21, 2005, sec. E, pp. 1, 15. Rev. and reprinted as “������ Jousted with Picasso,” Chicago Tribune, Jan. 4, 2006, sec. 5, p. 3.
• Yablonsky, Linda. “Melding Paint, Objects and Humor—������ at the Met.”&�Բ�����;Bloomberg, Dec. 21, 2005. Accessed May 5, 2014. .
• Kimmelman, Michael. “Art Out of Anything: ������ in Retrospect.”&�Բ�����;New York Times, Dec. 23, 2005, sec. B, pp. 35, 40.
• Villasmil, Alejandra. “Los ‘combinados’ de ������.”&�Բ�����;El Diario (New York), Dec. 25, 2005.
• Stevens, Mark. “Collage Education.”&�Բ�����;New York 38, no. 46 (Dec. 26, 2005–Jan. 2, 2006), p. 122.
• Henry, Clare. “Shock of the Neo: The 1950s Come to Town.”&�Բ�����;Financial Times (London), Dec. 29, 2005, p. 8.
• Bischoff, Dan. “Bits ’n’ Pieces.”&�Բ�����;Star-Ledger (Newark, N.J.), Dec. 30, 2005.
• Siegal, Nina. “Master of Reinvention.”&�Բ�����;Art and Auction (New York) 28, no. 5 (Jan. 2006), pp. 90–91.
• Budick, Ariella. “Unmistakably Inimitable.”&�Բ�����;Newsday (Long Island, N.Y.), Jan. 1, 2006, Suffolk Edition.
• McKee, Lauren. “Collage in Three-D.”&�Բ�����;AM New York, Jan. 6, 2006.
• Perreault, John. “������’s Combines.”&�Բ�����;Artopia, Jan. 6, 2006. Accessed May 5, 2014. .
• .
• Sozanski, Edward J. “Presenting ‘Old Master’ ������.”&�Բ�����;Philadelphia Inquirer, Jan. 8, 2006, sec. H, pp. 1, 5.
• Feinstein, Roni. “All Manner of Objects, Combined Artfully.”&�Բ�����;Wall Street Journal (New York), Jan. 10, 2006, sec. D, p. 8.
• Saltz, Jerry. “Our Picasso?” Village Voice (New York), Jan. 11, 2006, sec. C, p. 79. Reprinted on Artnet.com. Accessed May 5, 2014. .
• . Trans. and reprinted as “������ il rigattiere,” ����ֲ����������� (Rome), Feb. 23, 2006, pp. 116–20.
• Lacayo, Richard. “The Misfits.”&�Բ�����;Time (New York) 167, no. 3 (Jan. 16, 2006), p. 126. Rev. and reprinted in Time (International Edition) 168, no. 14 (Oct. 27, 2006), p. 62.
• Schjeldahl, Peter. “Critic’s Notebook: Always in Progress.”&�Բ�����;New Yorker 81, no. 45 (Jan. 23, 2006).
• Hughes, Robert. “Spirit of the Age.”&�Բ�����;Guardian (London), Jan. 25, 2006.
• Bois, Yve-Alain. “Eye to the Ground.”&�Բ�����;Artforum (New York) 44, no. 7 (March 2006), pp. 244–48, 317.
• Dunham, Caroll. “All or Nothing.”&�Բ�����;Artforum (New York) 44, no. 7 (March 2006), pp. 249–51, 317.
• Landi, Ann. “Robert ������: Combines.’” Artnews (New York) 105, no. 3 (March 2006), p. 130.
• Morgan, Robert C. “Robert ������.”&�Բ�����;Art Press (Paris), no. 321 (March 2006), pp. 78–79 (in English and French).
• .
• Kutner, Janet. “Collision Specialist.”&�Բ�����;Dallas Morning News, March 18, 2006, sec. G, pp. 1, 4.
• .
• Chandler, David. “Visible Republic: Robert ������’s Combines.”&�Բ�����;Photoworks (Brighton, U.K.), no. 6 (Spring–Summer 2006), pp. 40–45.
• Carrier, David. “Robert ������.”&�Բ�����;Art US (Los Angeles), no. 13 (May–June 2006), pp. 54–55.
• Jocks, Heinz-Norbert. “Robert ������.”&�Բ�����;Kunstforum (Ruppichteroth, Germany), no. 180 (May–June 2006), pp. 394–96.
• West, Kevin. “On ������.”&�Բ�����;WWD Scoop (New York) (May 2006), pp. 46–47.
• O’Donovan, Leo J. “Bob, Love Your Work!” Los Angeles Times, May 21, 2006, sec. M, p. 6.
• Swed, Mark. “Performing ������.”&�Բ�����;Los Angeles Times, May 21, 2006, sec. E, p. 38.
• Knight, Christopher. “Lighting the Fusion.”&�Բ�����;Los Angeles Times, May 22, 2006, sec. E, pp. 1, 6.
• Baker, Kenneth. “Scavenged Stuff Yields Provocative Pieces in ������ Survey.”&�Բ�����;San Francisco Chronicle, May 24, 2006, sec. E, pp. 1–2. Rev. and reprinted as “������’s Combines Still Vibrant Today.”&�Բ�����;Beaumont Enterprise (Tex.), May 28, 2006.
• Silsbee, Kirk. “Beyond Breaking Barriers.”&�Բ�����;Citybeat (San Diego), May 25–31, 2006, p. 39.
• Harvey, Doug. “#1 Combo: A Full Serving of ������, with a Side of Youngblood and Hundley.”&�Բ�����;LA Weekly, May 26–June 1, 2006, pp. 56–57.
• Chang, Richard. “������ic Audacity.”&�Բ�����;Orange County Register (Santa Ana, Calif.), May 28, 2006, pp. 1, 7.
• Craft, Catherine. “Robert ������: New York and Los Angeles.”&�Բ�����;Burlington Magazine (London) 148, no. 1239 (June 2006), pp. 445–46.
• Picture, Bill. “Why Won’t Robert ������ Come Out?” Frontiers (Los Angeles), June 20, 2006, pp. 165–66.
• Cooper, Bernard. “Object Lessons.”&�Բ�����;Los Angeles 51, no. 8 (Aug. 2006), pp. 150–54.
• Castro, Jan Garden. “A New Sculptural Idiom: Robert ������.”&�Բ�����;Sculpture (Washington, D.C.) 25, no. 7 (Sept. 2006), pp. 48–55.
• Bertrand, Valère. “Interview de Robert ������.”&�Բ�����;Connaissance des arts (Paris), no. 642 (Oct. 2006), pp. 112–15.
• Ramade, Bénédicte. “������: Combinaisons gagnantes.”&�Բ�����;��’O�𾱱� (Paris), no. 584 (Oct. 2006), pp. 46–51.
• Domino, Christophe. “La combinatoire ������.”&�Բ�����;Journal des arts (Paris), Oct. 6–19, 2006.
• Broida, Gisèle Galante. “Paris accueille Robert ������.”&�Բ�����;Paris Match, no. 2995 (Oct. 12–18, 2006), pp. 40–41.
• Tinazzi, Noël. “������ tridimensionnel.”&�Բ�����;La Tribune (Paris), Oct. 17, 2006.
• Dagen, Philippe. “������ à l’assaut de l’art.”&�Բ�����;Le Monde (Paris), Oct. 19, 2006.
• .
• Emerling, Susan. “Robert ������.”&�Բ�����;Border Crossings (Winnipeg) 25, no. 4 (Nov. 2006), pp. 84–86.
• Palmi, Isabelle. “������: Combines.”&�Բ�����;Art Actuel (Paris), no. 47 (Nov.–Dec. 2006).
• Sterckx, Pierre. “Robert ������: Trois clés pour déchiffrer les ‘Combine Paintings.’” Beaux Arts (Paris), no. 269 (Nov. 2006), pp. 116–25.
• .
• Bradford, Mark; Michal Rovner. “Best of 2006: The ������s’ ������s.”&�Բ�����;Artforum (New York) 45, no. 4 (Dec. 2006), pp. 116, 120.
• Colpitt, Frances. “Compound Pleasures.”&�Բ�����;Art in America (New York) 94, no. 11 (Dec. 2006), pp. 98–105.
• Dezeuze, Anna. “Death Decay and the Everyday.”&�Բ�����;Art Monthly (London), no. 302 (Dec. 2006–Jan. 2007).
• Enwezor, Okwui. “Best of 2006.”&�Բ�����;Artforum (New York) 45, no. 4 (Dec. 2006), p. 268–69, 296–97.
• Bedford, Christopher. “Robert ������: Combines.”&�Բ�����;CAA.reviews (College Art Association, New York), Jan. 18, 2007. Accessed Oct. 17, 2014. .
• Collings, Matthew. “Hopelessness vs. Optimism.”&�Բ�����;Modern Painters (London) (Feb. 2007), pp. 28–29.
• Lind, Ingela. “‘Jag ser skönhet överallt.’” Dagens Nyheter (Stockholm), Feb. 11, 2007, Kultur, pp. 1, 6–7.
• Poellinger, Clemens. “Modern Mästare.”&�Բ�����;K: SvD Kultur (Svenska Dagbladet, Stockholm), Feb. 11–18, 2007, cover and pp. 10–14.
• Potts, Alex. “Robert ������ and David Smith: Compelling Contiguities.”&�Բ�����;Art Bulletin (New York) 89, no. 1 (March 2007), pp. 148–59.

2006

Jim Kempner Fine Art, New York, Robert ������: Five Decades of Prints, March 4–April 15.

Craig F. Starr Associates, New York, Robert ������: Silkscreen Paintings, 1962–63, March 24–May 13.

• .
• .

Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, Calif., Art from Life: Prints by Robert ������ from the Marmor Foundation and the Fearer Family Collection, April 28–Sept. 24. Exh. brochure with text by Hilarie Faberman and Josephine Rodgers.

Galerie Jamileh Weber, Zurich, Robert ������: Spread and Scale, May 12–July 15.

Galleri Faurschou, Copenhagen, Robert ������: Scenarios, Oct. 26–Dec. 16.

PaceWildenstein, New York, Robert ������: Scenarios and the Ancient Incident, Oct. 27–Nov. 25. Exh. cat.

• Moore, Cindy Stockton. “Crowding In for ������.”&�Բ�����;New York Sun, Oct. 30, 2006.

Waddington Galleries, London, Robert ������: Scenarios 2005–2006, Nov. 1–25.

Museo Thyssen-Bornemisza, Madrid, ������: Express, Nov. 7, 2006–Jan. 17, 2007. Exh. cat. with essay by Barbara Rose.

• Roberts, Samantha Díaz. “La perpetuación del caos.”&�Բ�����;El Nuevo Día (San Juan), Nov. 14, 2006.
• Joseph, Branden W. “Robert ������: Una duplicación que contiene duplicaciones.”&�Բ�����;Arte y Parte (Santander, Spain), no. 66 (Dec. 2006–Jan. 2007), pp. 14–37.

Leslie Sacks Contemporary, Santa Monica, Calif., Robert ������: 28 Shirtboards, Dec. 2, 2006–Jan. 20, 2007.

Gallery Hyundai, Seoul, Robert ������, Dec. 13, 2006–Jan. 7, 2007. Exh. cat. (in English and Korean) with essay by Gerhard Charles Rump.

2007

Bob ������ Gallery, Edison Community College, Fort Myers, Fla., ������: Scenarios, Jan. 12–Feb. 24.

• Wozniak, Mary. “������: Master of His Domain.”&�Բ�����;Fort Myers News-Press (Fla.), Jan. 12, 2007, sec. A, p. 1.
• Bouchard, Marie Ginette. “������ persiste et signe.”&�Բ�����;Vie des Arts (Montreal) 51, no. 206 (Spring 2007), p. 33.

Gadsden Arts Center, Quincy, Fla., Robert ������: America Mix, Jan. 12–March 3.

Flanders Contemporary Art, Minneapolis, ������, Feb.

Jonathan O’Hara Gallery, New York, Robert ������: Transfer Drawings from the 1960s, Feb. 8–March 17. Exh. cat. with essay by Lewis Kachur.

• Smith, Roberta. “A Rarely Seen Side of a ������ Shift.” New York Times, March 8, 2007, sec. E, pp. 1, 5.
• Dennis, Jeffrey. Book reviews. Art Book (Association of Art Historians, London) 15, no. 2 (May 2008), pp. 13–14.

Texas Gallery, Houston, Robert ������: Scenarios, Feb. 13–March 17.

The Menil Collection, Houston, Robert ������: Cardboards and Related Pieces, Feb. 23–May 13. Exh. brochure. Exh. cat. with introduction by Josef Helfenstein and essay by Yve-Alain Bois.

• .
• Goddard, Dan R. “������, Gilliam at Houston Museums.”&�Բ�����;San Antonio Express-News (Tex.), April 11, 2007.
• Hixson, Kathryn. “Robert ������: Cardboards and Related Pieces at the Menil Collection, Houston.”&�Բ�����;Art on Paper (New York) 11, no. 5 (May–June 2007), p. 85.
• Klaasmeyer, Kelly. “Robert ������’s Irreverent Cardboard Sculptures Are Revered at the Menil.”&�Բ�����;Houston Press, May 10, 2007.
• Landi, Ann. “Thinking Inside the Box.”&�Բ�����;Artnews (New York) 106, no. 7 (Summer 2007), p. 134.
• Hainley, Bruce. “Robert ������: Cardboards and Related Pieces.”&�Բ�����;Artforum (New York) 46, no. 1 (Sept. 2007), pp. 462–64.
• Higgs, Matthew. “Best of 2007.”&�Բ�����;Artforum (New York) 46, no. 4 (Dec. 2007), p. 330.
• Dennis, Jeffrey. Book reviews. Art Book (Association of Art Historians, London) 15, no. 2 (May 2008), pp. 13–14.

Galerie Michael Schultz, Berlin, Robert ������: Selected Works 1974–1999, April 28–June 10. Exh. cat. (in English and German) with essay by Jürgen Schilling.

Galerie Jamileh Weber, Zurich, Robert ������: Scenarios and Runts, May 16–July 14.

Black Mountain College Museum and Arts Center, Asheville, N.C., Signs of Life: Robert ������ Posters, May 25–Sept. 8.

National Gallery of Australia, Canberra, Robert ������: 1967–1978, Sept. 1, 2007–Jan. 27, 2008. Exh. brochure with essay by Jaklyn Babington. Exh. website. Accessed Sept. 15, 2014.

• Grishin, Sasha. “Bearing Witness to History.”&�Բ�����;Sunday Canberra Times (Australia), Sept. 16, 2007.

Craig F. Starr Associates, New York, Accident: ������’s Printmaking Breakthrough, 1962–65, Sept. 7–Oct. 13. Exh. brochure with text by Kristy Overman.

Michael C. Carlos Museum, Emory University, Atlanta, Robert ������’s Currents: Features and Surface Series, Sept. 15, 2007–Feb. 17, 2008.

• Wolf, Debra. “������: Experimental ������ from a Complex Era.”&�Բ�����;Atlanta Journal-Constitution, Oct. 7, 2007, p. 12.

Museu de Arte Contemporânea de Serralves, Porto, Portugal, Robert ������: Travelling ’70–’76, Oct. 26, 2007–March 30, 2008. Traveled to Haus der Kunst, Munich, May 9–Sept. 14, 2008; Museo d’Arte Contemporanea Donnaregina, Naples, Oct. 23, 2008–Jan. 19, 2009. Exh. cat. (Porto, in English and Portugese) with essays by Mirta d’Argenzio and João Fernandes. Exh. cat. (Naples) with essays by d’Argenzio and Branden W. Joseph and interviews with Brice Marden and Mayo Thompson by d’Argenzio.

• Joseph, Branden W. “Robert ������.”&�Բ�����;Artforum (New York) 46, no. 1 (Sept. 2007), p. 204.
• “������ em viagem.”&�Բ�����;Elle (Portugal), no. 230 (Nov. 2007), pp. 102–04.
• Maravall, Susana. “Robert ������.”&�Բ�����;Arte y Parte (Santander, Spain), no. 72 (Dec. 2007–Jan. 2008), p. 119.
• Campos, Cristina. “Robert ������.”&�Բ�����;Arte y Parte (Santander, Spain), no. 73 (Feb.–March 2008), p. 139.
• Sauderländer, Willibald. “Industrial Society’s Refuse.”&�Բ�����;Süddeutsche Zeitung (Munich), May 13, 2008.
• “Ein Maler auf Abwegen.”&�Բ�����;Süddeutsche Zeitung (Munich), May 14, 2008, p. 4.
• Drexler, Jolanda. “Robert ������. ‘Travelling ’70–’76’: Haus der Kunst, München.”&�Բ�����;Kunstforum (Ruppichteroth, Germany), no. 192 (July–Aug. 2008), pp. 340–44.

National Gallery of Art, Washington, D.C., Let the World In: Prints by Robert ������ from the National Gallery of Art and Related Collections, Oct. 28, 2007–March 30, 2008. Exh. brochure. Exh. website. Accessed March 8, 2021. .

• Longaker, Mark. “������ Prints Fete Popular American Culture.”&�Բ�����;Georgetown Current (Washington, D.C.), Oct. 24, 2007, pp. 39–40.
• Korn, Marjorie. “Collage Degrees.”&�Բ�����;DC (Washington, D.C.) (Nov. 2007), p. 86.
• .
• Sims, Mike. “Letting the World In.”&�Բ�����;Printmaking Today (London) 16, no. 4 (Winter 2007), p. 19.
• Shaw-Eagle, Joanna. “Etching His Mark in Prints.”&�Բ�����;Washington Times, Dec. 15, 2007.

Faurschou Beijing, 798 Art District, Robert ������: Three Decades, Nov. 24, 2007–Jan. 26, 2008. Organized in collaboration with PaceWildenstein, New York. Exh. cat. (in Chinese and English).

Gemini G. E. L. at Joni Moisant Weyl, New York, ������ Abroad: Marrakech, Samarkand and Tibet, Dec. 13, 2007–Jan. 26, 2008.

2008

Galería La Caja Negra, Madrid, Robert ������: Gráfica 1976–2000, Jan. 3–Feb. 2.

• Maravall, Susana. “Robert ������.”&�Բ�����;Arte y Parte (Santander, Spain), no. 72 (Dec. 2007–Jan. 2008), p. 119.

PaceWildenstein, New York, ������: Runts, Jan. 11–Feb. 16. Exh. cat. with previously published statements by ������.

• Moore, Cindy Stockton. “Robert ������’s Runts Get Big Attention.”&�Բ�����;New York Sun, Jan. 11, 2008.
• Whipple, George. “������ Exhibit Showcases Innovative ������.”&�Բ�����;NY1 News, Jan. 29, 2008. Accessed March 8, 2021. .
• Green, Elliott. “Review.”&�Բ�����;Artnews (New York) 107, no. 4 (April 2008), p. 138.
• Ebony, David. “Robert ������ at PaceWildenstein and Jacobson Howard.”&�Բ�����;Art in America (New York) 96, no. 6 (June–July 2008), pp. 192–93.

Alice C. Sabatini Gallery, Topeka and Shawnee County Public Library, Kan., Dante’s Inferno: Interpretations by Edward Navone and Robert ������, Jan. 25–March 21. Exh. brochure.

Jacobson Howard Gallery, New York, Last Turn–Your Turn: Robert ������ and the Environmental Crisis, March 6–April 12. Exh. cat. with essay by Robert S. Mattison.

• Birnbaum, Molly. “As the Windmill Turns.”&�Բ�����;Artnews (New York) 107, no. 6 (June 2008), p. 38.
• Ebony, David. “Robert ������ at PaceWildenstein and Jacobson Howard.”&�Բ�����;Art in America (New York) 96, no. 6 (June–July 2008), pp. 192–93.

William Griffin Gallery, Santa Monica, Calif., Robert ������: Scenarios, April 5–June 7.

LA Contemporary, Los Angeles, Samarkand Stitches, April 12–May 11.

Galleria Mucciaccia, Rome, Robert ������, April 17–June 15. Exh. cat. (in Italian) edited by Gianni Mercurio with essays by Roberta Bernabei, Sam Hunter, Gianluca Marziani, and Mercurio.

Galerie Jamileh Weber, Zurich, Robert ������: Gluts and Darryl Pottorf: Paintings, April 19–June 28.

Grand Rapids Art Museum, Mich., Robert ������—Environmental Art, June 17–Sept. 28.

Contemporary Art Museum, University of South Florida, Tampa, ������: USF, June 20–Aug. 1.

• Hammer, Esther. “Portrait of a Trendsetter.”&�Բ�����;Tampa Tribune, June 22, 2008, pp. 7–8.

Meyerovich Gallery, San Francisco, Robert ������: New Acquisitions, June 24–Aug. 1.

Long Beach Museum of Art, Calif., Robert ������ in the Collection of the Long Beach Museum of Art, June 27–Oct. 19.

Greenfield Sacks Gallery, Santa Monica, Calif., Robert ������: The Lotus Series, June 28–Aug. 16.

Blue Sky Gallery, Portland, Oreg., Robert ������: The Lotus Series, July 3–Aug. 3.

• Row, D. K. “Robert ������’s Last Mind-Opening Vision.”&�Բ�����;Oregonian (Portland, Oreg.), July 7, 2008, sec. D, pp. 1, 3.
• Hackett, Regina. “������’s Son on His Dad’s Legacy.”&�Բ�����;Seattle Post-Intelligencer, July 10, 2008, sec. C, pp. 1–2.

Kunsthalle Rostock, Germany, Close Encounter—Robert ������—SEO, July 26–Sept. 7. Exh. cat. (in English, German, and Korean) with texts by Gesine Borcherdt, Alexander Ludwig, Dr. Ulrich Ptak, Bernhard Schieder, and SEO.

Wetterling Gallery, Stockholm, Robert ������: The Lotus Series, Aug. 22–Sept. 13.

Thordén Wetterling Gallery, Göteborg, Robert ������: The Lotus Series, Aug. 28–Sept. 27.

The Hess Collection, Napa, Calif., An exhibition of ������’s works commemorating the artist, opened Aug. 30.

DaFeng, Beijing, in collaboration with Universal Limited Art Editions (ULAE), Robert ������: The Lotus Series, Sept. 6–Oct. 26. Exh. cat. with text by Li Xianting.

Minneapolis Institute of Arts, Robert ������: Prints/Editions 1962–78, Oct. 4, 2008–March 15, 2009.

• Jon, Dennis Michael. “Robert ������: Prints/Editions 1962–78.”&�Բ�����;Minneapolis Institute of Arts Magazine (Nov.–Dec. 2008), pp. 14–15.

Larissa Goldston Gallery, New York, Robert ������: The Lotus Series, Oct. 10–Nov. 8.

Gemini G.E.L. at Joni Moisant Weyl, New York, A Tribute to Robert ������, Part One: Prints, Oct. 23–Dec. 6, and A Tribute to Robert ������, Part Two: Objects, Dec. 13, 2008–Feb. 7, 2009.

Center for Visual Communication, Miami, Robert ������ in Series: A 30 Year Retrospective, Nov. 29, 2008–Jan. 31, 2009.

• Coppola, John. “One More Look: A Retrospective Showcases the Experimental ������.”&�Բ�����;Miami Herald, Jan. 18, 2009, Tropical Life, p. 3. Slideshow. Accessed Sept. 15, 2014. .

Haggerty Museum of Art, Marquette University, Milwaukee, Whatever Is There Is a Truth: Robert ������’s Prints, Dec. 12, 2008–Oct. 4, 2009.

2009

Galleria In Arco, Turin, Robert ������: Gli anni centrali (’70 e ’80), Jan. 15–March 14.

Robischon Gallery, Denver, Robert ������: The Lotus Series, Feb. 4–March 14.

Visconti Fine Art, Ljubljana, Robert ������: The Lotus Series, Feb. 19–April 15.

Karl and Helen Burger Gallery, Kean University, Union, N.J., Past Pop: Robert ������ and James Rosenquist Graphics, March 31–May 7. Exh. cat. with essay by Lewis Kachur. Exh. website. Accessed March 8, 2021. .

Hiram Butler Gallery, Houston, Robert ������: The Lotus Series, April 4–May 9.  

Craig F. Starr Gallery, New York, To Ileana, From Bob: ������ Drawings from the Sonnabend Collection, April 10–May 29. Exh. cat. with essay by Annie Cohen-Solal.

Galerie Bastian, Berlin, Robert ������ Hommage, April 23–July 31. Exh. brochure (in German).

Galerie Jamileh Weber, Zurich, A Tribute to Robert ������ and Darryl Pottorf: Uncaged, May 16–July 11.

Peggy Guggenheim Collection, Venice, Robert ������: Gluts, May 30–Sept. 20. Traveled to Museum Tinguely, Basel, Oct. 14, 2009–Jan. 17, 2010; Guggenheim Museum, Bilbao, Feb. 12–Sept. 12, 2010; Villa e Collezione Panza, Varese, Oct. 14, 2010–Feb. 27, 2011. Exh. cat. (English, German, Italian, and Spanish editions) by Susan Davidson and David White with essays by Davidson and Mimi Thompson and previously published essay by Trisha Brown.

• Spence, Rachel. “Glut Instinct.”&�Բ�����;Financial Times (London), June 6–7, 2009, p. 10.
• Esteban, Iñaki. “������ eleva la basura.”&�Բ�����;El Correo (Bilbao), Feb. 10, 2010, pp. 1, 44–45.
• Larrauri, Eva. “Arte con los desechos.”&�Բ�����;El País (Madrid), Feb. 13, 2010, País Vasco, p. 8.
• Rucabado, Beatriz. “Los ‘excesos’ de ������, en el Guggenheim.”&�Բ�����;El Mundo (Madrid), Feb. 13, 2010, País Vasco, p. 63.

Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, Au Courant: Robert ������’s Currents, June 20–Oct. 4.

William Shearburn Gallery, St. Louis, Mo., Robert ������, July 3–Aug. 1.

Palais des Nations, United Nations Office, Geneva, Let the World In: A Commemorative Exhibition of the Works of Robert ������, July 7–Aug. 20.

Madison Museum of Contemporary Art, Robert ������: Stoned Moon Series, Sept. 12, 2009–Jan. 3, 2010, and Signs of the Times: Robert ������’s America, Sept. 13, 2009–Jan. 3, 2010.

• Vaughn, Katie. “A Decade in Prints.”&�Բ�����;Madison Magazine Spotlight (blog), Sept. 10, 2009. Accessed March 8, 2021. .
• .

Ace Gallery, Los Angeles, Robert ������: Jammers, Oct. 3–31.

Museum Tinguely, Basel, Robert ������—Jean Tinguely: Collaborations, Oct. 14, 2009–Jan. 17, 2010. Exh. cat. (in English and German) with introduction by Roland Wetzel and essays by Jean-Paul Ameline, Mari Dumett, Annja Müller-Alsbach, and Heinz Stahlhut.

Leo Castelli Art Gallery, Brenau University, Gainesville, Ga., Robert ������: In Remembrance, closed Nov. 1.

Instituto Tomie Ohtake, São Paulo, Robert ������, Dec. 15, 2009–Feb. 21, 2010. Exh. cat. (in English and Portugese) with essay by Mimi Thompson.

• Gioia, Mario. “O Papa dos Pop.”&�Բ�����;Bravo! (São Paulo) 148 (Dec. 2009), pp. 44–47.
• Molina, Camila. “Jogos da imagem por ������.”&�Բ�����;O Estadao de S. Paulo (São Paulo), Dec. 15, 2009, sec. D, p. 7.
• Lopez, Jonas. “Irreverencia Pop.”&�Բ�����;Veja Sao Paulo, Dec. 16, 2009, p. 203.

2010

Armory Center for the Arts, Pasadena, ������ at Gemini, Jan. 17–March 21. Traveled to the Philbrook Museum of Art, Tulsa, Okla., June 12–Sept. 11, 2011; Grand Rapids Art Museum, Mich., Feb. 3–May 20, 2012; Palm Springs Art Museum, March 3–July 28, 2013. Exh. cat. with introduction by Jay Belloli.

Cincinnati Art Museum, Ohio, Robert ������: Star Quarters, April 9–Aug. 30.

Galerie Franke, Stuttgart, Robert ������: 45 Originalplakate, April 17–June 12.

Galleri Faurschou, Copenhagen, Robert ������: Runts, April 22–June 26.

• Zabrodski, S. “Don’t Miss—Copenhagen: Robert ������ ‘Runts’ at Galleri Faurschou Through June 26, 2010.”&�Բ�����;Art Observed, June 18, 2010. Accessed Sept. 15, 2014. .

Gagosian Gallery, West Twenty-first Street, New York, Robert ������, Oct. 29, 2010–Jan. 15, 2011. Exh. cat. with texts by James Lawrence and John Richardson.

• Douglas, Sarah. “Pop Shop.”&�Բ�����;Art and Auction (New York) 34, no. 4 (Nov. 2010), p. 62.
• Saltz, Jerry. “American Picasso.”&�Բ�����;New York 43, no. 38 (Nov. 22, 2010), p. 133.
• .
• Barnes, Steve. “Robert ������: Gagosian.”&�Բ�����;Artnews (New York) 110, no. 1 (Jan. 2011), p. 107.

Miami Art Museum, Focus Gallery: Robert ������, Nov. 19, 2010–April 10, 2011.

2011

Patty and Jay Baker Naples Museum of Art, Fla., Works by Robert ������ from the Dr. John B. and Frances C. Fenning Collection, Jan. 12–March 20.

White Box, New York, Robert ������ and Ushio Shinohara: Reconstructing an Encounter, Feb. 11. Exh. brochure with essay by Hiroko Ikegami.

Knoedler Project Space, New York, ������ x 4, March 19–April 30.

Fondazione Arnaldo Pomodoro, Milan, L’Inferno di Dante: Dalí e ������, April 7–July 17. Exh. cat. with text by Aldo Nove and Lorenzo Respi and contribution by Andrea Lancellotti.

• .

Joel Oppenheimer, Wrigley Building, Chicago, Robert ������: Stoned Moon Series, May 5–8.

Aberson Exhibits, Tulsa, Okla., ������, May 19–June 18.

Inverleith House, Royal Botanic Garden, Edinburgh, Robert ������: Botanical Vaudeville, July 27–Oct. 2. Organized in collaboration with ������ and Gagosian Gallery, New York. Exh. cat. with essay by Sarah Lowndes.

• Hudson, Mark. “A Decade ahead of Warhol.”&�Բ�����;Telegraph (London), July 30, 2011, sec. R, p. 10.

Seventeen Gallery, London, Open Score by Robert ������, Sept. 8–Oct. 8.

Hiram Butler Gallery, Houston, Robert ������: Selected Prints 1962–2008, Sept. 10–Oct. 8.

Museum of Fine Arts, Houston, Selected Prints by Robert ������ from the MFAH Collection, Sept. 21–Dec. 11.

Jim Kempner Fine Art, New York, Robert ������: Rock, Paper, Scissors (Fabric, Cardboard, Plexi, etc.), Sept. 24–Nov. 6.

Gagosian Gallery, Paris, Robert ������, Sept. 28–Nov. 12. Exh. cat. with essay by Jeff Rian.

• Picard, Grégory. “Taking ������ Global: A Q&A with Gagosian Paris Director Ealan Wingate on Advancing the ������’s Legacy.” ArtInfo.com, Oct. 5, 2011. Accessed May 6, 2014. .

Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, Robert ������: Prints from Universal Limited Art Editions, 1962–2008, Oct. 1–Dec. 30. Exh. cat. with introduction by Mark A. White and essay by Mimi Thompson.

Stellan Holm Gallery, New York, Robert ������: Transfer Drawings 1958–1969, Nov. 1–Dec. 17.

Walker Art Center, Minneapolis, Dance Works I: Merce Cunningham/Robert ������, Nov. 3, 2011–Sept. 9, 2012.

• Rosenfeld, Jeannie. “A Collection in Flux.”&�Բ�����;Art in America (New York) 99, no. 10 (Nov. 2011), pp. 65–67.
• Sheets, Hilarie M. “Backdrops, Blobs, Pods, and Props.”&�Բ�����;Artnews (New York) 110, no. 10 (Nov. 2011), pp. 104–08.
• Palmer, Caroline. “Farewell Tour Celebrates Enduring Vision.”&�Բ�����;Star Tribune (Minneapolis), Nov. 5, 2011.

2012

Leslie Sacks Contemporary, Santa Monica, Calif., Robert ������: Five Decades of Printmaking, Jan. 7–Feb. 25. Organized in collaboration with Gemini G.E.L., Los Angeles, and Universal Limited Art Editions, West Islip, N.Y.

Grand Rapids Art Museum, Mich., ������ in Context and ������ at Gemini, Feb. 3–May 20.

Grand Rapids Art Museum, Mich., ������: Synapsis Shuffle, March 3–June 3. Organized by Whitney Museum of American Art, New York.

Brooke Alexander, New York, Robert ������: Untitled, May 2–June 28.

Craig F. Starr Gallery, New York, Robert ������: North African Collages and Scatole Personali c. 1952, June 4–Aug. 10. Exh. cat. with text by John Yau.

• Cotter, Holland. “Robert ������: ‘North African Collages and Scatole Personali, c. 1952.’” New York Times, June 29, 2012, sec. C, p. 27.

Gagosian Gallery, Davies Street, London, Robert ������: Early Photographs, Sept. 6–29.

Freedman Gallery, Albright College, Reading, Pa., Robert ������’s Opal Gospel, Sept. 13–Oct. 7.

Hamburger Bahnhof, Museum für Gegenwart, Berlin, Robert ������ and 9 Evenings: Theatre & Engineering, Oct. 13, 2012–June 30, 2013.

2013

Elizabeth Leach Gallery, Portland, Oreg., Robert ������: Multiples, Jan. 3–March 2.

Gagosian Gallery, Britannia Street, London, Jammers, Feb. 16–March 28. Exh. cat. with essays by David Anfam and Alexander Keefe.

• .
• Pilger, Zoe. “Robert ������, Jammers, Gagosian Gallery, London.”&�Բ�����;Independent (London), Feb. 18, 2013.

Cole Art Center, College of Fine Arts, Stephen F. Austin State University, Nacogdoches, Tex., Robert ������: Four Decades of Work on Paper, April 23–Aug. 31. Traveled to Beatrice M. Haggerty Gallery, University of Dallas, Irving, Tex., Oct. 4–Nov. 3; Wichita Falls Museum of Art, Midwestern State University, Tex., March 28–May 31, 2014.

Galería Cayón, Madrid, Doble mirada a España: las fotografías españolas de Josef Albers y Robert ������, June 4–July 20. Organized in collaboration with Josef and Anni Albers Foundation and ������.  Exh. cat. with essay by Mimi Thompson.

• Sesé, Teresa. “La Barcelona de Josef Albers.”&�Բ�����;La Vanguardia (Madrid), June 4, 2013, pp. 34–35.
• Fernández-Santos, Elsa. “Las vacaciones de Albers y ������.”&�Բ�����;El País (Madrid), June 27, 2013, p. 48.

Pace/MacGill Gallery, New York, Robert ������ and Photography, Sept. 5–Nov. 2.

• Morgan, Tiernan. “Robert ������ and Photography.”&�Բ�����;Hyperallergic, Sept. 22, 2013. Accessed May 6, 2014. .
• Gefter, Philip. “Transmuting Forms, Click by Click.” New York Times, Oct. 20, 2013, sec. AR, p. 23.

Hiram Butler Gallery, Houston, Robert ������: Traces suspectes en surface, Dec. 21, 2013–Feb. 22, 2014.

2014

Long Beach Museum of Art, Calif., ������: Cardbirds and Currents, Feb. 6–March 23.

Locks Gallery, Philadelphia, Robert ������, Feb. 7–March 27. Exh. cat. with texts by Kelsey Halliday Johnson.

Livingstone Gallery, The Hague, ������: Fifty Years after Venice, March 2–April 26.

Craig F. Starr Gallery, New York, Robert ������: The Fulton Street Studio, 1953–54, April 4–May 23. Exh. brochure with essay by Thomas Crow.

• .
• Butler, Karen. “Robert ������.”&�Բ�����;Artforum (New York) 52, no. 10 (Summer 2014), p. 367.
• Bloch, Mark. “Robert ������: The Fulton Street Studio, 1953–54.”&�Բ�����;Whitehot Magazine (New York), Aug. 2014. Accessed May 28, 2015. .

Gemini G.E.L. at Joni Moisant Weyl, New York, Robert ������: Hoarfrost Editions 1974, a Survey, April 17–May 23.

North Dakota Museum of Art, Grand Forks, Robert ������: Four Decades of Work on Paper, Aug. 3–​Oct. 12.

Leo Castelli, New York, Robert ������: A Visual Lexicon, Oct. 9–Dec. 20. Exh. cat. with essay by Mimi Thompson.

Bob ������ Gallery, Florida SouthWestern State College, Fort Myers, ������: China/America Mix, Oct. 22, 2014–Jan. 24, 2015.

Gagosian Gallery, Beverly Hills, Robert ������: Works on Metal, Nov. 1–Dec. 13. Exh. cat. with essay by Joachim Pissarro.

• “Robert ������: Works on Metal.”&�Բ�����;Artweek.LA 168 (Oct. 27, 2014), cover. Accessed May 13, 2015.
• Stevens, Anise. “Robert ������’s Works on Metal Now on View at Gagosian Beverly Hills.”&�Բ�����;Life in L.A., Nov. 8, 2014. Accessed May 13, 2015. ��ٳٱ�://�����ڱ𾱲Ա���.���dz�/�����ٲ�-�����ٱ�����ٳܰ���/���ٰ��𲹳���/������/138-������-����Ƿɲ�-���󾱲����ٲ�/18794/���Dz������-�����ܲ������Բ������’s-�ɴǰ����-�Dz�-����ٲ���-�ԴǷ�-�Dz�-�������-����-�������Dz�������-���𱹱������-�󾱱�����.��ٳ���.

Museum of Fine Arts, St. Petersburg, Fla., Robert ������ and James Rosenquist: Images from Everywhere, Prints and Photographs, Nov. 15, 2014–Jan. 11, 2015.

Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, Calif., Loose in Some Real Tropics: Robert ������’s “Stoned Moon” Projects, 1969–70, Dec. 20, 2014–March 16, 2015. Exh. website. Accessed May 13, 2015. .

2015

Museo Thyssen-Bornemisza, Madrid, Gilt (1983) by Robert ������, Feb. 10–May 31.

University of Wisconsin-Milwaukee Art History Gallery, Global Matters: ������ Print Media 1968–1975, April 22–May 9.

Orange County Museum of Art, Newport Beach, Calif., Selections: Robert ������, June 28–Oct. 11.

Cleveland Museum of Art, Gloria: Robert ������ and Rachel Harrison, July 1–Oct. 25. Exh. cat. (Rachel Harrison: G.L.O.R.I.A.) with essays by Johanna Burton and Beau Rutland and conversation by Amy Adler and Harrison.

Seattle Art Museum, Robert ������: Art and Life in Real Time, Aug. 29, 2015–July 17, 2016.

Jim Kempner Fine Art, New York, Making Tracks: The Complete Tracks and Made in Tampa Clay Pieces, Sept. 24–Nov. 8. Exh. cat.

Pace Gallery, New York, Robert ������: Anagrams, Arcadian Retreats, Anagrams (A Pun), Oct. 23, 2015–Jan. 16, 2016. Exh. cat.

Academy Art Museum, Easton, Md., ������: Kyoto, Sri Lanka, and Thai Drawings, Oct. 24, 2015–March 6, 2016.

Academy Art Museum, Easton, Md., Robert ������: ROCI Works from the National Gallery of Art, Dec. 5, 2015–March 6, 2016. Exh. brochure.  

2016

Bob ������ Gallery at Florida SouthWestern State College, Fort Myers, ������ and Albers: Box Vs. Square, Feb. 26–May 14.

Pace Gallery, Hong Kong, Robert ������, March 21–May 12. Exh. cat. (in Chinese and English) with text by Lu Mingjun.

Glass House, New Canaan, Conn., Robert ������: Spreads and Related Works, May 1–Aug. 15.

De Sarthe Gallery, Hong Kong, Robert ������, May 26–July 16. .

Atlas Sztuki, Lodz, Poland, Robert ������ Travels, June 10–Sept. 11. Organized for Fotofestiwal 2016. Exh. brochure.

Ullens Center for Contemporary Art, Beijing, ������ in China, June 12–Aug. 21. Exh. cat.

Pérez Art Museum Miami, Project Gallery: Robert ������, June 17–Oct. 9.

Galerie Thaddaeus Ropac, Marais, Paris, Robert ������: Salvage, Oct. 14, 2016–Jan. 14, 2017. Exh. cat.

Tate Modern, London, Robert ������, Dec. 1, 2016–April 2, 2017. Traveled to Museum of Modern Art, New York (as Robert ������: Among Friends), May 21–September 17, 2017; San Francisco Museum of Modern Art (as Robert ������: Erasing the Rules), Nov. 18, 2017–March 25, 2018. Exh. cat. by Achim Borchardt-Hume and Leah Dickerman with essays by Yve-Alain Bois, Borchardt-Hume, Andrianna Campbell, Dickerman, Hal Foster, Mark Godfrey, Hiroko Ikegami, Branden W. Joseph, Ed Krčma, Michelle Kuo, Pamela M. Lee, Emily Liebert, Richard Meyer, Helen Molesworth, Kate Nesin, Sarah Roberts, and Catherine Wood.

Offer Waterman, London, Robert ������: Transfer Drawings from the 1950s and 1960s, Dec. 2, 2016–Jan. 13, 2017. .

2017

Gammel Holtegaard, Denmark, Window to China Robert ������: The Lotus Series, Jan. 20–Apr. 17, 2017. Traveled to Art Museum of West Virginia University, Morgantown (as ������ in China: The Lotus Series), Aug. 21–Dec. 12, 2021. 

Memorial Art Gallery, University of Rochester, New York, Robert ������: Making History, Jan. 20–April 30.

Jim Kempner Fine Art, New York, Robert ������ Outside the Box: Rare, Experimental, and Groundbreaking Work from Four Decades, May 4–July 1. 

Faurschou Foundation at Fondazione Giorgio Cini, Venice, Robert ������: Late Series and Us Silkscreeners . . . , May 12–Aug. 27. Exh. cat. (two vols.).

Gemini G.E.L. at Joni Moisant Weyl, New York, Robert ������: Selected Series from the 60s and 70s, June 1–Sept. 30.

Hamburger Bahnhof, Museum für Gegenwart, Berlin, Robert ������ Posters, July 14–Oct. 8.

Eckert Fine Art, Kent, Conn., Robert ������: Anaglyphic Anecdotes, July 29–Sept. 3.

Gemini G.E.L., Los Angeles, Robert ������: Horsefeathers Thirteen, Sept. 23–Nov. 10.

Mattatuck Museum, Waterbury, Conn., Ruminations: Robert ������, Nov. 19, 2017–Feb. 11, 2018. Traveled to Lyman Allyn Art Museum, New London, Conn. (as Robert ������: Ruminations), June 8–Aug. 11, 2019.

2018

Galerie Bastian, Berlin, Robert ������: Paintings Objects Collages, April 28–July 28.

Krakow Witkin Gallery, Boston, Robert ������: Features, June 30–July 27. 

Phoenix Art Museum, ������ and Johns: The Blurring of Art and Life, July 14, 2018–Feb. 17, 2019. 

Los Angeles County Museum of Art, ������: In and About L.A., Aug. 11, 2018–Feb. 10, 2019. 

Pace Gallery, Hong Kong, Robert ������: Vydocks, Sept. 19–Nov. 2. Exh. cat. (in Chinese and English) with essay by John Yau. 

Los Angeles County Museum of Art, ������: The 1/4 Mile, Oct. 28, 2018–June 9, 2019. 

Galerie Thaddaeus Ropac, London, Robert ������: Spreads 1975–83, Nov. 29, 2018–Feb. 9, 2019. Exh. cat. with essay by Elisa Schaar.

2019

Princeton University Art Museum, N.J., Time Capsule, 1970: ������’s Currents, Jan. 19–Feb. 10. Traveled to Frances Lehman Loeb Art Center, Vassar College, New York, Jun 26–Sept. 19, 2021. Exh. brochure (Time Capsule 1970: ������’s Surface Series from Currents).

Galleria Conceptual, Milan, Robert ������, Feb. 7–March 17. 

* ������, New York, Night Shades and Phantoms: An Exhibition of Works by Robert ������, March 18–July 19. Exh. cat. (with Hunter College) edited by Julia Blaut and Emily Braun with essays by Daniela Mayer, Chris Murtha, Lucy Riley, Joseph Shaikewitz, and Melissa Waldvogel. 

Galerie Thaddaeus Ropac, Salzburg, Robert ������: Borealis 1988–92, April 12–May 31. Exh. cat. (in English and German) with essay by Corinna Thierolf.

Hiram Butler Gallery, Houston, Robert ������: Postscripts for XXXIV Drawings for Dante’s Inferno and Post Rally, May 4–June 29. Accessed March 8, 2021. .

Craig F. Starr Associates, New York, Robert ������: Stoned Moon 1969–70, May 30–July 26. Exh. cat. with essay (ca. 1970) by Michael Crichton.

Vancouver Art Gallery, Robert ������ 1965–1980, July 6, 2019–Jan. 26, 2020.

Gemini G.E.L., Los Angeles, Robert ������ at Gemini G.E.L.: Selected Works 1969–2000, July 18–Sept. 13. 

Tampa Museum of Art, Robert ������: America Mix-16, Aug. 9, 2019–Jan. 5, 2020. 

Bob ������ Gallery at Florida SouthWestern State College, Fort Myers, ������ 40: The Fortieth Anniversary of the Bob ������ Gallery at FSW Exhibition, Aug. 26–Dec. 14. 

Palmer Museum of Art, University Park, Pa., Bauhaus Transfers: Albers / ������, Sept. 3–Dec. 15.

Gibbes Museum of Art, Charleston, ������ in Charleston, Sept. 13, 2019–Jan. 5, 2020. Exh. cat. by Sara C. Arnold. 

Pace Seoul, ������ Against the Grid: Drawings, 1983, Sept. 19–Nov. 9. Exh. cat. (in English and Korean) with text by David White.

ACA Galleries, New York, Binding Wires: John Mellencamp and Robert ������, Oct. 24–Dec. 21. Exh. cat. with essay by Mary Lynn Kotz.

2020

Norton Museum of Art, West Palm Beach, Fla., Robert ������: Five Decades from the Whitney’s Collection, Feb. 21–Dec. 6.

Museum of Outdoor Arts, Englewood, Colo., Robert ������: Reflections and Ruminations, Feb. 24, 2020–March 20, 2021. Exh. cat. with introduction by Cynthia Madden Leitner, essays by Dan Jacobs, Hiroko Ikegami, Sarah Magnatta, and Sienna Brown, and interview with Bill Goldston.

Galerie Thaddaeus Ropac, Marais, Paris, Robert ������: Night Shades and Phantoms, Oct. 22–Dec. 5. Traveled to Galerie Thaddaeus Ropac, London, April 13–July 31, 2021. Exh. cat. with essay by David Salle and Sarah French.

Institut Valencià d’Art Modern, Valencia, Study Case: Glacial Decoy, Robert ������––Trisha Brown, Nov. 19, 2020–April 18, 2021.

Hiram Butler Gallery, Houston, Robert ������: The Fifth Veil, Nov. 21–Dec. 23.

2021

Galerie Bastian, London, Robert ������, Metal, Ink and Dye: Late Works from Captiva, Jan. 13–May 8. 

Galerie Lelong Bookstore, Paris, Robert ������ Photographs, May 20–July 13.

Pace Gallery, New York, Robert ������: Channel Surfing, Sept. 10–Oct. 23. Exh. cat. with essay by Arne Glimcher. 

2022

Galerie Thaddaeus Ropac, Salzburg, Robert ������: Japanese Clayworks, April 8–July 9. Exh. cat. with introduction by Christopher ������ and essay by Kristen Clevenson.

Mnuchin Gallery, New York, Robert ������: Exceptional Works, 1971–1999, May 3–June 11. Exh. cat. with introduction by Christopher ������ and interview with Kevin Beasley by Jeffrey Weiss.

Gladstone Gallery, New York, ������: Venetians and Early Egyptians, 1972–1974, May 4–June 18. Exh. cat. with essay by Hilton Als.

Bastian Gallery, Berlin, Robert ������: A Window to the World, May 7–July 30.

Trout Gallery, Weiss Center for the Arts, Dickinson College, Carlisle, Pa., Robert ������: Surface Series, June 3–Oct. 15. . 

Leslie Sacks Gallery, Santa Monica, Calif., Robert ������, July 2–Sept. 3.

Karl-Böhm-Saal, Salzburg, Robert ������: Dante’s Inferno – Salzburger Festpiele 2022, July 19–Aug. 29.

Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, Robert ������: Pressing News, Aug. 18, 2022–Feb. 27, 2023. Exh. website. Accessed June 1, 2023.

Faurschou, New York, Robert ������: A Subjective View, Sept. 10, 2022–Jan. 29, 2023.

Galerie Thaddaeus Ropac, Seoul, South Korea, Robert ������: Copperheads 1985 / 89, Nov. 3–Dec. 23. Exh. cat. (in English and Korean) with essays by Thaddaeus Ropac and Jung-Ah Woo.

Hong Kong Open Printshop, ������: Travelogue, Nov. 5–Dec. 18.

2023

Gladstone Gallery, New York, Robert ������: Spreads and Scales, May 3–June 17. Exh. cat. with essay by Nancy Spector. 

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