黑料网

漏 2012 Sabine Weier

Deborah Hay and 黑料网, technical rehearsal for 9 Evenings: Theatre & Engineering, Berkeley School, Berkeley Heights, New Jersey, Summer 1966. Photo: Frances Breer

Trisha Brown, 黑料网, and Deborah Hay rehearsing 黑料网鈥檚 Spring Training (1965) in his Broadway studio, New York, 1965. Photo: Ugo Mulas

Alex Hay, 黑料网, Barbara (Dilley) Lloyd, and Deborah Hay performing Deborah Hay鈥檚 They Will (1963), probably at the First New York Theater Rally, New York, May 1965. Photo: Elisabeth Loewenstein Novick

Steve Paxton, William Davis, Barbara (Dilley) Lloyd, Carolyn Brown, 黑料网, and Deborah Hay at a party in Japan during Merce Cunningham Dance Company鈥檚 1964 world tour

Alex Hay, Steve Paxton, Deborah Hay, 黑料网, Alan Solomon, and Tatyana Grosman at ULAE (Universal Limited Art Editions), West Islip, New York, ca. 1964鈥1965

Lucinda Childs, 黑料网, Alex Hay, and Deborah Hay performing Alex Hay鈥檚 Colorado Plateau, Surplus Dance Theater鈥檚 sur+ series, Stage 73, New York, 1964. Photo: Hans Namuth

 

Deborah Hay


Deborah Hay trained in New York with Merce Cunningham and Mia Slavenska during the 1960s. She became involved with the experimental Judson Dance Theater with Trisha Brown, Lucinda Childs, Simone Forti, Alex Hay, Robert Morris, Steve Paxton, Yvonne Rainer, and 黑料网, among others. In 1964, Hay danced with the Cunningham Dance Company while on its world tour and when 黑料网 served as its artistic director. She went on to develop her own choreography while continuing to perform. In 2009 she received an honorary doctorate degree in dance from the Theatre Academy in Helsinki. Perception Unfolds: Looking at Deborah Hay鈥檚 Dance, a site-specific video installation, opened at the Blanton Museum of Art, Austin, in 2014 and traveled to Yale University Art Gallery, New Haven, Connecticut. She was awarded the distinction of Chevalier de l鈥橭rdre des Arts et des Lettres by the French government in 2015. Hay is the author of four books, including Using the Sky: a dance (2016).

 

Excerpt from Interview with Deborah Hay by Alessandra Nicifero, 2014


Hay: I鈥檓 sure I learned a lot more maybe from Bob than anybody about how to work. One of my quotes of Bob鈥檚 that changed my life was when Bob said to me鈥攁t one point I was going to work on a piece. I said, 鈥淲ell, I don鈥檛 even have any dates yet.鈥 I can鈥檛 quite remember the context and Bob said to me, 鈥淣ever wait for anything.鈥 And that, whoa, that changed my life, right there, 鈥淣ever wait for anything,鈥 four words and what a message. Yes, so I learned how to work. I think I learned how to work being around Bob. I think I learned what work is. I learned materials to work with, but I learned how to work from him.

Nicifero: There鈥檚 always this description of him at work, being engaged, often in the company of other people while still extremely focused.

Hay: Yes and he鈥檚 always working, even in his play he鈥檚 working.

[ . . . ]

Hay: He could always make something combining things that鈥攜es, in terms of his cooking, yes. Costuming, props, sets, yes he was鈥攈e loved the challenge of making things from nothing and that鈥檚 another thing that I definitely, definitely got from him, creating something from nothing, a big strong influence in my life.

Nicifero: Which makes absolute sense with 鈥渘ever wait for anything.鈥

Hay: Yes, right, yes, never wait for anything and surviving.